Follow palashbiswaskl on Twitter

PalahBiswas On Unique Identity No1.mpg

Unique Identity Number2

Please send the LINK to your Addresslist and send me every update, event, development,documents and FEEDBACK . just mail to palashbiswaskl@gmail.com

Website templates

Zia clarifies his timing of declaration of independence

What Mujib Said

Jyoti Basu is dead

Dr.BR Ambedkar

Memories of Another day

Memories of Another day
While my Parents Pulin babu and Basanti Devi were living

Friday, September 30, 2011

Mamata's painting in puja guide map showcase the HEGEMONY Mind control in Durgotsav, Naked Celebration of ETHNIC Cleansing of Non Aryan Non Brahmin Mulnivasi BAHUJAN!Brahamin Kanya, the Changed face of the Hegemony`s political Face is Using the Myth

Mamata's painting in puja guide map showcase the HEGEMONY Mind control in Durgotsav, Naked Celebration of ETHNIC Cleansing of Non Aryan Non Brahmin Mulnivasi BAHUJAN!Brahamin Kanya, the Changed face of the Hegemony`s political Face is Using the Myth of Durga to Fullest advantage as she does use Rabindra Sangeet to wipe out Marxist Ideology from Public Mind! The Bengali Brahaminical Nationalism theme right from Vande Matraram and Anand Math revolve around the Myth of Durga which Demolishes the Grand Mulnivasi Bahujan Culture of Grand Buddhist Heritage and NON ARYAN NON BRAHAMIN FOLK Culture and Life!

Indian Holocaust My Father`s Life and Time - SEVEN HUNDRED THIRTY THREE


Palash Biswas


http://indianholocaustmyfatherslifeandtime.blogspot.com/


Mamata's painting in puja guide map showcase the HEGEMONY Mind control in Durgotsav, Naked Celebration of ETHNIC Cleansing of Non Aryan Non Brahmin Mulnivasi BAHUJAN!


Chief minister Mamata Banerjee released two volumes of Kolkata Police magazine Protector and puja guide maps at Town Hall on Thursday. This year's guide map also features Mamata Banerjee's painting of Ma Durga.Brahamin Kanya, the Changed face of the Hegemony`s political Face is Using the Myth of Durga to Fullest advantage as she does use Rabindra Sangeet to wipe out Marxist Ideology from Public Mind! The Bengali Brahaminical Nationalism theme right from Vande Matraram and Anand Math revolve around the Myth of Durga which Demolishes the Grand Mulnivasi Bahujan Culture of Grand Buddhist Heritage and NON ARYAN NON BRAHAMIN FOLK Culture and Life! At the same time it has become the Greatest Branding of Economic ethnic Cleansing and Free Market Economy. All ways lead to shopping Malls and it is Madding Crowd of Buyers all around irrespective of Purchasing Power. Unwilling Consumers have to enter the Market dominated by Brahaminical Class just to justify their status in the Brahaminical society!

The mind control is so tremendous that we may NOT Convince our near and dear ones that this festivity has NOTHING to do with us.It is History Manipulated and Complete Deculturiasion that we do Celebrate the Killing of Non Aryan Ancestors!

This season our son Excallibur stevens is away and engaged in a very Important Mission! But his Mother is Celebrating the Puja with Full Enthusiasm despite being Ideologically Aware! She has to sing the AGOMONEE Sangeet! Her MOOD is not demoralised a little bit despite Bad news from back Home! My cousin Sister Rani met an Accident as she was waiting for children coming from school at the roadside and a drunk Biker hit her. She underwent Major surgery only today. My brother`s wife Namita has just recovered from Septosemia.

No Earthquake, Calamity,Weather, Pricerise,Accident, Personal plight may dampen the Spirit!

Durga Puja is essentially associated with Ram and Ramayan which zre used to Justify Manusmriti rule. Ram Killed SHAMBUK to maintan VARNASHRAM Discipline. Durga has NEVER been aryan God. The Chandipath, most Essental ritual is not a part of Vedic literature. Chandi is replicated with Kali who was indigenous, non Aryan! Benagl was the Mainland of Non Aryan Non Brahmin Demography even before the Fall of Pal dynasty and Demise of Buddhism finally in Bengal. The sen dynasty introduced Brahaminical system after 11th century. But Brahamin Academia mark the period from Seventh century to 11th Century as Dark Period. The MULNIVASI History is thus destroyed. King Shashanka was the worshiper of Non Aryan God SHIVA. Benagl used to worship only shiva and Kali until Chaitnay Mahaprabhu introduced VISHNU befor some Five Hundred years and his disciple Nityanand Mahaprabhu HINDUISED the majority Untouchables and shudras! Durga Puja had been introduced later. The ZAMINDARI, Brahaminical dominance had the MONOPOLY on Durga Puja. even today, NO NON Brahamin may cook the BHOG neither he is allowed to participate in any Ritual. if Durgotsav is the Expression  of Secular Bengali Culture, why UNTOUCHABILITY and Racial Apartheid PRACTICED so naked? During the Brahaminical Swadeshi movement demanding Ram Raj, DURGA Puja became SARBAJANEEN literally and stayed as the EXPRESSION of Manusmriti Rule in its Cruelest Discipline!

But Durga Puja is such an Occassion to Brahaminise the Mind however Sharp!Mamata is the Star Attraction for the Puja Pundals this year. But the Marxists also had been using the Opportunity to strengthen the Hegemony!
The chief minister also cited the importance of Kolkata as a gateway to the east and northeast.

"As the city's importance grows, so will that of Kolkata Police. Now, the force has an even wider jurisdiction. Its area has been doubled. Already, people of the added area
have started enjoying the benefit of being in the Kolkata Police area. I must congratulate you for that. But there is room for development. Roads still get clogged. Vehicles wait longer than they should at the Rashbehari-SP Mukherjee Road and D L Khan Road-AJC Bose Road crossings," she said. "If you keep the road clear, people will have no complaints," she added.
The chief minister said that people should also be sympathetic towards copswho carry out their duty whether in sun or rain. "They are also human beings. There is no harm if they sit for a while and doze off. After all, they work 24X7.

If any person works, he or she will commit errors. It is meaningless to highlight those moments as slackness to undo all the good work that a cop has done. I wish these poor cops health and happiness," she said. She also praised the special task force's work of which she was very critical after assuming office.
The chief minister also criticized people who say they have chest pain after listening to Rabindra Sangeet at road crossings. "Why do not they understand that it is the language of the heart," she asked.

  1. Pandal Photos/Videos | sharadshamman.asianpaints.com

    sharadshamman.asianpaints.com     
    Hurry & Win Exciting Prizes by Uploading Photos/Videos Of Pandal's

Ads

  1. Puja Marketing 

    www.justdial.com
    Get phone,address,ratings & reviews
    for Puja Marketing

See your ad here »


Showing results for durga puja market
Search instead for the original terms: durga puja narket

Ads

  1. Durga Puja 2011 

    www.kolkatadurgapuja.com
    Biggest site of Durga Puja Festival
    in Kolkata, register your Puja Now!

See your ad here »

Riddle In Hinduism

______________________________________________

 

Contents

 

PART I  - RELIGIOUS

Riddle No. 1 : The difficulty of knowing why one is a Hindu

Riddle No. 2 : The Origin Of The Vedas—The Brahminic Explanation or An Exercise In The Art Of Circumlocution

Riddle No. 3 : The Testimony Of Other Shastras On The Origin Of The Vedas

Riddle no. 4 : Why suddenly the brahmins declare the vedas to be infallible and not to be questioned?

Riddle no. 5 : Why did the brahmins go further and declare that the vedas are neither made by man nor by god?

Riddle no. 6 : The contents of the vedas: have they any moral or spiritual value?

Riddle no. 7 : The turn of the tide or how did the brahmins deceare the vedas to be lower than the lowest of their shastras?

Riddle no. 8 : How the upanishads declared war on the vedas?

Riddle no. 9 : How the upanishads came to be made subordinate to the vedas?

Riddle no. 10 : Why did the brahmins make the hindu gods fight against one another?

Riddle no. 11 : Why did the brahmins make the hindu gods suffer to rise and fall?

Riddle no. 12 :  Why did the brahmins dethrone the gods and enthrone the goddesses?

Riddle no. 13 : The riddle of the ahimsa

Riddle no. 14 : From ahimsa back to himsa

Riddle no. 15 :  How did the brahmins wed an ahimsak god to a bloodthirsty Goddess?

 

APPENDIX

PART II - SOCIAL

PART III - POLITICAL

 

RIDDLE No. 1

THE DIFFICULTY OF KNOWING WHY ONE IS A HINDU

India is a conjeries of communities. There are in it Parsis, Christians,  Mohammedans and Hindus. The basis of these communities is not racial. It is of course religious. This is a superficial view. What is interesting to know is why is a Parsi a Parsi and why is a Christian a Christian, why is a Muslim a Muslim and why is a Hindu a Hindu? With regard to the Parsi, the Christian and the Muslim it is smooth sailing. Ask a Parsi why he calls himself a Parsi he will have no difficulty in answering the question. He will say he is a Parsi because he is a follower of Zoraster. Ask the same question to a Christian. He too will have no difficulty in answering the question. He is a Christian because he believes in Jesus Christ. Put the same question to a Muslim. He too will have no hesitation in answering it. He will say he is a believer in Islam and that is why he is a Muslim.

Now ask the same question to a Hindu and there is no doubt that he will be completely bewildered and would not know what to say.

If he says that he is a Hindu because he worships the same God as the Hindu Community does his answer cannot be true. All Hindus do not worship one God. Some Hindus are monotheists, some are polytheists and some are pantheists. Even those Hindus who are monotheists are not worshippers of the same Gods. Some worship the God Vishnu, some Shiva, some Rama, some Krishna. Some do not worship the male Gods. They worship a goddess. Even then they do not worship the same Goddesses. They worship different Goddesses. Some worship Kali, some worship Parvati, some worship Laxmi.

Coming to the Polytheists they worship all the Gods. They will worship Vishnu and Shiva, also Rama and Krishna. They will worship Kali, Parvati and Laxmi. A Hindu will fast on the Shivaratri day because it is sacred to Shiva. He will fast on Ekadashi day because it is sacred to Vishnu. He will plant a Bel tree because it is sacred to Shiva and he will plant a Tulsi because it is dear to Vishnu.

  Polytheists among the Hindus do not confine their homage to the Hindu Gods. No Hindu hesitates to worship a Muslim Pir or a Christian Goddess. Thousands of Hindus go to a Muslim Pir and make offerings. Actually there are in some places Brahmins who own the office of a hereditary priesthood of a Muslim Pir and wear a Muslim Pir's dress. Thousands of Hindus go to make offerings to the Christian GoddessMant Mauli near Bombay.

The worship of the Christian or Muslim Gods is only on occasions. But there are more permanent transfer of religious allegiance. There are many so-called Hindus whose religion has a strong Muhammadan content. Notable amongst these are the followers of the strangePanchpiriya cult, who worship five Muhammadan saints, of uncertain name and identity, and sacrifice cocks to them, employing for the purpose as their priest a Muhammadan Dafali fakir. Throughout India many Hindus make pilgrimages to Muhammadan shrines, such as that of Sakhi Sarwar in the Punjab.

Speaking of the Malkanas Mr. Blunt says that they are converted Hindus of various castes belonging to Agra and the adjoining districts. chiefly Muttra, Ettah and Mainpuri. They are of Rajput, Jat and Bania descent. They are reluctant to describe themselves as Musalmans, and generally give their original caste name and scarcely recognize the name Malkana. Their names are Hindu; they mostly worship in Hindu temples: they use the salutation Ram-Ram: they intermarry amongst themselves only. On the other hand, they sometimes frequent a mosque, practise circumcision and bury their dead: they will eat with Muhammadans if they are particular friends.

In Gujarat there are several similar communities such as the Matia Kunbis, who call in Brahmans for their chief ceremonies, but are followers of the Pirana saint Imam Shah and his successors, and bury their dead as do the Muhammadans: the Sheikhadas at their weddings employ both Hindu and a Muhammadan priest, and the Momans who practise circumcision, bury their dead and read the Gujarati Koran, but in other respects follow Hindu custom and ceremonial.

If he says that "I am a Hindu because I hold to the beliefs of the Hindus" his answer cannot be right for here one is confronted with the fact that Hinduism has no definite creed. The beliefs of persons who are by all admitted to be Hindus often differ more widely from each other than do those of Christians and Muhammadans. Limiting the issue to cardinal beliefs the Hindus differ among themselves as to the beliefs which arc of cardinal importance. Some say that all the Hindu scriptures must be accepted, but some would exclude the Tantras, while others would regard only the Vedas as of primary importance; some again think that the sole essential is belief in the doctrine of karma and metempsychosis.

A complex congeries of creeds and doctrines is Hinduism. It shelters within its portals monotheists, polytheists and pantheists; worshippers of the great Gods Shiva and Vishnu or of their female counterparts,.as well as worshippers of the divine mothers or the spirits of trees, rocks and streams and the tutelary village deities; persons who propitiate their deity by all manner of bloody sacrifices, and persons who will not only kill no living creature but who must not even use the word 'cut '; those whose ritual consists mainly of prayers and hymns, and those who indulge in unspeakable orgies in the name of religion; and a host of more or less heterodox sectaries, many of whom deny the supremacy of the Brahmans, or at least have non-Brahmanical religious leaders.

If he says that he is a Hindu because he observes the same customs as other Hindus do his answer cannot be true. For all Hindus do not observe the same customs.

In the north near relatives are forbidden to marry; but in the south cousin marriage is prescribed, and even closer alliances are sometimes permitted. As a rule female chastity is highly valued, but some communities set little store by it, at any rate prior to marriage, and others make it a rule to dedicate one daughter to a life of religious prostitution. In some parts the women move about freely; in others they are kept secluded. In some parts they wear skirts; in others trousers.

Again if he said that he is a Hindu because he believes in the caste system his answer cannot be accepted as satisfactory. It is quite true that no Hindu is interested in what his neighbour believes, but he is very much interested in knowing whether he can eat with him or take water from his hands. In other words it means that the caste system is an essential feature of Hinduism and a man who does not belong to a recognized Hindu Caste cannot be a Hindu. While all this is true it must not be forgotten that observance of caste is not enough. ManyMusalmans and many Christians observe caste if not in the matter of inter-dining certainly in the matter of inter-marriage. But they cannot be called Hindus on that account. Both elements must be present. He must be a Hindu and he must also observe caste. This brings us back to the old question who is a Hindu? It leaves us where we are.

Is it not a question for every Hindu to consider why in the matter of his own religion his position is so embarrassing and so puzzling? Why is he not able to answer so simple a question which every Parsi, every Christian, and every Muslim can answer? Is it not time that he should ask himself what are the causes that has brought about this Religious chaos ?

 

riddle No. 2

THE ORIGIN OF THE VEDAS—

THE BRAHMINIC EXPLANATION OR AN EXERCISE IN THE ART OF CIRCUMLOCUTION

There is hardly any Hindu who does not regard the Vedas as the most sacred Book of his religion. And yet ask any Hindu what is the origin of the Vedas and it would be difficult to find one who can give a clear and a definite answer to the simple question. Of course, if the question was addressed to a Vedic Brahmin he would say that the Vedas are Sanatan. But this is no answer to the question. For first of all what does the word Sanatan means?

The best explanation of the word Sanatan is to be found in the Commentary by Kalluka Bhatt on Chapter I Shiokas 22-23 of the Manu Smriti. This is what Kulluka Bhatt defines the word Sanatan*[f1].

We have found 72 pages dealing with the subject " Origin of the Vedas ". These pages were neither arranged properly nor paged either by the typist or by the author. We have attempted to organize and arrange all these loose papers systematically and divide them into the Riddle No, 2 to 6, in accordance with the arrangement given in the Table of contents. It is difficult to assume that all these pages are complete in the treatment of the subject of each Chapter.

 (There is, however, one independent chapter containing 61 pages under the title 'Riddle of the Vedas 'placed as Appendix I. That essay deals with all the subjects mentioned in the Table of Contents at Sr. No. 2 to 6 in a consolidated manner. Several paras may be found repeated in that essay. The original MS of the chapters 2 to 6 included here hears corrections and modifications in the handwriting of the author, whereas the Chapter included as Appendix I is a typed second copy having no corrections at all. We have followed the chronology of the Table of contents and the pages of corrected MS are arranged accordingly.)

"The word Sanatana he says, means 'eternally pre-existing'. The doctrine of the superhuman origin of the Vedas is maintained by Manu. The same Vedas which (existed) in the previous mundane era (Kalpa) were preserved in the memory of the omniscient Brahma, who was one with the supreme spirit. It was those same Vedas that, in the beginning of the present Kalpa, he drew forth from Agni, Vayu and Surya; and this dogma, which is founded upon the Veda, is not to be questioned, for the Veda says, 'the Rig-Veda comes from Agni, the Yajur-Veda from Vayu, and the Sama-Veda from Surya. " To understand the explanation by Kulluka Bhatt it is necessary to explain what Kalpa means.

A Kalpa is a reckoning of time adopted by the Vedic Brahmins. The  Brahmanic reckoning of time divides time into (1) Varsha, (2) Yuga, (3) Mahayuga, (4) Manvantara and (5) Kalpa.

Varsha is easy enough to understand. It corresponds to the term year.

What exactly the period of time covered by the term Yuga covers there is no unanimity.

A Mahayuga is a period covered by a group of four Yugas: (1) Krita Yuga, (2) Treta Yuga, (3) Dwapar Yuga and (4) Kali Yuga. The four Yugas follow one another in a cycle, when the period of the first Yuga is spent it is followed by the second and so on in the order given. When the cycle is complete one Mahayuga is completed and a new Mahayuga opens. Every Mahayuga begins with the Krita Yuga and ends with Kali Yuga.

There is no uncertainty as to the time relation of a Mahayuga and a Kalpa. 71 Mahayugas make one Kalpa. There is however some uncertainty as to the time relation between Mahayuga and Manvantara. A Manvantara is equal to 71 Mahayugas "and something more"'. What exact period of time that 'something more' means, the Brahmins have not been able to state categorically. Consequently the time relation between Manvantara and Kalpa is uncertain.

But this does not matter very much for our present purposes. For the present it is enough to confine our attention to Kalpa.

   The idea underlying ' Kalpa ' is closely connected with the creation and dissolution of the Universe. The creation of the world is calledSrashti. The dissolution of the universe is called Pralaya. Time between Srashti and Pralaya is called Kalpa. The idea of the origin of the Vedas is thus more intimately connected with the idea of Kalpa.

   According to this scheme of things, what is supposed to happen is that when a Kalpa begins creation begins. With the beginning of the creation there comes into being a new series of Vedas. What Kulluka Bhatt wants to convey is that though in a sense every new Kalpa has a new series of Vedas the same old Vedas are reproduced by Brahma from his memory. That is why he says the Vedas are Sanatan i.e., eternally pre-existing.

What Kalluka Bhatt says is that the Vedas are reproduced from memory. The real question is who made them and not who reproduced them. Even if one accepts the theory of reproduction at the beginning of each Kalpa the question still remains who made the Vedas when the First Kalpa began. The Vedas could not have come into being ex-nihilo. They must have a beginning though they may have no end. Why don't the Brahmins say openly? Why this circumlocution?

 

RIDDLE NO. 3

THE TESTIMONY OF OTHER SHASTRAS ON THE ORIGIN OF THE VEDAS

I

  The search for the origin of the Vedas may well begin with the Vedas themselves.

The Rig-Veda propounds a theory of the origin of the Vedas. It is set out in the famous Purusha Sukta. According to it, there was a mystic sacrifice of the Purusha a mythical being and it is out of this sacrifice that the three Vedas namely. Rig, Sama, Yajus came into being.

The Sama-Veda and Yajur-Veda have nothing to say about the origin of the Vedas.

The only other Veda that refers to this question is the Atharva-Veda. It has many explanations regarding the origin of the Vedas. One explanation*[f2] reads as follows:

" From Time the Rig verses sprang; the Yajus sprang from Time. " There are also two other views propounded in the Atharva-Veda on this subject. The first of these is not very intelligent and may be given in its own language which runs as follows[f3]:

" Declare who that Skamba (supporting principle) is in whom the primeval rishis, the rick, saman, and yajush, the earth and the one rishi, are sustained....

" Declare who is that Skamba from whom they cut off the rick verses, from whom they scrapped off the yajush, of whom the saman verses are the hairs and the verses of Atharvan and Angiras the mouth. "

Obviously this statement is a challenge to some one who had proclaimed that the Rig, Sama and Yajur Veda were born out of a Skamba.

The second explanation given in the Atharva-Veda is that the Vedas sprang from Indra.[f4]

II

This is all that the Vedas have to say about their own origin. Next in order of the Vedas come the Brahmanas. We must therefore inquire into what they have to say on this subject. The only Brahmanas which attempt to explain the origin of the Vedas are the Satapatha Brahmana, the Taitteriya Brahmana. Aitereya Brahmana and Kaushitaki Brahmana.

  The Satapatha Brahmana has a variety of explanations. One attributes the origin of the Vedas to Prajapati[f5]. According to it:

" Prajapati, was formerly this universe (i.e., the sole existence) one only. He desired, 'may I become, may I be propagated '. He toiled in devotion, he performed austerity.

" From him, when he had so toiled and performed austerity, three worlds were created—earth, air and sky. He infused warmth into these three worlds. From them, thus heated, three lights were produced,— Agni (fire), this which purifies i.e., Pavana, or Vayu, (the Wind), and Surya (the Sun). He infused heat into these three lights. From them so heated the three Vedas were produced,— the Rig-Veda from Agni (fire), the Yajur-Veda from Vayu (Wind) and the Sama-Veda from Surya (the Sun). He infused warmth into these three Vedas. From them so heated three luminous essences were produced, bhuh, from the Rig-Veda, bhuvah from the Yajur-Veda, and svar from the Sama-Veda. Hence, with the Rig-Veda, the office of the adhvaryu; with the Sama-Veda, the duty of the udgatri; while the function of the brahman arose through the luminous essence of the triple science (i.e., the three Vedas combined).'"

  The Satapatha Brahmana gives another variant[f6] of this explanation of the origin of the Veda from Prajapati. The explanation is that Prajapati created the Vedas from waters. Says the Satapatha Brahmana:

"This male, Prajapati, desired, 'May I multiply, may I be propagated '. He toiled in devotion; he practised austere-fervour. Having done so he first of all created sacred knowledge, the triple Vedic science. This became a basis for him. Wherefore men say, ' sacred knowledge is the basis of this universe '. Hence after studying the Veda a man has a standing ground; for sacred knowledge is his foundation. Resting on this basis he (Prajapati) practised austere-fervour. He created the waters from Vach (speech) as their world. Vach was his; she was created. As she pervaded (apnot) waters were called 'apah'. As she covered (avrinot) all, water was called 'Var'. He desired, 'May I be propagated from these waters '. Along with this triple Vedic science he entered the waters. Thence sprang an egg. He gave it an impulse; and said 'let there be, let there be, let there be again '.Thence was first created sacred knowledge, the triple Vedic science. Wherefore men say, 'Sacred knowledge is the first-born thing' in this universe. Moreover, it was sacred knowledge which was created from that Male in front, wherefore it was created as his mouth. Hence they say of a man learned in the Veda, 'he is like Agni; for the sacred knowledge is Agni's mouth '. "

There is a third explanation[f7]given in the Satapatha Brahmana:

   " I settle thee in the ocean as they seat. "

" Mind is the ocean. From the mind-ocean with speech for a shovel the Gods dug out the triple Vedic science. Hence this verse has been uttered; 'May the brilliant deity today know where they placed that offering which the Gods dug out with sharp shovels. Mind is the ocean; speech is the sharp shovel; the triple Vedic Science is the offering. In reference to this the verse has been uttered. He settles it in Mind."

The Taitteriya - Brahmana has three explanations to offer. It speaks of the Vedas as being derived from Prajapati. It also says Prajapaticreated king Soma and after him the three. Vedas were created[f8]. This Brahmana has another explanation[f9]quite unconnected with Prajapati. According to it:

"Vach (speech) is an imperishable thing, and the first-born of the ceremonial, the mother of the Vedas, and the centre-point of immortality. Delighting in us, she came to the sacrifice. May the protecting goddess be ready to listen to my invocation, she whom the wise rishis, the composers of hymns, the Gods sought by austere-fervour, and by laborious devotion. " To crown all this the Taitteriya Brahmana offers a third explanation. It says that the Vedas came from the beard of Prajapati.[f10]

Ill

The Upanishads have also attempted to explain the origin of the Vedas. The explanation offered by the Chhandogya Upanishad is thesame[f11] as that given by the Satapatha Brahmana—namely that the Rig-Veda originated from Agni, Yajus from Vayu and Sam from the Sun.

The Brahad Aranyaka Upanishad has two explanations to offer. In one place, it says[f12]:

"As from a fire made of moist wood, various modifications of smoke proceed, so is the breathing of this great Being the Rig-Veda, theYajur-Veda, the Sama-Veda, the Atharvangirases, the Itihasas, Puranas, science, the Upanishads, verses (slokas), aphorisms, comments of different kinds—all these are his breathings. " In another place, it says[f13]

" Prajapati (identified with Death or the Devourer) is said to have produced Vach (speech), and through her, together with soul, to have created all things, including the Vedas."

"By that speech and that soul he created all things whatsoever, rick, yajush, and saman texts, metres, sacrifices, creatures and animals. "

"The three Vedas are (identifiable with) these three things (speech, mind and breath). Speech is the Rig-Veda, mind the Yajur-Veda and breath the Sama-Veda."

IV

Coming to the Smritis, there are two theories as to the origin of the Vedas to be found in the Manu Smriti. In one place[f14], it is said that the Vedas were created by Brahma.

"He (Brahma) in the beginning fashioned from the words of the Veda the several names, functions, and separate conditions of all (creatures). That Lord also created the subtle host of active and living deities, and of Sadhyas, and eternal sacrifice. And in order to the performance of sacrifice, he drew forth from Agni, from Vayu and from Surya, the triple eternal Veda, distinguished as Rick, Yajush and Saman."

 

In another place[f15] he seems to accept the story of Prajapati being the originator of the Vedas as would be evident from the following:

 

"Prajapati also milked out of the three Vedas the letters, 'a ', ' u ', and "m ' together with the words 'bhuh ', ' bhuvah 'and ' svar '. The same supreme Prajapati also milked from each of the three Vedas one of the three portions of the text called Savitri (or gayatri), beginning with the word tat... . The three great imperishable particles (bhuh,bhuvah, svar) preceded by om, and the gayatri of three lines, are to be regarded as he mouth of Brahma."

V

 

It is also interesting to note what the Puranas have to say about the origin of the Vedas. The Vishnu Purana[f16] says:

" From his eastern mouth Brahma formed the gayatra, the rick verses, the trivrit, the soma-rathantara, and of sacrifices, the agnishtoma.From his southern mouth he created the yajush verses, the trishtubh metre, the panchadasa-stoma, the vrihat-saman and the ukthya. From his western mouth he formed the saman verses, the jagatimetre, the saptadasa-stoma, the vairupa, and the atiratra. From his northern mouth he framed the ekavinsa, the atharvan, the aptoryaman, with the anushtubh and biraj metres. " The Bhagvat Purana[f17]says:

"Once the Vedas sprang from the four-faced creator, as he was meditating ' how shall I create the aggregate worlds as before?. . . He formed from his eastern and other mouths the Vedas called rick, yajush, saman, and atharvan, together with praise, sacrifice, hymns and expiation. " *[There appears lo be some quotations missing as there is no link between these two paragraphs.]

  " Entering between her eyes. From her there was then produced a quadruple being in the form of a Male, lustrous as Brahma, undefined, eternal, undecaying, devoid of bodily senses or qualities, distinguished by the attribute of brilliancy, pure as the rays of the moon, radiant, and embodied in letters. The God fashioned the Rig-Veda, with the Yajush from his eyes, the Sama-Veda from the tip of his tongue, and the Atharvan from his head. These Vedas, as soon as they are born, find a body, (kshetra). Hence they obtain their character of Vedas, because they find (vindanti) that abode. These Vedas then create the pre-existent eternal Brahma (sacred science), a Male of celestial form, with their own mind-born qualities. "

It also accepts Prajapati as the origin. It says that when the Supreme being was intent on creating the Universe, Hiranyagarbha, or Prajapati, issued from his mouth the sound ' Om ', and was desired to divide himself—a process which he was in great doubt how he should effect— the Harivamsa proceeds[f18]:

" While he was thus reflecting, the sound ' om ' issued from him, and resounded through the earth, air and sky. While the God of Gods was again and again repeating this, the essence of mind, the vashatkara proceeded from his heart. Next, the sacred and transcendent vyahritis,(bhuh, bhuvah, svar), formed of the great smriti, in the form of sound, were produced from earth, air, and sky. Then appeared the goddess, the most excellent of meters, with twenty-four syllables (the gayatri). Reflecting on the divine text (beginning with) 'tat', the Lord formed the Savitri.He then produced all the Vedas, the Rick, Saman, Atharvan, and Yajush, with their prayers and rites."

VI

Here we have eleven different explanations regarding the origin of the Vedas—(1) as originating from the mystical sacrifice of Purusha, (2) as resting on Skambha, (3) as cut or scraped off from him, as being his hair and his mouth, (4) as springing from Indra, (5) as produced from Time, (6) as produced from Agni, Vayu and Surya, (7) as springing from Prajapati, and the Waters, (8) as being the breath of Brahma, (9) as being dug by the Gods out of mind-ocean, (10) as being the hair of Prajapati's beard and (II) as being the offspring of Vach.

This bewildering multiplicity of answers to a simple question is a riddle. The writers who have come forward to furnish these answers are all Brahmins. They belong to the same Vaidik school of thought. They alone were the guardians of the ancient religious lore. Why should they have given such incoherent and chaotic answers to a very simple question?

 

Riddle No. 4

WHY SUDDENLY THE BRAHMINS DECLARE THE VEDAS TO BE INFALLIBLE AND NOT TO BE QUESTIONED?

To say that the Vedas occupy a very high position in the Religious literature of the Hindus is to make an understatement. To say that the Vedas form the sacred literature of the Hindus will also be an inadequate statement. For the Vedas besides being a sacred literature of the Hindus is a book whose authority cannot be questioned. The Vedas are infallible. Any argument based on the Vedas is final and conclusive. There is no appeal against it. This is the theory of the Vedic Brahmins and is accepted by the generality of the Hindus.

                                               I

On what does this theory rest? The theory rests on the view that the Vedas are Apaurusheya. When the Vedic Brahmins say that the Vedas are Apaurusheya what they mean is that they were not made by man. Not being made by man, they are free from the failings, faults and frailties to which every man is subject and are therefore infallible.

II

It is difficult to understand how such a theory came to be propounded by the Vedic Brahmins. For there was a time when the Vedic Brahmins themselves thought quite differently on the question of the authority of the Vedas as being final and conclusive. These VaidikBrahmins are no other than the authors of the various Dharma Sutras.

 

The following are the views expressed by the Dharma Sutras on question of the authority of the Vedas: To begin with the Gautama Dharma Sutra. It lays down the following rule on the question of the infallibility of the Vedas. "The Veda is the source of the sacred law" 1-1.

"And the tradition and practice of those who know the Veda" I-2. "

 "If authorities of equal force are conflicting, (either may be followed at) pleasure" I-4.

The Vashishta Dharma Sutra propounds the following view:

"The sacred law has been settled by the revealed texts i.e., Vedas and by the tradition of the sages" I-4.

 " On the failure of (rules given in) these (two sources) the practice of Shishtas (has) authority" I-5.

The views of Baudhayana are given below:

   Prasna I, Adhyaya I, Kandika I.

(1)       The sacred law is taught in each Veda.

(2)       We will explain (it) in accordance with that.

(3) (The sacred law), taught in the tradition (Smriti) stands second.

     (4) The practice of the Sishtas (stands) third.

   (5) On failure of them an Assembly consisting at least of ten members (shall decide disputed points of law).

  The view taken by the Apastamba Dharma Sutra is clear from the following extract from that Sutra:

   "Now, therefore, we will declare the acts productive of merit which form part of the customs of daily life" 1-1.

"The authority (for these duties) is the agreement (samaya) of those who know the law". 1-2.

"And (the authorities for the latter are) the Vedas alone" 1-3. With regard to the Shishtas both the Vashishtha Dharma Sutra and also the Baudhayana Dharma Sutra have taken particular care to define who can be regarded as Shishtas.

The Vashishta Dharma Sutra says:

          "He whose heart is free from desire (is called) a Shishta". I-6. Baudhayana goes into much greater details about the qualification of the Shishtas. This is what he says:

"5. Shishtas, forsooth, (are those) who are free from envy, free from pride, contented with a store of grain sufficient for ten days, free from covetousness, and free from hypocrisy, arrogance, greed, perplexity and anger."

" 6. Those are called Shishtas who, in accordance with the sacred law, have studied the Veda together with its appendages, know how to draw inferences from that (and) are able to adduce proofs perceptible by the senses from the revealed texts. "

Baudhayana has also something very interesting to say about the assembly whom he authorises to decide. The following are his views on the matter:

"8. Now they quote also (the following verses): 'Four men, who each know one of the four Vedas, a Mimansaka, one who knows the Angas, one who recites (the works on) the sacred law, and three Brahmanas belonging to (three different) orders, constitute an assembly consisting at least of ten members. "

"9. There may be five, or there may be three, or there may be one blameless man, who decides (questions regarding) the sacred law. But a thousand fools (can) not do it). "

"As an elephant made of wood, as an antelope made of leather, such an unlearned Brahmana; those three having nothing but the name (of their kind)".

This review of Dharma Sutras' [f19]shows that the (1) Veda, (2) Tradition (Smriti), (3) Practice of Shishta and (4) Agreement in an assembly were the four different authorities which were required to be referred to in the decision of an issue which was in controversy. It also shows that there was a time when the Vedas were not the sole infallible authorities. That was the time represented by the Dharma Sutras of Vashishta and Baudhayana. Apastambha does not invest the Vedas with any authority at all. Knowledge of Vedas is made by him as an electoral qualification for membership of the Assembly whose agreed decision is the law and the only law. The Veda was not at all regarded as a book of authority and when the only recognized source of authority was an agreement arrived at in an Assembly of the learned. It is only in the time of Gautama that the Vedas came to be regarded as the only authority. There was a time when an agreed decision of the Assembly was admitted as one source of authority. That is the period represented by Baudhayana.

This conclusion is reinforced by the following quotation from the Satapatha Brahmana. It says:

[Left incomplete. Quotation and further discussion not given.]

 

Riddle No. 5

WHY DID THE BRAHMINS GO FURTHER AND DECLARE THAT THE VEDAS ARE NEITHER MADE BY MAN NOR BY GOD?

The Vedic Brahmins were not content with investing the Vedas with Infallibility. They went further and asserted that the Vedas were Apaurusheya. By this they meant the Vedas were not made by man. This doctrine no doubt leads to the doctrine of Infallibility. For not being made by man they are free from the failings, faults and frailties of man and are therefore infallible. All the same it is necessary to examine the theory separately for it is an independent theory.

Is there really no human author of the Vedas? Are they really Apaurusheya? The best evidence on the subject is the evidence of theAnukramanis— a special class of literature which forms part of the ancient Sanskrit literature. What are called Anukramanis are nothing but systematic indices to various portions of the ancient Vedic literature. Every Veda has an Anukramani, sometimes have more than one Anukramani. Seven Anukramanis for the Rig-Veda are known to be in existence, five by Shaunaka, one by Katyayana and one by an unknown author. For the Yajur-Veda there exist three Anukramanis, one for each of the three Shakhas, Atreyi, Charayaniyas and Madhyandina. For the Sama-Veda there are two Anukramanis, one is called Arsheya-Brahmana and the other is known by the name Parishistas. As to the Atharva-Veda one Anukramani is known to exist. It is known as Brihat-Sarvanukramani.

The most perfect Anukramani according to Prof. Max Muller is Katyayana's Sarvanukramani to the Rig-Veda. Its importance lies in the tact that it gives (1) the first words of each hymn, (2) the number of verses. (3) the name and the family of the Rishi who composed it, (4) the names of the deities and (5) the metres of every verse. What emerges from a reference to the Sarvanukramani is that the Rishis are the authors of the hymns which make up the Rig-Veda. The Rig-Veda therefore on the evidence of the Anukramani cannot but be regarded as a man-made work. The same must be the conclusion regarding the other Vedas. That the Anukramanis are realistic is proved by many passages in the Rig-Veda in which the Rishis describe themselves as the composers of the hymns.

Below are given a few of such passages:

"The Kanvas make a prayer to you, hear well their invocation'. Thus, O, Indra, yoker of steeds, have the Gotamas made hymns for these efficaciously"

  "This hymn has efficaciously been made to you, 0 opulent Asvins, by the Manas"

  "These magnifying prayers, (this) hymn, 0 Asvins, the Gritsamadas have made for you "

  "Aspiring to heaven, the sage Kusikas have made a hymn with praises to thee, O Indra. "

  "Nodhas, descendant of Gotama, fashioned this new hymn for (thee). Indra, who are of old, and who yokest thy steeds"

  "Thus 0, hero, have the Gritsamadas, desiring succour, fashioned for thee a hymn as men make works. "

  "The sages generated an efficacious production and a prayer for Indra."

  "These hymns, Agni, generated for thee, celebrate thy bounty in cows and horses. "

"Our father hath discovered (or invented) this great, sevenheaded hymn, born of sacred truth; Ayasya, friend of all men celebrating Indra, has generated the fourth song of praise."

  "We, the Raghuanas, have uttered to Agni honied speech; we incessantly laud him with eulogies. "

"Thus, all ye Adityas, Aditi, and ye ruling powers, has the wise son of Plati magnified you. The celestial race has been lauded by the immortal Gaya. "

" He it is whom they call a rishi, a priest, a pious sacrificer, a chanter of prayers, a reciter of hymns, he it is who knows the three bodies of the brilliant (Agni), the man who is most prominent in bestowing gifts. "

Apart from the evidence of the Anukramanis there is another sort of evidence which militates against the theory of the Vedas being Apaurusheya. The Rishis themselves have treated the Vedas as a human and as a historical product. The hymns of Rig-Veda distinguish between ancient and modern Rishis. Here are a few of them:

  "Agni, who is worthy to be celebrated by former as well as modern rishis, will bring the gods hither. "

  "The former rishis who invoked thee for succour. "

  "Hear the hymn of me this modern sage, of this modern (sage). "

" Indra, as thou hast been like a joy to former worshippers who praised thee, like waters to the thirsty, I invoke thee again and again with this hymn. "                                                 

   "The ancient rishis, resplendent and sage, have placed in front of them (Brihaspati) with gladdening tongue."

  "Neither the ancients nor later men, nor any modern man, has attained to (conceived) thy prowess, O, Madhavan."

"As (Indra's) former worshippers were, (may we be) blameless, irreproachable, and unharmed."

"For, now, 0 energetic god, men are thy worshippers as the ancients born of old and the men of the middle and later ages have been thy friends. And 0, much-invoked think of the most recent of all.

"To Him (Indra) our ancient fathers, the seven Navagava sages desiring food, (resorted) with their hymns. "

"Glorified by our newest hymn, do thou bring to us wealth and food with progeny." 

A closer study of the Rig-Veda will show that the Rig-Veda itself makes a distinction between old hymns and new hymns. Some of them are given below:

  "Glorified by our newest hymn, do thou bring to us wealth and food and progeny."

 "Agni thou hast announced (or do thou announcest) among the gods this our offering, our newest hymn."

"Through our new hymns, do thou, vigorous in action, destroyer of cities, sustain us with invigorating blessings. "

" I bring to Agni, the son of strength, a new and energetic hymn, a production of, thought uttered by the voice (vachah)."

" I present to the mighty protector a mental production, a new utterance (now) springing up"

"May the new prayer impel thee, the heroic well-accourted, the loud-thundering to succour us. "

" I seek like the ancients, to stimulate thee, the ancient, with a new hymn. "

"May the new hymns made to praise you, may these prayers gratify you."

" Sing O, Sobhari, with a new hymn to these youthful, vigorous, and brilliant (gods)

"Indra, slayer of Vritra, thunderer, invoked of many, we (thy) numerous (worshippers) bring to thee, as thy hire, hymns which never before existed. "

  " I will address to this ancient (deity) my new praises which he desires: May he listen to us"

   " Desiring horses, cattle, and wealth we invoke thee to approach us. "

Given this abundance of evidence to prove the human origin of the Vedas it is a riddle to find that the Brahmins should so strenuously propagate this extravagant view that the Vedas are not man made. What made the Brahmins propagate such a view?

Notwithstanding this there were eminent philosophers who were prepared to accept the authority of the Vedas although they were not prepared to admit that the Vedas were Sanatan or Apaurush.

The Gautama the founder of what is called the Nyaya system of Philosopy said:

"The authority of the Veda, like that of the formulas, and the Ayur-Veda (treatise on medicine) follows from the authority of the competent persons from whom they proceeded. Since the competent maker of the Veda possesses authority, inculcates truth, it results from the force of the terms that the Veda was uttered by a person of this character; and by this reasoning the authority of the Veda is to be inferred. He illustrates this by the case of the formulas and the Ayur-Veda. By formulas (mantra) are meant the sentences which neutralize poison etc., and the section containing the Ayur-Veda forms part of the Veda. Now as the authority of these two classes of writings is admitted by general consent, the authority of everything which possess the characteristics of the Veda must be inferred from this example. Some, however, explain the aphorism thus; a Veda is that in which authority is found or recognized. From such Vedicity (or Possession of the character of a Veda) the authority of any work is to be inferred. "

The Vaishashika system admits that the Vedas are authoritative. But the grounds on which it rests its conclusion are:

(1) That the Vedas are the product of an intelligent mind and

(2) That they have been uttered by God. Therefore they are authoritative.

The Sankhya system founded by Kapila held the view that eternity cannot be predicated of the Vedas, since various texts in the Vedas themselves declare them to have been produced. It expressly denies that the Vedas originated from the conscious effort of any divine being. According to the Sankhya, the Vedas like the Sun shine by their own light, and evince an inherent power both of revealing their own perfection and of elucidating all other things, past and future, great and small, near and remote. The system of Philosophy known as the

Vedanta seems to support two distant views. It ascribes the origin of the Vedas to Brahma as its source or cause of source using the term Brahma as neuter denoting the supreme spirit and not as masculine designating the personal creator. It also speaks of the eternity of the Vedas and makes mention of a self-dependent author.

The Brahmins did not remain content with the argument that the Vedas were not made by man. They went much further and contended that the Vedas were not made even by God. This theory is propounded by Jaimini the author of the Purva Mimansa. Jaimini's arguments in favour of the thesis are so strange that one has to know them in order to realize their strangeness.

It is in the Purva Mimansa— a book of Brahmanic philosophy— that this doctrine of the Vedas being Apaurusheya is propounded. The following extracts from the book will reveal the nature of the argument.

Jaimini the author of the Purva Mimamsa first deals with the argument of the Naiyayikas who assert that the Vedas are made by Parameshwara and states the case made out by the Naiyayikas.

The argument of the Mimansakas is:

"The Veda could not have been uttered by the incorporeal Paramesvara (God), who has no palate or other organs of speech, and therefore cannot be conceived to have pronounced the letters (of which it is composed.). This objection (answers the Naiyayika) is not happy, because, though Paramesvara is by nature incorporeal, he can yet, by way of sport assume a body, in order to show kindness to his devoted worshippers. Consequently, the arguments in favour of the doctrine that the Veda had no personal author are inconclusive."

He then proceeds to state his arguments in favour of the Doctrine of the Mimansakas—

" I shall now clear up all these difficulties. What is meant by this paurusheyatva ('derivation from a personal author') which it is sought to prove? Is it (1) mere procession (utpannatva) from a person (purusha) like the procession of the Veda from persons such as ourselves, when we daily utter it? or (2) is it the arrangement— with a view to its manifestation—of knowledge acquired by other modes of proof, in the sense in which persons like ourselves compose a treatise? If the first meaning be intended, there will be no dispute.

If the second sense be meant, I ask whether the Veda is proved (to be authoritative) in virtue (a) of its being founded on inference, or (b) of its being founded on supernatural information (agama-halat)?. .

The former alternative (a) i.e., that the Veda derives its authority from being founded on inference cannot be correct, since this theory breaks down, if it be applied to the sentence of the Malati Madhava or any other secular poem (which may contain inferences destitute of authority). If, on the other hand, you say (b) that the contents of the Veda are distinguished from those of other books of having authority, this explanation also will fail to satisfy a philosopher. For the word of the Veda is (defined to be) a word which proves things that are not provable by any other evidence.

Now if it could be established that this Vedic word did nothing more than prove things that are provable by other evidence, we should be involved in the same sort of contradiction as if a man were to say that his mother was a barren woman.

And even if we conceded that Parameswara might in sport assume a body, it would not be conceivable that in that case he should perceive things beyond the reach of the senses, from the want of any means of apprehending objects removed from him in place, in time, and in nature. Nor is it to be thought that his eyes and other sense alone would have the power of producing such knowledge, since men can only attain to conceptions corresponding with what they have perceived.

This is what has been said by the Guru (Prabhakara) when he refutes this supposition of an omniscient author; 'Wherever any object is perceived (by the organ of sight) in its most perfect exercise, such perception can only have reference to the vision of something very distant or very minute, since no organ can go beyond its own proper objects, as e.g., the ear can never become cognizant of form '.

Hence the authority of the Veda does not arise in virtue of any supernatural information acquired by the Deity in a corporeal shape." These are arguments urged by Jaimini to destroy the case of the Naiyayikas. Jaimini then proceeds to give his positive arguments to show why the Vedas are not the word of God but something superior to that. This is what he says:

" In the preceding aphorism it was declared that the connection of words and their meanings is eternal. Desiring now to prove that this (eternity of connection) is dependent on the eternity of words (or sound), he begins by setting forth the first side of the question, viz., the doctrine of those who maintain that sound is not eternal."

"Some, i.e., the followers of the Nyaya philosophy, say that   sound is a product, because we see that it is the result of effort, which it would not be if it were eternal."

"That it is not eternal, on account of its transitoriness, i.e., because after a moment it ceases to be perceived."

"Because, we employ in reference to it the expression 'making' i.e., we speak of 'making' a sound."

" Because it is perceived by different persons at once, and is consequently in immediate contact with the organs of sense of those, both far and near, which it could not be if it were one and eternal."

" Because sounds have both an original and a modified form; as e.g., in the case of dadhi atra, which is changed into dadhy atra, the original letter 'i ' being altered into ' y ' by the rules of permutation. Now, no substance which undergoes a change is eternal."

" Because sound is augmented by the number of those who make it. Consequently the opinion of the Mimansaka, who say that sound is merely manifested, and not created, by human effort, is wrong; since even a thousand manifesters do not increase the object which they manifest, as a jar is not made larger by a thousand lamps." These objections against the Mimansaka theory that sound is manifested, and not created, by those who utter it, are now answered by Jaimini. Says Jaimini:

"But, according to both schools, viz., that which holds sound to be created, and that which regards it as merely manifested, the perception of it is alike momentary. But of these two views, the theory of manifestation is shown in the next aphorism to be the correct one."

"The non-perception at any particular time, of sound, which, in reality, perpetually exists, arises from the fact that the utterer of sound has not come into contact with his object i.e., sound. Sound is eternal, because we recognize the letter ' k ', for instance, to be the same sound which we have always heard, and because it is the simplest method of accounting for the phenomenon to suppose that it is the same. The still atmosphere which interferes with the perception of sound is removed by the conjunctions and disjunctions of air issuing from a speaker's mouth, and thus sound (which always exists, though unperceived) becomes perceptible. This is the reply to the objection of its 'transitoriness'.

   "The word, 'making' sounds, merely means employing or uttering them."

"One sound is simultaneously heard by different persons, just as one Sun is seen by them at one and the same time. Sound like the Sun, is a vast, and not a minute object, and thus may be perceptible by different persons, though remote from one another."

"The letter 'y', which is substituted for 'i' in the instance referred to under Sutra 10, is not a modification of 'i', but a distinct letter. Consequently, sound is not modified."

" It is an increase of 'noise ', not of sound, that is occasioned by a multitude of speakers. The word ' noise ' refers to the 'conjunctions ' and 'disjunctions' of the air which enter simultaneously into the hearer's ear from different quarters; and it is of these that an increase takes place."

" Sound must be eternal, because its utterance is fitted to convey a meaning to other persons. If it were not eternal (or abiding), it would not continue till the hearer had learned its sense, and thus he would not learn the sense, because the cause had ceased to exist."

" Sound is eternal, because it is in every case correctly and uniformly recognised by many persons simultaneously; and it is inconceivable that they should all at once fall into a mistake."

" When the word 'go ' (cow) has been repeated ten times, the hearers will say that the word 'go" has been ten times pronounced, not that ten words having the sound of 'go'  have been uttered; and this fact also is adduced as a proof of the eternity of sound.

 " Sound is eternal, because we have no ground for anticipating its destruction.

    " But it may be urged that sound is a modification of air, since it arises from its conjunctions, and because the Siksha (or Vedanga treating of pronunciation) says that 'air arrives at the condition of sound' and as it is thus produced from air, it cannot be eternal." A reply to this difficulty is given in Sutra 22. " Sound is not a modification of air, because if it were, the organ of hearing would have no appropriate object which it could perceive. No modification of air (help by the Naiyayikas to be tangible) could be perceived by the organ of hearing, which deals only with intangible sound."

"And the eternity of sound is established by the argument discoverable in the Vedic text, ' with an eternal voice, O Virupa '. Now, though this sentence had another object in view, it, nevertheless, declares the eternity of language, and hence sound is eternal."

Such is the argument by Jaimini in favour of his thesis that the Vedas are eternal and not made by man, not even by God.

The bases on which his thesis rests are simple.

Firstly God has no body and no palate and therefore he could not utter the Vedas.

Secondly, Assuming God had a body, God could not perceive things which are beyond the reach of the senses while the Vedas contain things beyond the reach of human senses.

   Thirdly, The connection between a word and its meaning is eternal.

    Fourthly, Sound is eternal.

Fifthly, Because sound is eternal words which are made up of sounds are also eternal.

Sixthly Because words are eternal therefore the Vedas are eternal and because the Vedas are eternal they are not made by man nor by God.

What can one say of these premises? Can there be anything more absurd? Who can accept that the Vedas contain something not comprehensible by human senses ? Who can accept that there is an eternal connection between a word and its meaning ? Who can accept that sound is not created nor manifested but is eternal?

Having regard to these absurd premises one is led to ask why did the Brahmins make such a desparate attempt for establishing adesparate conclusion? What did they want to gain thereby? Was it because the Vedas had been made the exponent of the Chaturvarna with the Brahmins as the Lord of all?

 

RIDDLE NO. 6

THE CONTENTS OF THE VEDAS: HAVE THEY ANY MORAL OR SPIRITUAL VALUE?

                                      I

If the Vedas are to be accepted as binding and Infallible then what they teach must have ethical and spiritual value. Nobody can regard a rag to be binding and infallible because a Philosopher like Jaimini came forward to lend his authority to such a proposal. Have the Vedas any ethical or spiritual value? Every Hindu who regards the Vedas are infallible is bound to consider this question.

Modern writers have expressed views which deny any spiritual value to the Vedas. As an illustration one may refer to the views of Prof. Muir. According to Prof. Muir[f20]:

  "The whole character of these compositions and the circumstances under which, from internal evidence, they appear to have arisen, are in harmony with the supposition that they were nothing more than the natural expression of the personal hopes and feelings of those ancient bards of whom they were first recited. In these songs the Aryan sages celebrated the praises of their ancestral gods (while at the same time they sought to conciliate their goodwill by a variety of oblations supposed to be acceptable to them), and besought of them all the blessings which men in general desired— health, wealth, long life, cattle, offspring, victory over their enemies, foregiveness of sin, and in some cases also celestial felicity."

  It would no doubt be objected that all foreign scholars are prejudiced and that their views cannot therefore be accepted. Fortunately we are not altogether dependent upon the views of foreigners. There are leaders of indegeneous schools of thought which have taken the same view. The most notorious example is that of the Charvakas.

  The opposition of Charvaka can be seen from the following quotation which reproduces his line of argument against the Vaidikas[f21]: "

If you object that, if there be no such thing as happiness in a future world, then how should men of experienced wisdom engage in the agnihotra and other sacrifices, which can only be performed with great expenditure of money and bodily fatigue. Your objection cannot be accepted as any proof to the contrary, since the agnihotra, etc., are only useful as means of livelihood: for the Veda is tainted by three faults of untruth, self-contradiction, and tautology; then again the impostors who call themselves Vaidic pundits are mutually destructive, as the authority of the Jnan-Kanda is overthrown by those who maintain the authority of the Karma-Kanda and those who maintain the authority of the Jnan-Kanda reject that of the Karma-Kanda; and lastly, the three Vedas themselves are only the incoherent rhapsodies of knaves and to this effect runs the popular saying:

"The Agnihotra, the three Vedas, the ascetic, three staves, and smearing oneself with ashes," Brihaspati says, "these are but means of livelihood for those who have no manliness nor sense.'" Brahaspati is another example of the same school of thought. Brahaspati was far more bold and militant in his opposition to the Vedas than the Charvakas. As reported by Madhava Acharya, Brahaspati argued:[f22]—

"There is no heaven, no final liberation, nor any soul in another world: Nor do the actions of the four castes, orders etc., produce any real effect. The Agnihotra, the three Vedas, the ascetic's three stages and smearing one's self with ashes, . . .. were made by Nature as the livelihood of those destitute of knowledge and manliness; If a beast slain in the Jyotishtoma rite will itself go to heaven; why then does not the sacrificer forthwith offer his own father?

If the Sraddha produces gratification to beings who are dead, then here, too, in the case of travellers when they start, it is needless to give provisions for the journey.

If beings in heaven are gratified by our offering the Sraddha here, then why not give the food down below to those who are standing on the housetop?

While life remains let a man live happily, let him feed on ghee even though he  runs in debt;

When once the body becomes ashes, how can it ever return again?

If he who departs from the body goes to another world, how is that he comes not back again restless for love of his kindred?

  Hence it is only a means of livelihood that Brahmans have established here.

All these ceremonies are for the dead, there is no other fruit anywhere. The three authors of the Vedas were buffoons, knaves and demons.

All the well-known formulas of the pundits Jarphari, Turphari, and all the obscene rites for the queen commanded in the Aswamedha:

These were invented by buffoons, and so all the various kinds of present? to the priests.

While the eating of flesh was similarly commended by night prowling demons."

If the opinions of the Charvaka and Brahaspati are not accepted there is plenty of other evidence. That evidence is recorded in the books of the various schools of philosophy such as the Nyaya, Vaishashikha, Purva and Uttar Mimamsa. It must be said to the credit of the authors of the text-books of these philosophies that before proceeding to defend the authority of the Vedas they have been very careful to set out the case of their opponents who were opposed to the authority of the. Vedas. This fact enables us to prove two things: (1) That there was a school of thought which was opposed to recognize the Vedas as books of authority; (2) That they were a respectable group of people whose opinions the defenders of the authority of the Vedas were bound to consider. I reproduce below the case of the opponents as set out in the Nyaya and the Purva Mirnarnsa.

Gotama the author of the Nyaya system of Philosophy was an upholder of the doctrine of the authority of the Vedas. He has summarized the arguments of his opponents in Sutra 57 which reads as follows[f23]:

"The Veda has no authority, since it has the defects of falsehood, self-contradiction, and tautology. That verbal evidence, which is distinct from such as relates to visible objects, i.e., the Veda, has no authority. Why? Because it has the defects of falsehood etc."

" Of these defects, that of falsehood is established by the fact that we sometimes observe that no fruit results from performing the sacrifice for a son, or the like. ' Self-contradiction ' is a discrepancy between a former and a later declaration. Thus the Veda says 'he sacrifices when the Sun is risen; he sacrifices when the Sun is not yet risen. He sacrifices, (I cannot explain the next words says Muir,) A tawny (dog?) carries away the oblation of him who sacrifices before the Sun has risen: and both of these two carry off the oblation of him who sacrifices. Now here there is a contradiction between the words which enjoin sacrifices and the words which intimate by censure that those sacrifices will occasion disastrous results. Again, the Veda has no authority, owing to its 'tautology', as where it is said, he repeats the first thrice, he repeats the last thrice. For as the lastness ultimately coincides with the firstness and as there is a triple repetition of the words, this sentence is tautological. Now since these particular sentences have no authority, the entire Veda will be proved by these specimens to stand in the same predicament, since all its other parts have the same author, or are of the same character, as these portions."

Coming to Jaimini. He summarises the views of the opponents of the Vedas in the first part of Sutras 28 and 32 of his Purva Mimamsa. Sutra 28 says[f24]:

" It is also objected that the Vedas cannot be eternal, because we observe that persons, who are not eternal, but subject to birth and death, are mentioned in them. Thus it is said in the Veda ' Babara Pravahani desired ', ' Kusurvinda Auddalaki desired '. Now, as the sentences of the Veda in which they are mentioned, could not have existed before these persons were born, it is clear that these sentences had a beginning, and being thus non-eternal, they are proved to be of human composition."

Sutra 32 says[f25]:

" It is asked how the Veda can constitute proof of duty when it contains such incoherent nonsense as the following: 'An old ox, in blanket and slippers, is standing at the door and singing benedictions. A Brahman female, desirous of offspring, asks, ' Pray O King, what is the meaning of intercourse on the day of the new moon?' or the following: 'the cows celebrated this sacrifice'."

This is also the view of Yaska the author of Nirukta who says:

(Of the four kinds of verses specified in the preceding section), (a) those which address a god as absent, (b) those which address him as present, and (c) those which address the worshippers as present and the god as absent, are the most numerous, while (d) those which refer to the speaker himself are rare. It happens also that a god is praised without any blessing being invoked, as in the hymn (R.V.i. 32). " I declare the heroic deeds of Indra," etc. Again, blessings are invoked without any praise being offered, as in the words, 'May, I see well with my eyes, be resplendent in my face, and hear well with my ears'. This frequently occurs in the Adhvaryava (Yajur), and in the sacrificial formula. Then again we find oaths and curses as in the words (R.V.vii. 104, 15), 'May I die today, if I am a Yatudhana,' etc. Further, we observe the desire to describe some particular state of things, as in the verse (R. V. x. 129, 2). ' Death was not then, nor immortality,' etc. Then there is lamentation, arising out of a certain state of thing, as in the verse (R. V. x. 95, 14), 'The beautiful god will disappear and never return,' etc. Again we have blame and praise, as in the words (R. V. x. 117, 6). 'The man who eats alone, sins alone, etc. So, too, in the hymn to dice (R. V. x. 34, 13) there is a censure upon dice, and a commendation of agriculture. Thus the objects for which the hymns were seen by the rishis were very various."

To quote the words of Yaska again—

" Each particular hymn has for its deity the God to whom the Rishi, seeking to obtain any object of desire which he longs for, addresses his prayer." If this is not enough to prove that there is no ethical or spiritual Value in the Vedas further evidence could be added.

As to morality there is hardly any discussion about it in the Rig-Veda. Nor does the Rig-Veda contain elevating examples of moral life. Three illustrations of cases on the other side may well be given:

First is the conversation between Yama and Yami who were brother

and sister.

"(Yami speaks). I invite my friend to friendship, having come over the vast and desert ocean may Vedhas, after reflecting, place in the earth the offspring (of thee) the father, endowed with excellent qualities."

"(Yama speaks). Thy friend desires not this friendship, for although of one origin, she is of a different form; the hero sons of the great Asura (are) the upholders of heaven, enjoying vast renown."

"(Yami speaks). The immortals take pleasure in (a union) like this which is forbidden to every mortal; let thy mind then concur with mine, and as the progenitor (of all) was the husband (of his daughter), do thou enjoy my person"

"(Yama speaks). We have not done what was done formerly; for how can we who speak truth, utter now that which is untrue? Gandharva (the sun) was in the watery (firmament), and the water was his bride. She is our common parent, hence our near affinity."

"(Yami speaks). The divine omniform generator Twashtri, the progenitor, made us two husband and wife, even in the womb; none frustrate his undertaking; earth and heaven are conscious of this our (union)."

"(Yama speaks). Who knows anything of this (his) first day (of existence)? Who has beheld it? Who has here revealed it? The dwelling of Mitra and of Varuna is vast. What sayest thou, who punishest men with hell?"

"(Yami speaks). The desire of Yama hath approached me Yami, to lie with him in the same bed; I will abandon my person as a wife to her husband; let us exert ourselves in union like the two wheels of a wagon."

"(Yama speaks). The spies of the Gods, which wander upon earth, never stop, never close their eyes. Associate quickly, destructress with some other than with me, and exert yourselves in union, like the two wheels of a wagon."

"(Yami speaks). To him (Yama) let every whorshipper sacrifice both day and night, on him let the eye of the Sun repeatedly rise;   (for him may) the kindred pair (day and night unite) with heaven and earth. Yami will adhere to the non-affinity of Yama."

"(Yama speaks). The subsequent ages will come, when sisters will choose one who is not a brother (as a husband); therefore, auspicious one, choose another husband than me, and make thine arm a pillow for thy mate."

"(Yami speaks). Is he a brother whose sister has no lord? Is she a sister (whose brother) misfortune approaches? Overcome by desire, I strongly urge this one request; unite thy person with mine."

"(Yama speaks). I will not unite my person with thine; they call him who approaches a sister, a sinner. Enjoy pleasure with some other than me; thy brother, auspicious one, has no such desire."

" (Yami speaks). Alas, Yama, thou art feeble; we understand not thy mind or thy heart. Some other female exbrances thee as a girth a horse, or as a creeper a tree."

"(Yama speaks). Do thou, Yami, embrace another; and let another embrace thee as a creeper a tree; seek his affection, let him seek thine; and make a happy union."

"May Agni, the destroyer of the Rakshasas consenting to our prayer, drive hence (the evil spirit) who (in the form of) sickness assails thine embryo, who, as the disease durnaman, assails thy womb."

"May Agni concurring in our prayer, destroy the cannibal who, as sickness, assails thine embryo, who, as the disease durnaman, assails thy womb."

" May we exterminate from hence (the evil spirit) who destroys the impregnating energy, the germ as it settles, the moving embryo, who seeks to destroy (the babe) when born."

" May we exterminate from hence (the evil spirit), who separates thy thighs, who lies between husband and wife, who entering thy womb, devours (the seeds). May we exterminate from hence (the evil spirit), who in the form of brother, husband, or paramour, approaches thee, and seeks to destroy thy offspring."

" May we exterminate from hence (the evil spirit) who, having beguiled thee by sleep or darkness, approaches thee, and seeks to destroy thy offspring."

Take some of the Hymns or prayers that are to be found in the Rig-Veda. The following are a few of them—

1.          Oh ! God Vayu, how very beautiful you are. We have prepared the Somarasa (an intoxicating drink) with spices. Pray come and drink it and grant us our prayers—Rig. Ved. I. 1.2.1.

2.          Oh! God Indra. Bring ye wealth for our protection. Let the wealth that you bring make us happy be increasing and everlasting and help us to kill our enemies—1. 1.8.1.

3.          Oh! ye people whenever you are performing your yajna, fail not to praise the Gods Indra and Agni. Advance their position and sing their praises in the Gayatri Meter—I. 21.2.

4.          Oh ! ye Agni, please bring the wives of the Gods and Twashta who are eager to come and drink Soma—I. 22.9.

5.          We pray that the Gods' wives come to us with all available wings and with all happiness—I. 22.11.

6.          I am praying the wives of Indra, Varuna and Agni to come to my place to drink Soma.

7.          Oh! Varuna, we are supplicating before you to remove your anger. Oh! ye Asura, you are all wise, relieve us from our sins—I. 24.14.

8.          Our Somarasa has been prepared by women who have churned it backward and forward. Oh! ye Indra we pray you to come and drink this Soma—1. 28.3.

9.          Your enemies who do not make any offering to you may disappear and let your followers who do prosper. Oh ! Indra give us best cows and best horses and make us famous in the world.—1. 29.4.

10.       Oh! Agni save us from Rakshasas, from cunning enemies, from those who hate us and want to kill us.—1. 36.15.

11.       Oh! Indra, you are a hero. Come and drink the Soma we have prepared and be ready to give us wealth. Loot the wealth of those who do not make you any offering and give the same to us—1. 81-8-9.

12.       Oh! Indra, drink this Soma which is the best, giving immortality and most intoxicating.—I. 84-4.

13.       Oh ! Adityas, you come to give us your blessings. You give us victory in war. You are wealthy. You are charitable. Just as a chariot is pulled through a difficult path in the same way you pull us through our dangers.—1. 106-22.

14.       Oh ! ye Marutas. . . . .your followers are singing your praises. Be pleased to come and sit on the grass-cushion prepared for you   for the purpose of drinking Soma.—VII. 57-1-2.

15.       Oh! ye Mitra-Varuna we have offered you worship in the yajna. Be pleased to accept it and save us from all dangers—VII. 60-12.

These are only a few verses out of a large bundle which form the Rig-Veda. But there can be no doubt that this sample small as it is is true to bulk.

I may state that I have deliberately omitted a good many obscene passages to be found in the Rig-Veda and Yajur-Veda. Those who have any curiosity in the matter might look up the conversation between Surya and Pushan in Rig-Veda Mandal X. 85.37 and between Indra and Indrani in Rig-Veda. Mandal X. 86.6. A further obscenity will also be found in the Ashvamedha Section of the Yajur-Veda.

Leaving these obscenities aside and confining oneself to the prayer portion of the Rig-Veda can any one say that these are morally or spiritually elevating prayers?

As to philosophy there is nothing of it in the Rig-Veda. As Prof. Wilson observes there is in the Rig-Veda, which is the stock Veda, scarcely any indication or doctrinal or philosophical speculation, no allusion to the later notions of the several schools, nor is there any hint of metempsychosis, or of the doctrine intimately allied to it, of the repeated renovation of the world. The Vedas may be useful as a source of information regarding the social life of the Aryans. As a picture of primitive life it is full of curiosity but there is nothing elevating. There are more vices and a few virtues.

II

 

We may now turn to the Atharva-Veda and examine its contents. The best I can do is to present the following extracts from the table of contents of the Atharva-Veda.

Book 1. Charms to cure diseases and possession by demons of disease (bhaishagyani).

    v, 22. Charm against takman (fever) and related diseases.

   vi, 20. Charm against takman (fever).

     i, 25. Charm against takman (fever).

  vii,116. Charm against takman (fever).

    v, 4. Prayer to the Kushtha-plant to destroy takman (fever).

  xix,39.Prayer to the Kushtha-plant to destroy takman (fever) and other ailments.

i, 12. Prayer to lightening, conceived as the cause of fever, headache, and             cough.

i, 22. Charm against jaundice and related diseases.

  vi, 14. Charm against the disease halasa.

  vi, 105. Charm against   cough.

i, 2. Charm against excessive discharges from the body.

ii, 3. Charm against excessive discharges from the body, undertaken with spring-water.

vi, 44. Charm against excessive discharges from the body.

 i, 3. Charm against constipation and retention of urine.

vi, 90. Charm against internal pain (colic) due to the missiles of Rudra.

i, 10. Charm against dropsy.

vii, 83. Charm against dropsy.

vi, 24. Dropsy, heart-disease, and kindred maladies cured by flowing water.

vi, 80. An oblation to the sun, conceived as one of the two.

 ii, 8. Charm against kshetriya, hereditary disease.

 ii, 10. Charm against kshetriya, hereditary disease.

 iii, 7. Charm against kshetriya, hereditary disease.

 i, 23. Leprosy cured by a dark plant.

i, 24. Leprosy cured by a dark plant.

vi, 83. Charm for curing scrofulous sores called apakit.

  vii, 76. A. Charm for curing scrofulous sores called apakit.

B. Charm for curing tumours called gayana.

C. Stanza sung at the mid-day pressure of Soma.

vii, 74. A. Charm for curing scrofulous sores called apakit.

 B. Charm to appease jealousy.

C. Prayer to Agni, the lord of vows.

vi, 25. Charm against scrofulous sores upon neck and shoulders.

vi, 57. Urine (galasha) as a cure for scrofulous.

iv, 12. Charm with the plant arundhati (laksha) for the cure of fractures.

v, 5. Charm with the plant silaki (laksha) arundhati for the cure of wounds.

vi, 109. The pepper-corn as a cure for wounds.

i, 17. Charm to stop the flow of blood.

ii, 31. Charm against worms.

 ii, 32. Charm against worms in cattle.

v, 23. Charm against worms in children.

iv, 6. Charm against poison.

Iv, 7. Charm against poison.

vi, 100. Ants as an antidote against poison.

v. 13. Charm against snake-poison.

 vi, 12. Charm against snake-poison.

vii, 56. Charm against the poison of serpants, scorpions and insects.

vi, 16. Charm against opthalmia.

vi, 21. Charm to promote the growth of hair.

vi, 136. Charm with the plant nitauni to promote the growth of hair.

vi, 137. Charm to promote the growth of hair.

 iv, 4. Charm to promote virility.

vi. 111. Charm against Mania.

iv, 37. Charm with the plant agasringi to drive out Rakshasas, Apsaras and Gandharvas.

ii, 9. Possession by demons of disease, cured by an amulet of ten kinds of wood.

  iv, 36. Charm against demons (pisaka) conceived as the cause of disease.

ii, 25. Charm with the plant prisniparni against the demon of disease called kanva.

vi, 32. Charm for driving away demons (Rakshas and Pisakas).

ii, 4. Charm with an amulet derived from the gangidatree against diseases and demons.

xix, 34. Charm with an amulet derived from the gangidatree against diseases and demons.

xix, 35. Charm with an amulet derived from the gangidatree against diseases and demons.

vi, 85. Exorcism of disease by means of an amulet from the varana-tree.

vi, 127. The kipuddru-tree as a panacea.

 xix, 38. The healing properties of hdellium.

 vi, 91. Barley and water as universal remedies.

 viii, 7. Hymn to all magic and medicinal plants used as a universal remedy.

 vi, 96. Plants as a panacea.

ii, 33. Charm to secure perfect health.

ix, 8. Charm to procure immunity from all diseases.

ii, 29. Charm for obtaining long life and prosperity by transmission of disease.

 

II. Prayers for long life and health (ayushyani).

 

iii, 11. Prayer for health and long life.

ii, 28. Prayer for long life pronounced over a body.

 iii, 31. Prayer for health and long life.

vii, 53. Prayer for long life.

viii, 1. Prayer for exemption from the dangers of death.

viii, 2. Prayers for exemption from the dangers of death.

v, 30. Prayer for exemption from disease and death.

iv, 9. Salve (angana) as a protector of life and limb.

iv, 10. The pearl and its shell as an amulet bestowing long life and

prosperity.

 xix, 26. Gold as an amulet for long life.

 

III. Imprecations against demons, sorcerers, and enemies (abhikarikani and Krityapratiharanan).

 

 i, 7. Against sorcerers and demons.

 i, 8. Against sorcerers and demons.

 i,16. Charm with lead, against demons and sorcerers.

vi, 2. The soma-oblation directed against demons (rakshas).

 ii, 14. Charm against a variety of female demons, conceived as hostile to men, cattle and home.

iii, 9. Against Vishkandha and Kabava (hostile demons).

iv, 20. Charm with a certain plant (sadampushna) which exposes demons and enemies.

iv, 17. Charm with the apamarga-plant, against sorcery, demons and enemies.

iv, 18. Charm with the apamarga-plant against sorcery, demons and enemies.

iv, 19. Mystic power of the apamarga-plant, against demons and sorcerers.

vii, 65. Charm with the apamarga-plant against curses, and the consequence of sinful deeds.

 x, 1. Charm to repel sorceries or spells.

 v, 14. Charm to repel sorceries or spells.

 v, 31. Charm to repel sorceries or spells.

 viii, 5. Prayer for protection addressed to a talisman made from the wood of a sraktya-tree.

x, 3. Praise of the virtue of an amulet derived from the varana-tree.

x,6. Praise of the virtues of an amulet of khadira-wood in the shape of a ploughshare.

ix, 16. Prayer to Varuna for protection against treacherous designs.

ii, 12. Imprecation against enemies thwarting holy work.

vii, 70. Frustration of the sacrifice of an enemy.

ii, 7. Charm against curses and hostile plots undertaken with a certain plant.

iii, 6. The asvattha-tree as a destroyer of enemies.

vi. 75. Oblation for the suppression of enemies (naibadhyam havih).

vi. 37. Curse against one that practises hostile charms.

vii. 13. Charm to deprive enemies of their strength.

 

IV. Charms pertaining to women (strikarmani).

 

ii, 36. Charm to obtain a husband.

vi, 60. Charm to obtain a husband.

vi, 82. Charm for obtaining a wife.

vi. 78. Blessing for a married couple.

vii, 36. Love-charm spoken by a bridal couple.

vii. 37. Charm pronounced by the bride over the bridegroom.

vi, 81. A bracelet as an amulet to ensure conception.

iii. 23. Charm for obtaining a son (pumsavanam).

vi, 11. Charm for obtaining a son (pumsavanam).

vii, 35. An incantation to make a woman sterile.

vi. 17. Charm to prevent miscarriage.

 i, 11. Charm for easy parturition.

   i. 34. Charm with licorice, to secure the love of a woman.

  ii, 30. Charm to secure the love of a woman.

 vi. 8. Charm to secure the love of a woman.

vi, 9. Charm to secure the love of a woman.

  vi,102. Charm to secure the love of a woman.

  iii, 25. Charm to secure the passionate love of a woman.

 vii. 38. Charm to secure the love of a man.

vi, 130. Charm to arouse the passionate love of a man.

vi, 132. Charm to arouse the passionate love of a man.

 iv, 5. Charm at an assignation.

vi, 77. Charm to cause the return of a truant woman.

 vi, 18. Charm to allay jealousy.

 i, 14. A woman's incantation against her rival.

iii. 18. Charm of a woman against a rival or co-wife.

vi, 138. Charm for depriving a man of his virility.

i. 18. Charm to remove evil bodily characteristics from a woman.

vi. 110. Expiatory charm lor a child born under an unlucky star.

vi. 140. Expiation for the irregular appearance of the first pair of teeth.

 

V. Charms pertaining to royalty (ragakarmani).

 

iv. 8. Prayer at the consecration of a king.

iii, 3. Charm for the restoration of an exiled king.

 iii, 4. Prayer at the election of a king.

 iv, 22. Charm to secure the superiority of a king.

iii, 5. Praise of an amulet derived from the parna-tree, designed to strengthen royal power.

i, 9. Prayer for earthly and heavenly success.

vi, 38. Prayer for lustre and power.

vi, 39. Prayer tor glory (yasas).

viii 8. Battle-charm.

i, 19. Battle-charm against arrow-wounds.

iii, 1. Battle-charm for confusing the enemy.

iii, 2. Battle-charm for confusing the enemy.

vi, 97. Battle-charm of a king upon the eve of battle.

vi. 99. Battle-charm of a king upon the eve of battle.

xi, 9. Prayer to Arbudi and Nyarbudi for help in battle.

xi. 10. Prayer to Trishmdhi for help in battle.

v, 20. Hymn to the battle-drum.

v, 21. Hymn to the battle-drum, the terror of the enemy.

 

VI. Charms to secure harmony, influence in the Assembly, and the like (sammanasyani).

 

iii. 30. Charm to secure harmony.

vi, 73. Charm to allay discord.

vi. 74. Charm to allay discord.

vii. 52. Charm against strife and blood shed.

vi, 64. Charm to allay discord.

vi. 42. Charm to appease anger.

vi. 43. Charm to appease anger.

vii. 12. Charm to procure influence in the assembly.

ii, 27. Charm against opponents in debate undertaken with the pata-plant.

vi, 94. Charm to bring about submission to one's will.

 

VII. Charms to secure prosperity in house, field cattle  business. gambling and kindred matters.

 

iii, 12. Prayer at the building of a house.

vi, 142. Blessing during the sowing of grain.

vi, 79. Charm for procuring increase of grain.

vi, 50. Exorcism of vermin infesting grain in the field.

vii. II. Charm to protect grain from lightning.

ii, 26. Charm for the prosperity of cattle.

iii, 14. Charm for the prosperity of the cattle.

vi, 59. Prayer to the plant arundhati for protection to cattle.

vi, 70. Charm to secure the attachment of a cow to her calf.

iii, 28. Formula in expiation of the birth of twin-calves.

vi, 92. Charm to endow a horse with swiftness.

iii, 13. Charm for conducting a river into a new channel.

vi, 106, Charm to ward offdanger from fire.

iv, 3. Shephered's charm against wild beasts and robbers..

iii, 15. A merchant's prayer.

iv, 38. A. Prayer for success in gambling.

 

B. Prayer to secure the return of calves that have strayed to a distance.

 

vii, 50. Prayer for success at dice.

vi, 56. Exorcism of serpents from the premises.

 x, 4. Charm against serpents invoking the horse of Pedu that slays serpents.

xi, 2. Prayer to Bhava and Sarva for protection from dangers.

iv, 28. Prayer to Bhava and Sarva for protection from dangers.

vii, 9. Charm for finding lost property.

vi, 128. Propitiation of the weather-prophet.

xi, 6. Prayer for deliverance from calamity, addressed to the entire pantheon.

 

VIII. Charms in expiation of sin and defilement.

 

vi, 45. Prayer against mental delinquency.

vi, 26. Charm to avert evil.

vi, 114. Expiatory formula for imperfections in the sacrifice.

vi, 115. Expiatory formulas for sins.

vi, 112. Expiation for the precedence of a younger brother over an elder.

vi, 113. Expiation for certain heinous crimes.

vi, 120. Prayer for heaven after remission of sins.

vi, 27. Charm against pigeons regarded as ominous birds.

vi, 29. Charm against pigeons regarded as ominous birds.

vi, 29. Charm against ominous pigeons and owls.

vii, 64. Expiation when one is defiled by a black bird of omen.

vi, 46. Exorcism of evil dreams

vii, 115. Charm for the removal of evil characteristics, and the acquisition of auspicious.

 

Ill

 

It will thus be seen that the Atharva-Veda is nothing but a collection of sorcery, black-magic and medicine. Three-fourths of it is full of sorcery and black magic. It must not however be assumed that it is only the Atharva-Veda which contains black-magic and sorcery. The Rig-Veda is not altogether free from it. There are in it Mantras relating to black magic and sorcery. I give below three Suktas which deal with this matter:

 

SUKTA XVII (CXLV)

 

The deity or rather the aim of the hymn is the getting rid of a rival wife; the Rishi is Indrani, the metre of the last verse is Pankati, of the restAnushtubh.

 

1.          I dig up this most potent medicinal creeper, by which (a wife) destroys a rival wife, by which she secures to herself her husband.

2.          0 (plant) with up-turned leaves, auspicious, sent by the Gods, powerful, remove my rival and make my husband mine alone.

3.          Excellent (plant) may I too be excellent amongst the excellent, and may she who is my rival be vile amongst the vile.

4.          I will not even utter her name, no (woman) takes pleasure in that person: may we remove the other rival wife to a distance.

5.          I am triumphing, thou art triumphant: we two being powerful will triumph over my rival.

6.          I make thee the triumphant (herb) my pillow, I support thee with that more triumphant (pillow): let thy mind hasten to me as a cow to her calf, let it speed on its way like water.

 

SUKTA IV (CLV)

 

The deity of verses I and 4 is the averting of misfortune (Alakshmighna), of verses 2 and 3 Brahmanaspati, and of verse 5 the Viswadevas;the Rishi is Sirimbitha, the son of Bharadwaja, the metre is Anushtubh.

 

1.    Miserable, ill-favoured, deformed ever-railing (goddess), go to thy mountain; with these exploits of Sirimbitha we scare thee away.

2.    May she be scared away from this (world), scared away from the next (world), the destructress of all embryos; sharp-horned Brihaspatiapproach, driving away Distress.

3.    The wood which floats by the seashore far off, remote from man, seize that, (O, goddess) hard to destroy, and therewith go to a distant shore.

4.    Utterers of discordant sounds, when swiftly moving you departed, all the enemies of Indra were slain, disappearing like bubbles.

5.    These (Viswadevas) have brought back the (stolen) cattle, they have built up the fire: they have provided food for the Gods. Who will overcome them?

 

SUKTA XII (CLXIII)

 

The deity is the cure of phthisis: the Rishi is Vivrihan, the son of Kasyapa, the metre is Anushtubh.

 

1.    I banish disease from thine eyes, from thy head, from thy nose, from thy ears, from thy chin, from thy brain, from thy tongue.

2.    I banish disease from thy neck, from thy sinews, from thy bones, from thy joints, from thy upper arms, from thy shoulders, and from thy fore-arms.

3.    I banish disease from thine entrails, from thy anus, from thine abdomen, and from thy heart, from thy kidneys, from thy liver, from thy (other) viscera.

4.    I banish disease from thy thighs, from thy knees, from thy heels, from thy toes, from thy loins, from thy buttocks, from thy private parts.

5.    I banish disease from thy urethra, from thy bladder, from thy hair, from thy nails, from thy whole person.

6.    I banish disease from each limb, from each hair, from each joint where it is generated, from thy whole person.

Enough has been extracted from the Vedas to show that they contain nothing that can be said to be spiritually or morally elevating. Neither the subject matter nor contents of the Vedas justify the infallibility with which they have been invested. Why then did the Brahmins struggle so hard to clothe them with sanctity and infallibility ? 

 

RIDDLE NO. 7

THE TURN OF THE TIDE OR HOW DID THE BRAHMINS DECEARE THE VEDAS TO BE LOWER THAN THE LOWEST OF THEIR SHASTRAS?

The religious literature of the Hindus includes (1) The Vedas, (2) The Brahmanas, (3) The Aranyakas, (4) Upanishads, (5) Sutras, (6) Itihas, (7) Smritis and (8) Puranas.

As has been pointed out there was a time when they occupied the same status. There was no distinction of superior or inferior, sacred or profane, fallible or infallible.

Eater on as we have shown the Vedic Brahmins felt that they must make a distinction between the Vedas and other classes of their religious literature. They made the Vedas not only superior to other classes of literature but they made them sacred and infallible. In evolving their dogma of the infallibility of the Vedas they made a distinction and divided their sacred writings in two classes (1) Shruti and (2) Non-Shruti. In the first division they placed only two of the eight classes of literature spoken of above namely-(1) Samhitas and (2) the Brahmanas. The rest they declared as Non-Shruti.

II

When this distinction was first made it is not possible to say. The more important question, however, is on what basis was this division made? Why were Itihas and Puranas excluded? Why were Aranyakas and Upanishads excluded? Why were the Sutras excluded? One can well understand why Itihas and Puranas were excluded from Shruti. At the time when the division took place they were too elementary and too undeveloped and in all probability included in the Brahmanas. Similarly one can well understand why the Aranyakas are not

This is a 21-page typed MS originally entitled ' The Supersession of the Vedas ', with several corrections and modifications by the author himself. This chapter seems complete as the last para of this chapter is concluded in the handwriting of the author.—Ed. 

 

specifically mentioned as a part of the Shruti. They are a part of the Brahmanas and for that reason it was probably unnecessary to say expressly that they are part of the Shruti. The question of the Upanishads and the Sutras remains a puzzle. Why were they excluded from the Shruti ? The question regarding the Upanishads is the subject matter of another chapter. Here it is proposed to deal with the question of the Sutras. Because the reasons for the exclusion of the Sutras it is not possible to comprehend. If there were good reasons for including the Brahmanas in the category of Shruti the same reasons could not fail to justify the inclusion of the Sutras. As Prof. Max Muller observes:

"We can understand how a nation might be led to ascribe a superhuman origin to their ancient national poetry, particularly if that poetry consisted chiefly of prayers and hymns addressed to their gods. But it is different with the prose compositions of the Brahmans. The reasons why the Brahmanas which are evidently so much more modern than the Mantras, were allowed to participate in the name of Sruti, could only have been because it was from these theological compositions, and not from the simple old poetry of the hymns, that a supposed divine authority could be derived for the greater number of the ambitious claims of the Brahmanas. But, although we need not ascribe any weight to the arguments by which the Brahmanas endeavoured to establish the contemporaneous origin of the Mantras and Brahmanas there seems to be no reason why we should reject as equally worthless the general opinion with regard to the more ancient date of both the Brahmanas and Mantras, if contrasted with the Sutras and the profane literature of India. It may easily happen, where there is a canon of sacred books, that later compositions become incorporated together with more ancient works, as was the case with the Brahmanas. But we can hardly imagine that old and genuine parts should ever have been excluded from a body of sacred writings, and a more modern date ascribed to them, unless it be in the interest of a party to deny the authority of certain doctrines contained in these rejected documents. There is nothing in the later literature of the Sutras to warrant a supposition of this kind. We can find no reason why the Sutras should not have been ranked as Sruti, except the lateness of their date, if compared with the Brahmanas, and still more with the Mantras. Whether the Brahmanas themselves were aware that ages must have elapsed between the period during which most of the poems of their Rishis were composed, and the times which gave rise to the Brahamanas, is a question which we need hardly hesitate to answer in the affirmative. But the recklessness with which Indian theologians claim for these Brahmanas the same title and the same age as for the Mantras, shows that the reason must have been peculiarly strong which deterred them from claiming the same divine authority for the Sutras."

The exclusion of the Sutras from the category of Shruti is a riddle that calls for explanation.

There are other riddles which strike the student who cares to investigate into the subject. They relate to the changes in the content of the literature comprised in the term Shruti and their relative authority.

One such riddle relates to the class of literature called the Brahmanas. At one time the Brahmanas were included in the term Shruti. But later on they seem to have lost this position. For Manu*[f26] seems to exclude the " Brahamanas " from the category of Shruti as may be seen from the following extract from his Smriti:

    "By Shruti is meant the Veda, and by Smriti the institutes of law; the contents of these are not to be questioned by reason, since from them (a knowledge of) duty has shown forth. The Brahman who, relying on rationalistic treatises, shall condemn these two primary sources of knowledge must be excommunicated by the virtuous as a sceptic and reviler of the Vedas.... To those who are seeking a knowledge of duty, the Sruti is the supreme authority." Why were the Brahmanas excluded from Shruti?

III

We may now turn to the class of literature called the Smritis, the most important of which are the Manu Smriti and the Yajnavalkya Smriti. The number of Srnritis was ever on the increase and the composing of Smritis went on up to the advent of the British. Mitramistra refers to 57 Smritis, Nilakanta to 97 and Kamalakar to 131. The Smriti literature is bigger than any other class of religious literature regarded as sacred by the Hindus.

There are several points regarding the relation of the Smritis to the Vedas.

The first is that the Smriti was not recognized[f27] as part of the Dharma Shastra literature represented by the Dharma Sutras such as that of Baudhayana, Gautama or Apastambha. A Smruti originally dealt with social customs and conventions that were approved of and recommended by the learned leaders of society. As Prof. Altekar observes:

"In the beginning, Smritis were identical in nature and contents with Sadacara and were based upon it. When Smritis came into existence the scope of Sadacara became naturally reduced, as much of it was codified by Smritis. It began to denote those old practices which happened not to be codified in Smritis, or those new ones, which had acquired social approval at a period subsequent to the codification of the early Dharmasastras or Smritis." The second point to note is that the Smritis were treated as quite different from the Vedas or the Srutis. So far as their sanction and their authority were concerned they stood on absolutely different footing. The sanction behind the Sruti was divine. The sanction behind the Smriti was social. In the matter of their authority the Purva Mimarnsa lays down two rules. The first rule is that if there is a conflict between two texts of Sruti then both are authoritative and the presumption will be that the Vedas have given an option to follow one or the other. The second rule is that the text of a Smriti should be summarily rejected if it was opposed to the text of the Sruti. These rules were rigorously applied with the result that the Smritis could not acquire either the status or the authority of the Vedas.

Surprising as it may appear a time came when Brahmins took a summersault and gave the Smritis a status superior to that of the Vedas. As Prof. Altekar points out:

"The Smritis have actually overruled some of the specific dicta of Srutis that were not in consonance with the spirit of the age, or were coming into direct conflict with it. The Vedic practice was to perform daiva karma in the morning and the pitr karma in the afternoon. In later times the modern pitr tarpana came into vogue and it began lo be offered in the morning, as the morning bath became the order of  the day. Now this procedure is in direct conflict with the Vedic practice prescribed in the above-mentioned rule. Devamabhatta. the author ol theSmrticandrika, however says that there is nothing wrong in this: the Sruti rule must be presumed to be referring to pitr karman other thantarpana. The Sruti literature shows that Visvamitra adopted Sunassepa, though he had a hundred sons living: this would thus permit a person to adopt a son even when he had a number ol his own sons living. But Mitramisra says that such a deduction would he wrong: we shall have to assume that the Smriti practice is also based upon a Sruti text. which is not now available but the existence of which will have to be assumed." "The Vedic passage, na seso 'gne' nyajatamasti certainly disapproves of the practice of the adoption of a son, which is clearly recommended in later times by the Smriti literature. This is a clear example of a Sruti being thrown overboard by a Srnriti. But Mitramisra says that there is nothing wrong about the procedure. The Sruti passage is a mere arthavada; it does not lay down any injunction. The Smritis on the other hand prescribe adoption so that homas etc. should be properly performed. Arthavada Sruti is thus being fittingly overruled by a Srnriti text, which has a vidhi for its purport."

"The custom of the Sati of the later age is in direct conflict with the vedic injunction prohibiting suicide. Apararka, however, argues that the conflict with Sruti should not invalidate the custom. For the Sruti passage lays down a general principle disapproving suicide, while the Smritis lay down a special exception in the case of a widow."

Whether the customs of a Sati and adoption are good or not is a different question. Somehow or other society had come to approve of them. Smritis gave canonical, sanction to them and sought to defend them even against the authority of the Vedas.

The question is why did the Brahmins after having struggled so hard for establishing the supremacy of the Vedas degrade the Vedas and invest the Smritis with authority superior to that of the Vedas? They did so much to raise the authority of the Vedas above the divine. Why did they drag them below the Smritis which had nothing but social sanction?

The steps they adopted were so ingenious and artificial that one cannot help feeling that there must have been some definite motive which led the Brahmins to give the Smritis a status superior to that of the Vedas.

To give some idea as to how artificial, ingenious and desparate these arguments were it might be useful to give just a brief outline of them.

As an illustration of an artificial argument, one may refer to the view propounded by Brahaspati. According to him, Sruti and Srnriti are the two eyes of the Brahmana, if he is void of one of them he becomes a one-eyed person.

As an illustration of an ingenious argument one may refer to the argument of Kumarila Bhatt. His argument is founded on the theory of lost Sruti. It was argued on behalf of the Smritis that their views cannot be set aside even when they are in direct conflict with the Srutis for they may quite possibly have been based upon a lost text of Sruti, and so the conflict is not a conflict between a text of Sruti and that of a Smriti. It is really a conflict between an existing and lost text of Sruti. Smriti therefore came to be represented as lost Sruti.

There is a third means adopted by the Brahmins to make the Smritis equal if not superior to the Vedas. It is to be found in the Atri Smriti. Atri says that those who do not respect the Smritis will be subject to curse. Atri's argument is that Brahmanyam arises only as a result of a joint study of the Sruti and Smriti and if a person studies the Vedas only but holds the Smriti in contempt he would be immediately condemned to be born as a beast for 21 generations.

Why did the Brahmins adopt such desparate means to place the Smritis on the same footing as the Sruti? What was their purpose? What was their motive?

Prof. Altekar's argument that the Smritis were given supremacy over the Vedas because they gave legal justification to customary law which was of later growth, cannot be accepted as adequate. If the case was that, there was law in the Vedic period and custom had grown later on; and if there was a conflict between the two, one could have understood the argument that the Smritis were given predominance because they set right the conflict by recognizing the progressive doctrines of the custom. This is not the case. There was no such thing as law in the Vedas. As Professor Kane points out:

"All law was customary and there was no necessity to give recognition to the customs because they were recognized by the people. Secondly the Smritis cannot be said to be more progressive than the Vedas. Barring the Chaturvarna doctrine which everybody knows the Vedas except in the matter of forms of worship left Society quite free to develop. What the Smritis have done is, take out the unprogressive element in the Vedas namely the Chaturvarna theory and to propagandize it and hammer it into the heads of the people."

Therefore there must be some other reason why the Brahmins gave supremacy to the Smritis over the Vedas.

The Brahmins were not content with their first acrobatics. They performed another.

The Smritis were followed in point of time by the Puranas. There are 18 Puranas and 18 Up-Puranas altogether 36. In one sense the subject matter of the Puranas is the same. They deal with the creation, preservation and destruction of the world. But in the rest of their contents they differ altogether. Some propagate the cult of Brahma, some the cult of Shiva, some the cult of Vishnu, some the cult of Vayu, some the cult of Agni, some the cult of Surya and some the cult of   Goddesses and other deities. As has been noted there was a time when the Puranas were not included in the Shruti. In later times however a striking change seems to have taken place. The Puranas which were considered as too profane to be included in the Shruti were given a superiority over the Vedas. The Vayu Purana says[f28]:

"First, of all the Shastras, the Purana was uttered by Brahma. Subsequently the Vedas issued from his mouth." The Matsya Purana not only claims priority of creation for the Puranas as against the Vedas, but also the qualities of eternity and identity with sound, which was once predicated of the Vedas alone. It says[f29]:

" Pitamaha (Brahma), first of all the immortals, took shape; then the Vedas with their Angas and Upangas (appendages and minor appendages), and the various modes of their textual arrangements, were manifested. The Purana, eternal, formed of sound, pure, extending to the length of a hundred crores of verses, was the first of the Sastras which Brahma uttered ; and afterwards the Vedas, issued from his mouth; and also the Mimansa and the Nyaya with its eightfold system of proofs.

The Bhagawat Purana claims equality of authority with the Vedas. It says[f30]:

"(Bramharatra) declared the Purana called the Bhagavata, which stands on an equality with the Veda."

The Brahma-Vaivartta Purana has the audacity to claim superiority over the Vedas. It says[f31]:

"That about which venerable sage, you have inquired, and which you desire, is all known to me, the essence of the Puranas, the preeminent Brahma-Vaivartta, which refutes the errors of the Puranas and Upa-puranas, and the Vedas."

This is the second acrobatic performed by the Brahmins in assigning priority, precedence, and authority to their sacred books.

This does not complete the story of the suppression of the Vedas. The worse is yet to come. The Puranas were followed by another class of literature called the Tantras. [f32] Their number is also quite formidable. Shankaracharya refers to 64 Tantras. There might be many more.

Traditionally the authorship of these works is attributed to Dattatreya, who was an incarnation of the Hindu trinity, Brahma, Vishnu and Shiva. They are therefore to be regarded as equally the revelation of the three supreme divinities. In form, however, they are dependent on Shiva alone, who in dialogue with his wife Durga, or Kali, reveals the mystical doctrines and observances which are to be received and practised by his worshippers. This authoritative or 'higher tradition' is further said to have been delivered from his central or fifth mouth. As such it is pre-eminently sacred and secret and may not be revealed to the uninitiated. They are also called by the name Agamas, and as such are sometimes distinguished from Nigama, the text of the Vedas, Dharmashastras, and other sacred books.

The Tantras are regarded specially as the religious text-books of the Saktas and of their various sects. There are different Tantrik schools, with variant traditions, the distinctions between which are little understood outside of their immediate circle of adherents. The ritual of the Tantras of the Daksinacharins, however, is said to be pure and in harmony with the Vedas, while that of the Vamacharins is intended only for Shudras.

The teaching of the Tantras, as of the Puranas is essentially based on the Bhakti-Marga which is regarded by them as superior to theKarma-Marga and Jnana-Marga of the Brahmanas and Upanishads. Adoration of a personal deity is inculcated, especially of the wife of Shiva, who is worshipped as the source of all regenerative power. In all these writings the female principle is personified and made prominent, to the almost total exclusion of the male.

What is the relation of the Tantras to the Vedas? Kalluka Bhatta the well known commentator of Manu Smriti has no hesitation in asserting that Shruti is two-fold- Vaidik and Tantrik—which means that the Vedas and the Tantras stand on equal footing. While the Vaidik Brahmins like Kalluka Bhatta admitted the equality of the Tantras to the Vedas, the authors of the Tantras went much beyond. They claimed that the Vedas, the Shastras, and the Puranas are alike a common woman, but the Tantras are like a highborn woman conveying thereby that the Tantras are superior to the Vedas.

From this survey one thing is clear. The Brahmins have not been very steadfast in their belief regarding the sacred character of what they called their books of religion. They fought to maintain the thesis that the Vedas were not only sacred but that they were infallible. Not only they maintained that the Vedas were infallible but they spent their ingenuity to invent strange arguments to support the doctrine of infallibility. Yet they had not the slightest compunction to overthrow the position of the Vedas and to subordinate them first to the Smritis, then to the Puranas and lastly to the Tantras. The question of all   questions is what made the Brahmins degrade the Vedas and supersede them by Smritis, Puranas and the Tantras if they regarded their Vedas as the most sacred?

 

RIDDLE NO. 8

HOW THE UPANISHADS DECLARED WAR ON THE VEDAS?

 

What is the position of the Upanishads in relation to the Vedas? Are the two complimentary to each other or are they antagonistic? Of course, no Hindu would admit that the Vedas and Upanishads are repugnant to each other. On the contrary, it is the common belief of all Hindus that there is no antagonism between them and that both form part and parcel of the same single system of thought. Is this belief well-founded?

The principal reason for the rise of such a belief is to be found in the fact that the Upanishads are also known by another name which is called Vedanta. The word Vedanta has got two meanings. In one sense, it means the last parts of the Vedas. In the second sense, it means the essence of the Vedas. The word Vedanta being another name for the Upanishads, the Upanishads themselves have come to acquire these meanings. It is these meanings which are responsible for the common belief that there is no antagonism between the Vedas and the Upanishads.

To what extent are these meanings of the word Upanishads justified by facts? In the first place, it is well to note the meaning of the word Vedanta. What was the original meaning of the word Vedanta? Does it mean the last book of the Vedas? As observed by Prof. Max Muller*[f33]:

"Vedanta is a technical term and did not mean originally the last portions of the Veda, or chapters placed, as it were, at the end of a volume of Vedic literature, but the end i.e., the object, the highest purpose of the Veda. There are, of course, passages, like the one in the Taittiriya-aranyaka (ed-Rajendra Mitra p. 820), which have been misunderstood both by native and European scholars, and where Vedanta means simply the end of the Veda: yo vedadu svarah

______________________________________________________________

This 15-page typed MS with modifications in the handwriting of the author was originally entitled ' Vedas versus Upanishads '. Concluding two paragraphs are added by the author in his own handwriting.—-Ed.

_____________________________________________________________

 

prokto vedante ka pratishthitah, ' the Om which is pronounced at the beginning of the Veda, and has its place also at the end of the Veda.' Here Vedanta stands simply in opposition to Vedadu, it is impossible to translate it, as Sayana does, by Vedanta or Upanishad. Vedanta, in the sense of philosophy, occurs in the Taittiriya-aranyaka p. 817, in a verse of the Narayania-upanishad repeated in the Mundak-upanishad III 2, 6 and elsewhere vedantavignamuniskitarah, 'those who have well understood the object of the knowledge arising from the Vedanta ' not from the last books of the Veda and Svetasvatara-up VI-22, vedante paramam guthyam, 'the highest mystery in the Vedanta'. Afterwards it is used in the plural also, e.g., Kshurikopanishad, 10 (bibl. Ind. p. 210) pundariketi Vedanteshu nigadyate, ' it is called pundarika in the Vedantas" i.e., in the Khandogya and other Upanishads, as the commentator says, but not in the last books of each Veda."' More direct evidence on the point is that which is contained in the Gautama Dharma Sutras. In Chapter XIX verse 12 Gautama speaks of purification and says:

"The purificatory (texts are), the Upanishads, the Vedantas, the Samhita-text of all the Vedas" and so on. From this it is clear that at the date of Gautama the Upanishads were distinguished from Vedantas and were not acknowledged as a part of the Vedic literature. Hardatta in his commentaries says "those parts of the Aranyakas which are not. (Upanishads) are called Vedantas". This is unimpeachable proof that the Upanishads did not come within the range of the Vedic literature and were outside the canons.

This view is also supported by the use of the Veda in the Bhagwat Gita. The word Veda is used in the Bhagwat Gita at several places. And according to Mr. Bhat[f34] the word is used in a sense which shows that the author did not include the Upanishads in the term.

The subject matter of the LJpanishads is not the same as that of the Vedas. This is also another reason why the Upanishads are not a part of the Vedas. What is the origin of the word Upanishad? The point is somewhat obscure. Most European scholars are agreed in deriving Upanishad from the root sad, to sit down, preceded by the two prepositions  ni down and upa near, so that it would express the idea of session or assembly of public sitting down near their teacher to listen to his instructions. This is because in the Trikandasesha, the word Upanishad is explained by Samipasadana as sitting down near a person.

But as Prof. Max Muller points out there are two objections to the acceptance of this derivation. Firstly such a word, it would seem, would have been applicable to any other portion of the Veda as well as to the chapters called Upanishad, and it has never been explained how its meaning came thus to be restricted. Secondly, the word Upanishad, in the sense of session or assembly has never been met with. Whenever the word occurs, it has the meaning of doctrine, secret doctrine, or is simply used as the title of the philosophic treatises which contain the secret doctrine.

There is another explanation proposed by Sankara in his commentary on the Taittiriya-Upanishad II, 9, noted by Prof. Max Muller. According to it the highest bliss is contained in the Upanishad (param sreyo 'syam nishannam). That is why it is called Upanishad. Regarding this, Prof. Max Muller says:

"The Aranyakas abound in such etymologies which probably were never intended as real as plays on words, helping, to account somehow for their meaning."

Prof. Max Muller however favours a derivation of the word ' Upanishad ' from the root sad to destroy, and meant knowledge which destroys ignorance, the cause of Samsara, by revealing the knowledge of Brahmana as a means of salvation. Prof. Max Muller points out that this is the meaning which the native scholars have unanimously given to the word Upanishad.

If it be granted that the true derivation of the word ' Upanishad ' is what is suggested by Prof. Max Muller, then it would be one piece of evidence to show that the common belief of the Hindus is wrong and that the subject matter of the Vedas and the Upanishads are not complimentary but antagonistic. That the system of thought embodied in the Upanishads is repugnant to that of the Vedas is beyond doubt. A few citations from some of the Upanishads will suffice to show their opposition to the Vedas. The Mundaka Upanishad says:

" Bramha was produced the first among the gods, maker of the universe, the preserver of the world. He revealed to his eldest son Atharva, the science of Brahma the basis of all knowledge. (2) Atharvan of old declared to Angis this science, which Brahma had unfolded to him; and Angis, in turn, explained it to Satyavaha, descendant of Bharadvaja, who delivered this traditional lore, in succession, to Angiras. (3) Mahasala Saunaka, approaching Angiras with the proper formalities, inquired, 'What is that, 0 venerable sage, through the knowledge of which all this (universe) becomes known? (4) (Angiras) answered, 'Two sciences are to be known— this is what the sages versed in sacred knowledge declare—the superior and the inferior. (5) The inferior (consists of) the Rig Veda, the Yajur-Veda, the Sama-Veda, the Atharva-Veda, accentuation, ritual grammar, commentary, prosody and astronomy. The superior science is that by which the imperishable is apprehended." by which of course he means the Upanishads.

The Chhandogya Upanishad says:

"(1) Narada approached Sanatkumara, saying, "Instruct me, venerable sage. He received for answer ' Approach me with (tell me) that which thou knowest; and I will declare to thee whatever more is to be learnt.' (2) Narada replied, 'I am instructed, venerable sage, in the Rig-veda, the Sama-veda, the Yajur-veda, the Atharvana (which is) the fourth, the Itihasas and Purana (which are) the fifth Veda of the Vedas, the rites of the pitris, arithmetic,, the knowledge of portents and of great periods, the art of reasoning, ethics, the science of the gods, the knowledge of Scripture, demonology, the science of war, the knowledge of the stars, the sciences of serpents and deities: this is what I have studied. (3) I, venerable man, know only the hymns (mantras); while I am ignorant of soul. But I have heard from reverend sages like thyself that 'the man who is acquainted with soul overpasses grief '. Now I, venerable man, am afflicted; but do thou transport me over my grief. Sanatkumara answered, ' That which thou hast studied is nothing but name. (4) The Rig-veda is name: and so are the Yajur-veda, the Sama-veda, the Atharvana, which is the fourth, and the Itihasas and Puranas, the fifth Veda of the Vedas, etc., (all the other branches of knowledge are here enumerated just as above),—all these are but names: worship name. (5) He who worships name (with the persuasion that it is) Brahma, ranges as it were at will over all which that name comprehends: such is the prerogative of him who worships name (with the persuasion that it is) Brahma, ' Is there anything, venerable man' asked Narada, 'which is more than name?' 'There is,' replied, 'something which is more than name'. 'Tell it to me', rejoined Narada."

The Brahadaranyaka Upanishad says:

" In that (condition of profound slumber) a father is no father, a mother is no mother, the worlds are no worlds, the gods are no gods, and the Vedas are no Vedas, sacrifices are no sacrifices. In that condition a thief is no thief, a murderer of embryos is no murderer of embryos, a Pulkasa no Paulakasa, a Chandala no Chandala, a Sramana no Sramana, a devotee no devotee; the saint has then no relation, either of advantage or disadvantage, to merit or to sin; for he then crosses over all griefs of the heart."

This is what the Katha Upanishad has to say:

"This soul is not to be attained by instruction, nor by understanding, nor by much scripture. He is attainable by him whom he chooses. The soul chooses that man's body as his own abode ".

"Although this soul is difficult to know, still it may easily be known by the use of proper means. This is what (the author) proceeds to say. This soul is not to be attained, known, by instruction, by the acknowledgement of many Vedas; nor by. understanding, by the power of recollecting the contents of books; nor by much scripture alone. By what, then, is it to be attained? This he declares ".

How great was the repugnance to the Vpanishads and the philosophy contained in them will be realized if one takes note of the origin of the words Anuloma and Pratiloma which are usually applied to the marriage tie among the Hindus. Speaking of their origin Mr. Kane, points out that[f35]:

"These two words Anuloma and Pratiloma (as applied to marriage or progeny) hardly ever occur in the Vedic literature. In the Br. Up. (II. 1.5) and Kausitaki Br. Up. IV. 8. the word ' Pratiloma ' is applied to the procedure adopted by a Brahmana of going to a Kshatriya for knowledge about ' Brahman '. Anuloma means according to the heir that is in the natural order of things, Pratiloma means against the heir that is contrary to the natural order. Reading the observations of Mr. Kane in the light of the definition of the word Pratiloma it is obvious that the Upanishads far from being acknowledged as part of the Vedic literature were if not despised, held in low esteem by the Vedic Brahmins. This is anadditional piece of evidence which shows that there was a time when the relation between the Vedas and the Upanishads was of antagonism.

Another illustration of the attitude of the Vaidik Brahmins towards Brahmins who had studied the Upanishads may be given. It is to be found in the texts of the Dharma Sutras of Baudhayana. Baudhayana in his Dharma Sutras (ii. 8.3) says that at a Shradha ceremony a Rahasyavid is to be invited only if other Brahmins are not available. A Rahasyavid of course means a Brahmin versed in the Upanishads. The belief that the Vedas and the Upanishads are complimentary came into being is really a riddle.

 

RIDDLE NO. 9

HOW THE UPANISHADS CAME TO BE MADE SUBORDINATE TO THE VEDAS?

In the preceding chapter it was shown that originally the Upanishads were not a part of the Vedas and that the two in the matter of doctrine were opposed to each other. It is instructive to compare the later relations between the Vedas and the Upanishads. The later relations between them are best illustrated by the controversy between two philosophers, Jaimini and Badarayana.

Jaimini is the author of a work called the Mimamsa Sutras while Badarayana is the author of Brahma Sutras. Jaimini is an upholder of the Vedas and Badarayana is an upholder of the Upanishads.

The point of dispute was—Is it necessary to perform sacrifices ? The Vedas say ' yes ' and the Upanishads say ' no '.

The position of Jaimini is stated by Badarayana in his Sutras 2-7, and explained by Shankaracharya in his commentary. Jaimini contends that*[f36]:

" No one undertakes a sacrificial act unless he is conscious of the fact that he is different from the body and that after death he will go to heaven, where he will enjoy the result of his sacrifices. The Texts dealing with self-knowledge serve merely to enlighten the agent and so are subordinate to sacrificial acts."

In short Jaimini says that all that Vedanta teaches is that self is different from the body and outlive the body. Such a knowledge is not enough. The self must have the aspiration to go to heaven. But it can't go to heaven unless it performs Vedic sacrifices which is what his Karmakand teaches. Therefore his Karmakand is the only Salvation and that the Jnankand from that point of view is quite useless. For this Jaimini relies on the conduct of men who have believed in Vedanta[f37]:

____________________________________________

'Jaimini versus Badarayana ' was the title given to this chapter which was later scored out. This is a 9-page typed MS with modifications in the first two pages by the author.—Ed.

 

"Janaka, emperor of Videha performed a sacrifice in which gifts were freely distributed (Brih. 3.1.1). I am going to perform a sacrifice sirs (Chh. 5.11.5). Now both Janaka and Asvapati were knowers of the Self. If by this knowledge of the Self they had attained Liberation, there was no need for them to perform sacrifices. But the two texts quoted show that they did perform sacrifices. This proves that it is through sacrificial acts alone that one attains Liberation and not through the knowledge of the Self as the Vedantins hold."

Jaimini makes a positive assertion that the scriptures unmistakably declare[f38] "that knowledge of the Self stands in a subordinate relation to sacrificial acts ". Jaimini justifies it because he says[f39] " the two (knowledge and work) go together (with the departing soul to produce the results)." Jaimini refuses to give an independent position to Badarayana's Jnanakanda. He takes his stand on two grounds.

First[f40]: " Knowledge of the Self does not independently produce any result."

Second[f41]: According to the authority of the Vedas "Knowledge (of Self) stands in a subordinate relation to work." This is the position of Jaimini towards Badarayana's Jnanakanda.

What is the position of Badarayana towards Jaimini and his Karma Kanda^ This is explained by Badarayana in Sutras 8 to 17.

The first position[f42] taken up by Badarayana is that the Self spoken of by Jaimini is the limited self i.e., the soul is to be distinguished from the Supreme soul and that the Supreme soul is recognized by the Scriptures.

The second[f43] position taken up by Badarayana is that the Vedas support both knowledge of Self as well as sacrifices.

The third[f44] position taken up by Badarayana is that only those who believe in the Vedas are required to perform sacrifices. But those who follow the Upanishads are not bound by that injunction. As Shankaracharya explains:

" Those who have read the Vedas and known about the sacrifices are entitled to perform work (sacrifices).' No work (sacrifice) is prescribed for those who have knowledge of the Self from the Upanishads. Such a knowledge is incompatible with work."

The fourth[f45] position taken up by Badarayana is that Karmakanda is optional to those who have attained Bramhanand. As Shankaracharya explains:

"That some have of their own accord given up all work. The point is that after knowledge some may choose to work to set an example to others, while others may give up all work. There is no binding on the knowers of the Self as regards work." His last and final[f46] position is that:

" Knowledge of the Self is antagonistic to all work and so cannot possibly be subsidiary to work"

And as evidence in support of it he relies[f47] on the scriptures which recognizes Sannyas as the fourth Ashram and relieves the Sannyasi from performing sacrifices prescribed by the Karmakanda.

Many such Sutras can be found in Badarayana indicating the attitude of the two scholars of thought towards each other. But the one given above is enough as it is so very typical. If one stops to consider the matter the position wears a strange appearance. Jaimini denounces Vedanta as a false Shastra, a snare and a delusion, something superficial, unnecessary and unsubstantial. What does Badarayana do in the face of this attack ? Does he denounce the Karmakanda of Jaimini as a false Shastra, a snare and a delusion, something superficial, unnecessary and unsubstantial as the Upanishads themselves did? No. He only defends his own Vedanta Shastra. But one would expect him to do more. One would expect from Badarayana a denunciation of the Karmakanda of Jaimini as a false religion. Badarayana shows no courage. On the contrary he is very apologetic. He concedes that Jaimini's Karmakanda is based on the scriptures and the scriptures have authority and sanctity which cannot be repudiated. All that he insists on is that his Vedanta doctrine is also true because it has also the support of the scriptures.

This is not all. What Badarayana does is to use the term Vedanta to cover two senses. He uses it so as to emphasize that the Upanishads do form a part of the Vedic literature. He uses it also to emphasize that Vedanta or the Jnyanakanda of the Upanishads is not opposed to the Karmakanda of the Vedas that the two are complimentary. Indeed this is the foundation on which Badarayana has raised the whole structure of his Vedanta Sutras.

This thesis of Badarayana—which underlies his Vedanta Sutras and according to which the Upanishads are a part of the Veda and there is no antagonism between the Vedas and Upanishads—is quite contrary to the tenor of the Upanishads and their relation to the Vedas. Badarayana's attitude is not easy to understand. But it is quite obvious that Badarayana's is a queer and a pathetic case of an opponent who begins his battle by admitting the validity of the premises of his adversary. Why did Badarayana concede to Jaimini on the question of infallibility of the Vedas which were opposed to the Upanishads? Why did he not stand for truth, the whole truth and nothing but the truth as expounded by the Upanishads? The Badarayana has in his Vedanta   Sutras betrayed the Upanishads. Why did he do so?

 

RIDDLE NO. 10

WHY DID THE BRAHMINS MAKE THE HINDU GODS FIGHT AGAINST ONE ANOTHER?

 

The Hindu theology regarding the world is based upon the doctrine of Trimurti. According to this doctrine the world undergoes three stages. It is created, preserved and destroyed. It is endless series of cycles which goes on without stoppage. The three functions which comprise the cycle are discharged by three Gods, Brahma, Vishnu and Mahesh. Brahma creates the world, Vishnu -preserves and Mahesh destroys it for the purpose of creation. These gods are spoken of as forming what is called Trimurti. The doctrine of Trimurti postulates that three gods are co-equal in status and are engaged in functions which are contemporary and not competitive. They are friends and not rivals. They are allies of one another and not enemies.

When, however, one studies the literature which depicts the deeds of these three gods one finds a complete difference between the theory and the practice. The Gods far from being friends appear to be worse enemies of one another, competing for supremacy and sovereignty among themselves. A few illustrations from the Puranas will make the matter clear.

At one time Brahma appears to be the most supreme god as compared to Shiva and Vishnu. Brahma is said to be the creator of the universe—the first Prajapati. He is the progenitor of Shiva,*[f48] and the master of Vishnu because if Vishnu became the preserver of the universe it was because Brahma commanded him to do it. So supreme was Brahma that he was the arbitrator in the conflicts that took place between Rudra and Narayan and between Krishna and Shiva.

Equally certain is the fact that at a subsequent stage Brahma came into conflict with Shiva and Vishnu and strangely enough lost his position and supremacy to his rivals. Two illustrations of his conflict with Vishnu may be given

. __________________________________________________________

The original title was ' Gods at War '. This is a 25-page typed and corrected MS which includes three concluding pages handwritten by the author.—Ed.

________________________________________________________________

The first may well be the story of the Avatars. On the issue of the Avatars there is a rivalry between Brahma and Vishnu. The theory of Avatars or incarnation assumed by God to save humanity from a calamity began with Brahma. He was said to have assumed two Avatars (1) Boar and (2) Fish. But the followers of Vishnu refused to allow this. They asserted that these Avatars were not the Avatars of Brahma but that they were the Avatars of Vishnu. Not only did they appropriate these Avatars of Vishnu they gave to Vishnu many more Avatars.

The Puranas have run riot with the Avatars of Vishnu and different Puranas have given different lists of Avatars as will be seen from the following:

AVATARS OF VISHNU

Sr. According No. to Hari Vamsa

According to Narayani Akhyan

According to Varaha Purana

According to Vayu Purana

According to Bhagwat Purana

1. Varaha

Hansa

Kurma

Narasinha

Sanatkumar

2. Narasinha

Kurma

Matsya

Vaman

Boar

3. Vaman

Matsya

Varaha

Varaha

 

4. Parshuram

Varaha

Narasinha

Kurma

Nara-Narayan

5. Rama

Narasinha

Vaman

Sangram

Kapila

6. Krishna

Vaman

Parshuram

Adivaka

Datlatraya

7.

Parshuram

Rama

Tripurari

Jadna

8.

Rama

Krishna

Andhakarh

Rashabha

9.

Krishna

Buddha

Dhvaja

Prithi

10.

Kalkin

Kalkin

Varta

Matsya

11.

 

 

Halahal

Kurma

12.

 

 

Kolhahal

Dhanwantari

13.

 

 

 

Mohini

14.

 

 

 

Narasinha

15.

 

 

 

Vaman

16.

 

 

 

Parshuram

17.

 

 

 

Ved Vyas

IS.

 

 

 

Naradeo

19.

 

 

 

Rama

20.

 

 

 

Krishna

21

 

 

 

Buddha

22.

 

 

 

Kalkin

The second story may well be the issue of the first born. It is related in the Skanda Purana. The story says that at one time Vishnu lay asleep on the bosom of Devi, a lotus arose from his navel, and its ascending flower soon reached the surface of the flood. Brahma sprang from flower, and looking round without any creature on the boundless expanse, imagined himself to be first born, and entitled to rank above all future beings; yet resolved to investigate deep and to ascertain whether any being existed in its universe who could controvert his preeminence, he glided down the stock of the lotus and finding Vishnu asleep, asked loudly who he was 'I am the first born' answered Vishnu; and when Brahma denied his preprogeniture, they engaged in battle, till Mahadeo pressed between them in great wrath, saying ' It is I who am truly the first born '. But I will resign my place to either of you, who shall be able to reach and behind the summit of my head, or the soles of my foot. Brahma instantly ascended but having fatigued himself to no purpose in the regions of immensity yet loath to abandon his claim, returned to Mahadeo declaring that he had attained and seen the crown of his head, and called as his witness the first born cow. For this union of pride and falsehood, the angry God Shiva ordained that no sacred rites should be performed to Brahma and that the mouth of cow should be defiled. When Vishnu returned, he acknowledged that he had not been able to see the feet of Mahadeo who then told him that he was the first born among the Gods, and should be raised above all. It was after this Mahadeo cut off the fifth head of Brahma who thus suffered the loss of his pride, his power and his influence.

According to this story Brahma's claim to be the first born was false. He was punished by Shiva for making it. Vishnu gets the right to call himself the first born. But that is allowed to him by the grace of Shiva. The followers of Brahma had their revenge on Vishnu for stealing.what rightfully belonged to him with the help of Shiva. So they manufactured another legend according to which Vishnu emanated from Brahma's nostrils in the shape of a pig and grew naturally into a boar—a very mean explanation of Vishnu's Avatar as a boar.

After this Brahma tried to create enmity between Shiva and Vishnu evidently to better his own position. This story is told in the Ramayana. It says: "When King Dasaratha was returning to his capital, after taking leave of Janaka, the king of Mithila, whose daughter Sita had just been married to Rama, he was alarmed by the ill-omened sounds uttered by certain birds, which however were counteracted, as the sage Vasishtha assured the king, by the auspicious sign of his being perambulated by the wild animals of the forest. The alarming event indicated was the arrival of Parasurama, preceded by a hurricane which shook the earth and prostrated the trees, and by thick darkness which veiled the sun. He was fearful to behold, brilliant as fire, and bore the axe and a bow on his shoulder. Being received with honour, which he accepted, he proceeded to say to Rama, the son of Dasaratha that he had heard of his prowess in breaking the bow produced by Janaka and had brought another which he asked Rama to bend, and to fit an arrow on the string; and if he succeeded in doing so, he (Parasurama) would offer to engage with him in single combat. Dasaratha is rendered anxious by this speech, and adopts a suppliant tone towards Parasurama, but the latter again addresses Rama, and says that the bow he had broken was Siva's, but the one he himself had now brought was Vishnu's. Two celestial bows, he proceeds, were made by Visvakarma of which one was given by. the gods to Mahadeva, the other to Vishnu". The narrative then proceeds:

"The gods then all made a request to Brahma desiring to find out the strength and weakness of Sitikantha (Mahadeva) and Vishnu. Brahma, most excellent of the three learning the purpose of the gods, created enmity between the two. In this state of enmity a great and terrible fight ensued between Sitikantha and Vishnu each of whom was eager to conquer the other. Siva's bow of dreadful power was then relaxed and the three-eyed Mahadeva was arrested by a muttering. These two eminent deities being entreated by the assembled gods, rishis, and Charanas then became pacified. Seeing that the bow of Siva had been relaxed by the prowess of Vishnu, the gods and rishis esteemed Vishnu to be superior." Thus Brahma managed to avenge the wrong done to him by

Mahadeo.

Even this stratagem did not avail Brahma to maintain his position against Vishnu. Brahma lost his position so completely to Vishnu that Vishnu who at one time was at the command of Brahma became the creator Of Brahma.

In his contest with Shiva for supremacy Brahma suffered equal defeat. Here again, the position became completely inverted. Instead of being created by Brahma, Shiva became the creator of Bramha. Brahma lost the power of giving salvation. The god who could give salvation was Shiva and Brahma became no more than a common devotee worshipping Shiva and his Linga in the hope of getting salvation.[f49] He was reduced to the position of a servant of Shiva doing the work of charioteer[f50] of Shiva.

Ultimately Brahma was knocked out of the field of worship on a charge of having committed adultery with his own daughter. The charge is set out in the Bhagwat Purana in the following terms:

"We have heard, O Kshatriya, that Swayambhu (Brahma) had a passion for Vach, his slender and enchanting daughter, who had no passion for him. The Munis, his sons, headed by Marichi, seeing their father bent upon wickedness, admonished him with affection; 'This is such a thing as has not been done by those before you, nor will those after you do it,— that you, being the lord, should sexually approach your daughter, not restraining your passion. This, 0 preceptor of the world, is not a laudable deed even in glorious personages, through limitation of whose actions men attain felicity. Glory to that divine being (Vishnu) who by his own lustre revealed this (universe) which abides in himself, he must maintain ' righteousness '. Seeing his sons, the Prajapatis, thus speaking before him the lord of the Prajapatis (Bramha) was ashamed, and abandoned his body. This dreadful body the regions received and it is known as foggy darkness."

The result of this degrading and defamatory attacks on Brahma was to damn him completely. No wonder that his cult disappeared from the face of India leaving him a nominal and theoretical member of the Trimurti.

After Brahma was driven out of the field there remained in the field Shiva and Vishnu. The two however were never at peace. The rivalry and antagonism between the two is continuous.

The Puranas are full of propaganda and counter-propaganda carried on by the Brahmins, protagonists of Shiva and Vishnu. How well matched the propaganda and counter-propaganda was, can be seen from the following few illustrations:

Vishnu is connected with the Vedic God Sun. The worshippers of Shiva connect him with Agni. The motive was that if Vishnu has a Vedic origin Shiva must also have Vedic origin as well. One cannot be inferior to the other in the matter of nobility of origin.

Shiva must be greater than Vishnu and Vishnu must not be less than Shiva. Vishnu has thousand[f51] names. So Shiva must have thousand names and he has them[f52].

Vishnu has his emblems[f53]. They are four. So Shiva must have them and he has them. They are (1) flowing gauges, (2) Chandra (moon), (3) Shesh (snake) and (4) Jata (walled hair). The only point on which Shiva did not compete with Vishnu was the matter of Avatars. The reason is not that there was no desire to compete but that philosophically there was an impediment in the way of Shiva taking Avatars. The Saivas and Vaisnavas differed fundamentally in their conceptions of immortal bliss. As has been pointed out by Mr. Ayyer:

"To the Saiva the goal to be reached was final liberation from all fetters, bodily and mental, by their total annihilation. Hence he conceived of Rudra as the inextinguishable, one who could never be destroyed, but who extinguished or destroyed everything else. That was why Rudra came to be called the Destroyer. In the final stage of the spiritual development of an individual, there ought to be no separateness at all from the supreme Shiva. He ought to transcend his body and mind, pleasure and pain, and all opposites or dualities. He should attain union or Sayujya with Shiva in which condition he would not be able to regard himself as separate from Shiva. Till he reached that stage, he was imperfect, however pure he might be, however eligible he might be, for the highest state of Sayujya: for, those who were eligible had attained only the subordinate stages of Salokya, Samipya and Sarupya. That was also the reason why the doctrine of Avatars did not appeal to the Saiva. God as an Avatar was only a limited being, one who had the capacity perhaps, of releasing himself from his fetters but not one without letters. The Vaisnava believed differently. He had also an equally clear conception of the highest state that could be reached, and that ought to he reached. But there was, according to him, nothing appealing in the idea of losing one's own individuality totally. One should be united with the supreme, and yet be conscious of the union. He should be united with the universe which again should be regarded as the other aspect of the supreme imperishable being. He was not, in other words, for the extinction of the universe as if it were something separate and distinct from the Supreme Purusha. He was rather in favour of the preservation of the universe which was neither more nor less than the manifestation of the Purusha so manifested. That was the reason why Vishnu was given the name of the Preserver. After all, it is but a difference in the way in which the truth is perceived or viewed. The Saiva viewed the universe as an object of pain and misery—as Pasha or fetters (and one bound by it to be Pasu) which had to be broken and destroyed. The Vaisnava regarded it as evidencing the greatness of the Purusa and so to be preserved. The Saiva, with his superior pessimism (if it could be so called) was not likely to respect the. Dharma Shastras, the Artha Shastras and other scriptures all of which were framed with the purpose of establishing orderliness in the world, inevitable for its welfare. He was bound to be a non-conformist, disdaining rules and conventions. Ideas of caste rigidity would be repugnant to the highly-evolved Saiva who would at best tolerate such

notions in others who had not reached his own stage of development. He would pay respect to and cultivate the society of only such people, to whatever caste they might belong, as were eligible for Samipya, Salokya, Sarupya and Sayujya, with Siva. The Vaisnava, on the other hand, was more concerned with the preservation of all rules and regulations which would have the effect of promoting peace and happiness in the world. If ' Dharma 'perished, the world would perish too, and since the world ought not to perish, for it was a manifestation of the glory of the cosmic Purusa, his duty consisted in doing everything he could for preserving the Dharma. If things went beyond his control he was sure Vishnu would take the matter up himself; for he would come into the world as an Avatar. But when Vishnu did come upon the earth, it would be to destroy the wicked, that is, all those who were instrumental in upsetting the Dharma, and so it was necessary that one should be careful not to deserve that terrible punishment from Vishnu. Hence, the Agamas or rules laid down for the guidance of Siva bhaktas did not emphasise caste, and were concerned only with the duties of bhaktas in general, the proper fulfilment of which would render them fit to gain God vision, and ultimately union with Siva. These were regarded as impure by the others because they were subversive of caste ideas, and as stated before, they were not alluded to in the orthodox scriptures."

In the performance of deeds of glory the propaganda in favour of Shiva is fully, matched by counter-propaganda in favour of Vishnu. One illustration of this is the story regarding the origin of the holy river Ganges.[f54] The devotees of Shiva attribute its origin to Shiva. They take its origin from Shiva's hair. But the Vaishnavas will not allow it. They have manufactured another legend. According to the Vaishnavite legend the blessed and the blessing river flowed originally out of Vaikunth (the abode of Vishnu) from the foot of Vishnu, and descending upon Kailasa fell on the head of Shiva. There is a two-fold suggestion in the legend. In the first place Shiva is not the source of the Ganges. In the second place Shiva is lower than Vishnu and receives on his head water which flows from the foot of Vishnu.

Another illustration is furnished by the story which relates to the churning of the oceans by the Devas and the Asuras. They used the Mandara mountain as the churning rod and mighty serpant Shesha as a rope to whirl the mountain. The earth began to shake and people became afraid that the world was coming to an end. Vishnu took the Avatar of Kurma (Tortoise) and held the earth on his back and prevented the earth from shaking while the churning was going on.

  This story is told in glorification of Vishnu. To this the Shaivites add a supplement. According to this supplement the churning brought out fourteen articles from the depth of the ocean which are called fourteen jewels. Among these fourteen a deadly poison was one. This deadly poison would have destroyed the earth unless somebody was prepared to drink it. Shiva was the only person who came forward to drink it. The suggestion is that Vishnu's act was foolish in allowing the rivals— the Gods and Demons—to bring out this deadly poison. Glory to Shiva for he drank it and saved the world from the evil consequences of the folly of Vishnu.

Third illustration is an attempt to show that Vishnu is a fool and that it is Shiva who with his greater wisdom and greater power saves Vishnu from his folly. It is the story of Akrurasura[f55]. Akrur was a demon with the face of a bear, who, nevertheless, was continuously reading the Vedas and performing acts of devotion. Vishnu was greatly pleased and promised him any boon that he would care to ask. Akrurasura requested that no creature, then existing in three worlds, might have power to deprive him of life, and Vishnu complied with his request; but the demon became so insolent that the Devatas, whom he oppressed, were obliged to conceal themselves, and he assumed the dominion of the world ; Vishnu was then sitting on a bank of the Kali, greatly disquieted by the malignant ingratitude of the demon; and his wrath being kindled, a shape, which never before had existed, sprang from his eyes. It was Mahadeva, in his destructive character, who dispelled in a moment the anxiety of the Vishnu.

This is countered by the story of Bhasmasura intended to show that Shiva was a fool and Vishnu saved him from his folly. Bhasmasura having propitiated Shiva asked for a boon. The boon was to be the power to burn any one on whose head Bhasmasura laid his hands. Shiva granted the boon. Bhasmasura tried to use his boon power against Shiva himself. Shiva became terrified and ran to Vishnu for help. Vishnu promised to help him. Vishnu took the form of a beautiful woman and went to Bhasmasura who became completely enamoured of her. Vishnu asked Bhasmasura to agree to obey him in everything as a condition of surrender. Bhasmasura agreed. Vishnu then asked him to place his hands on his own head which Bhasmasura did with the result that Bhasmasura died and Vishnu got the credit of saving Shiva from the consequences of his folly.

"Is Isa (Mahadeva) the Cause of causes for any other reasons? We have not heard that the linga (male organ) of any other person is worshipped by the gods. Declare, if thou hast heard, what other being's linga except that of Mahesvara is now worshipped, or has formerly been worshipped, by the gods? He whose linga Brahma and Vishnu, and thou (Indra), with the deities, continually worship, is therefore then most eminent. Since children bear neither the mark of the lotus (Brahma's), nor of the discus (Vishnu's), nor of the thunderbolt (Indra's), but are marked with the male and the female organs,—therefore offspring is derived from Mahesvara. All women produced from the nature of Devi as their cause, are marked with the female organ, and all males are manifestly marked with the linga of Hara. He who asserts any other cause than lsvara (Mahadeva) or (affirms) that there is any (female) not marked by Devi in the three worlds, including all things movable or immovable, let that fool be thrust out. Know everything which is male to be Isara. and all that is female to be Uma: for this whole world, movable and immovable, is pervaded by (these) two bodies."

The Greek Philosopher Zenophanes insists that polytheism or plurality of Gods is inconceivable and contradictory. That the only true doctrine was monotheism. Considered from a philosophical point of view, Zenophanes might be right. But from the historical point of view both are natural. Monotheism is natural where society is a single community. Where society is a federation of many communities polytheism is both natural and inevitable. Because every ancient community consisted not merely of men but of men and its Gods it was impossible for the various communities to merge and coalesce except on one condition that its God is also accepted by the rest. This is how polytheism has grown.

Consequently the existence of many Gods among the Hindus is quite understandable because the Hindu Society has been formed by the conglomeration of many tribes and many communities each of whom had their own separate Gods. What strikes one as a strange phenomenon is the sight of the Hindu Gods. struggling one against the other, their combats and feuds and the ascriptions by one God to the other, all things that arc a shame and disgrace to common mortals. This is what requires explanation.

 

RIDDLE NO. 11

WHY DID THE BRAHMINS MAKE THE HINDU GODS SUFFER TO RISE AND FALL?

 

The Hindus are accused of idolatry. But there is nothing wrong in idolatry. Making an idol is nothing more than having a photograph of the deity and if there can be no objection to keeping a photograph what objection can there be to having an image. Real objection to Hindu idolatry is that it is not mere photography, not mere production of an image. It is more than that. The Hindu idol is a      living being and is endowed with all the functions of a human being. A Hindu idol is given life by means of a ceremony called Pranapratishtha. The Buddhists also are idolatrous in as much as they too worship Buddha's idol. But the idol they worship is only a photograph, a mere image. There is no soul in it. Why the Brahmins endowed the Hindu Gods with souls and made them living beings opens out an inquiry which is bound to be revealing. But this inquiry is outside the scope of this Chapter.

The second charge generally levelled against the Hindus is that they are polytheists i.e., they worship many Gods. Here again the Hindus are not the only people who are guilty of the practice of Polytheism. Other communities have also been known to have practised polytheism. To mention only two. The Romans and the Greeks were essentially polytheists. They too worshipped many Gods. There is therefore no force in this charge.

The real charge which can be levelled against the Hindus most people seem to have missed. That charge is that the Hindus are never steadfast in their devotion to their Gods. There is no such thing as

This is a 43-page typed MS having corrections and modifications in the handwriting of the author. The concluding para, however, is written in pen by the author himself. The original title on the Chapter was ' The Rise and Fall of the Gods '. This title was scored out in blue pencil, which was normally used by the author for scoring out the matter.—Ed.

 

loyalty or attachment or faith in one God. In the history of Hindu Gods one finds it a very common experience that some Gods have been worshipped for a time and subsequently their worship has been abandoned and the Gods themselves have been thrown on the scrap-heap. Quite new Gods are adopted and their worship goes with an intensity of devotion which is full and overflowing. Again the new Gods are abandoned and are replaced by a fresh crop of new Gods. So the cycle goes on. In this way the Hindu Gods are always undergoing rise and fall—a phenomenon which is unknown in the history of any other community in the world.

The statement that the Hindus treat their Gods with such levity may not be accepted without demur. Some evidence on this point is therefore necessary. Fortunately there is abundance of it. At present the Hindus worship four Gods (1) Shiva, (2) Vishnu, (3) Rama and (4) Krishna. The question that one has to consider is: are these the only Gods the Hindus have worshipped from the beginning?

The Hindu Pantheon has the largest number of inmates. The Pantheon of no religion can rival it in point of population. At the time of the Rig-Veda the number of its inmates was colossal. At two places the Rig-Veda[f56] speaks of three thousand three hundred and nine Gods. For some reasons, which it is not possible for us now to know, this number came to be reduced to thirty-three[f57]. This is a considerable reduction. Nevertheless with thirty three, the Hindu Pantheon remains the largest.

The composition of this group of thirty-three Gods is explained by the Satapatha Brahmana[f58] as made up of 8 Vasus, 11 Rudras and 12 Adityas, together with Dyasus and Prithvi (heaven and earth).

Of greater importance than the question of numbers is the question of their relative rank. Was their any distinction between the 33 Gods in point of their rank ? There is a verse in the Rig-Veda which seems to suggest that these thirty-three Gods were divided for purposes of honours and precedence into two classes, one being great and small and the other being young and old. This view seems to be against an earlier view also contained in the Rig-Veda. The old rule says: " None of you O! Gods! is small or young: You are all great ". This is also the conclusion of Prof. Max Muller:

"When these individual gods are invoked, they are not conceived as limited by the power of others, as superior or inferior in rank. Each god is to the mind of the supplicants as good as all the gods. He is felt, at the time, as a real divinity, as supreme and absolute, in spite of the necessary limitations which, to our mind, a plurality of gods must entail on every single god. All the rest disappear for a moment from the vision of the poet, and he only, who is to fulfil their desires stands in full light before the eyes of the worshippers" "Nowhere is any of the Gods represented as the slave of others".

This is of course true only for a time. A change seems to have come in the old angle of vision towards the Gods. For one finds numerous hymns of the Veda in which some gods are represented as supreme and

absolute.

In the first hymn of the second Mandala, Agni is called the ruler of the Universe, the Lord of men, the wise king, the father, the brother, the son, the friend of men; nay, all the powers and names of the others are distinctly ascribed to Agni.

Then a second god came to be elevated above Agni. He is Indra. Indra is spoken of as the strongest god in the hymns as well as in the Brahmanas, and the burden of one of the songs of the Tenth Book is: Visvasmad Indra Uttarah 'Indra is greater than all'.

Then a third god is raised to the highest level. He is Soma. Of Soma, it is said that he was born great and that he conquers every one. He is called the king of the world, he has the power to prolong the life of men, and in one verse he is called the maker of heaven, and earth, of Agni, of Surya, of Indra and of Vishnu. Then Soma was forgotten and a fourth God was elevated. He is Varuna. Varuna was made the highest of all Gods. For what more could human language do than to express the idea of a divine and supreme power, than what the Vedic poet says of Varuna; ' Thou art Lord of all, of heaven, and earth ' or, as is said in another hymn (ii. 27, 10), 'Thou art the king of all; of those who are gods, and of those who are men."

From this evidence it is clear that out of the 33 Vedic Gods four Gods, Agni, Indra, Soma and Varuna had emerged as the principal Gods. Not that other gods had ceased to be gods. But these four had become elevated above the rest. At a later stage a change seems to have taken place at the time of the Satapatha Brahmana in the relative position of the different gods. Soma and Varuna had lost their places as the principal gods while Agni and Indra had retained their positions. A new god has emerged. He is Surya. The result is that instead of Agni, Indra, Soma and Varuna; Agni, Indra and Surya became the principal gods. This is evident from the Satapatha Brahmana which says:

"Originally the gods were all alike, all pure. Of them being all alike, all pure, three desired, 'May we become superior' viz., Agni, Indra and Surya (the sun). "2. ......

"3. Originally there was not in Agni the same flame, as this flame which is (now) in him. He desired : ' May this flame be in me '.He saw this grahs, he took it: and hence there became this flame in him.

4. Originally there was not in Indra the same vigour, etc. (as in para 3).

5. Originally there was not in Surya the same lustre etc." For how long these three Gods continued to hold their places of superiority over the rest it is difficult to say. But that at a later stage a change in the scene has taken place is beyond doubt. This is evident by a reference to the Chula-Niddessa. The Chula Niddessa is a treatise which belongs to the Buddhist literature. Its approximate date is.... {left incomplete).

The Chula-Niddessa gives a list of sects which were then prevalent in India. Classified on the basis of creeds and cults. They may be listed as follows: 1. CREEDS

Sr.                        Name of the Sect No.

1.               Ajivika Shravaka[f59]                    Ajivika[f60]

2.               Nigatta Shravakas                  Nigantha[f61]

3.               Jatil Shravakas                  Jatila[f62]

4.               Parivrajaka Shravakas          Parivrajaka[f63]

5.               Avarudha Shravakas          Avarudhaka

_______________________________________________________________

II. CULTS

 

Sr. Name of the Sect No.

The deity which is worshipped

1. Hasti Vratikas[f64]  

Hasti[f65]

2. Ashva Vratikas

Ashva[f66]

3. Go Vratikas

Go[f67]

4. Kukur Vratikas

Kukku[f68]

5. Kaka Vratikas

Kaka[f69]

6. Vosudeo Vratikas

Vasudeo

7. Baldeo Vratikas

Baldeo

8. Puma Bhadra Vratikas

Puma Bhadra

9. Mani Bhadra Vratikas

Mani Bhadra

10. Agni Vratikas

Agni

11. Naga Vratikas

Naga

12. Suparna Vratikas

Suparna

13. Yaksha Vratikas

Yaksha

14. Asura Vratikas

Asura

15. Gandharva Vratikas

Gandharva

16. Maharaja Vratikas

Maharaja

17. Chandra Vratikas

Chandra

18. Surya Vratikas

Surya

19. lndra Vratikas

Indra

20. Brahma Vratikas

Brahma

21. Deva Vratikas

Deva

22. Deesha Vratikas

Deesha

Comparing the position as it stood at the time of the Satapatha Brahmana with that arising from the Chula-Niddessa the following propositions may be said to be well-established: (1) Firstly, that the worship of Agni, Surya and Indra continued up to the time of the Chula Niddessa. (2) Secondly, the Cults of Agni, Surya and Indra although they had not ceased, had lost their places of supremacy. Others and quite a number of cults had come into being as rivals and had won the affection of the people. (3) Thirdly, of the new cults there are two which later on became very prominent. They are the cults of Vasudeo (i.e. Krishna) and Brahma and (4) Fourthly the cults of Vishnu, Shiva and Rama had not come into being.

What is the present position as compared with that found in the Chula-Niddessa? Here again, three propositions are well-established. First: the cults of Agni, Indra, Brahma and Surya have disappeared. Second: Krishna has retained his position. Three: The cults of Vishnu, Shiva and Rama are new cults which have come into existence since the time of the Chula-Niddessa. Given this situation it raises three questions for considerations: One is why have the old cults of Agni, Indra, Brahma and Surya disappeared ? Why was the worship of these Gods abandoned ? Second is what are the circumstances that gave rise to the new cults of Krishna, Rama, Shiva and Vishnu. Third what is the relative position of these new Gods, Krishna, Rama, Shiva and Vishnu ?

For the first question we can find no answer. The Brahmanic literature gives us no clue whatsoever as to why the Brahmins abandoned the worship of Agni, Indra, Surya and Brahma. There is some explanation as to why the cult of Brahma disappeared. It rests in a charge which is found to be levelled in the Brahmanic literature against Brahma. The charge is that he committed rape on his own daughter and hereby made himself unworthy of worship and devotion. Whatever be the truth in the charge it could not be regarded as sufficient to account for the abandonment of Brahma and for two reasons. In the first place, in that age such conduct was not unusual. In the second place, Krishna was guilty of greater immoralities than were charged to Brahma and yet they continued to worship him.

While there is something to speculate about the abandonment of Brahma there is nothing to account for the abandonment of the others. The disappearance of Agni, Indra, Surya and Brahma is thus a mystery. This is no place to solve this mystery. It is enough to say that the Gods of the Hindus had ceased to be Gods—a terrible thing.

The second question is also enveloped in mystery. Brahmanic literature, to account for the importance of the cults of these new Gods, Krishna, Vishnu, Shiva and Rama, is full and overflowing. But there is nothing in the Brahmanic literature to account for the rise of these new Gods. Why these new Gods were brought into action is thus a mystery. The mystery however deepens when one finds that some of the new Gods were definitely anti-Vedic. Let us take the case of Shiva.That Shiva was originally an Anti-Vedic God is abundently clear. The following two incidents recorded in the Bhagvata Purana (and also in the Mahabharata) throw a flood of light on the subject. The first incident shows how enmity arose between Shiva and his father-in-law Daksha. It appears that the Gods and Rishis were assembled at a sacrifice celebrated by the Prajapatis. On the entrance of Daksha, all the personages who were present, rose to salute him, except Brahma and Shiva. Daksha, after making his obeisance to Brahma, sat down by his command; but was offended at the treatment he received from Shiva. This is how he addressed Shiva[f70]:

" Beholding Mrida (Shiva) previously seated, Daksha did not brook his want of respect; and looking at him obliquely with his eyes, as if consuming him, thus spake: ' Hear me, ye Brahman rishis, with the Gods and the Agnis, While I, neither from ignorane nor from passion, describe what is the practice of virtuous persons. But this shameless being (Siva) detracts from the reputation of the guardians of the world, he by whom, stubborn as he is, the course pursued by the good is transgressed. He assumed the position of my disciple, inasmuchas, like a virtuous person, in the face of Brahmans and of fire, he took the hand of my daughter, who resembled Savitri. This monkey-eyed (god), after having taken of (my) fawn-eyed (daughter), has not even by word shown suitable respect to me whom he ought to have risen and saluted. Though unwilling, I yet gave my daughter to this impure and proud abolisher of rites and demolisher of barriers, like the word of the Veda to a Sudra. He roams about in dreadful cemeteries, attended by hosts of ghosts and spirits, like a madman, naked, with dishevelled hair, laughing, weeping, bathed in the ashes of funeral piles, wearing a garland of dead men's (skulls), and ornaments of human bones, pretending to be Siva (auspicious) but in reality Asiva (in-auspicious), insane, beloved by the insane the lord of Pramathas and Bhutas (spirits), beings whose nature is essentially darkness. To this wicked-hearted lord of the infuriate, whose purity has perished. I have, alas ! given my virtuous daughter, at the instigation of Brahma'. Having thus reviled Girisa (Siva), who did not oppose him, Daksha having then touched water, incensed, began to curse him (thus): 'Let this Bhava (Siva), lowest of the gods, never, at the worship of the gods, receive any portion along with the gods Indra, Upendra (Vishnu), and others.' Having delivered his malediction, Daksha departed." The enmity between the father-in-law and son-in-law continues. Daksha being elevated by Brahma to the rank of the Chief of the Prajapatis decided to perform a great Sacrifice called Vrihaspatisava. Seeing the other Gods with their wives going to this Sacrifice, Parvati pressed her husband, Shiva, to accompany her thither. He refers to the insults which he had received from her father, and advises her not to go. She, however (sect. 4), being anxious to see her relatives, disregards his warning and goes: but being sighted by her father, Daksha, she reproaches him for his hostility to her husband, and threatens to abandon the corporeal frame by which she was connected with her parent. She then voluntarily gives up the ghost. Seeing this, Shiva's attendants, who had followed her, rush on Daksha to kill him. Bhrigu, however, throws an oblation into the southern fire, pronouncing a Yajus text suited to destroy the destroyers of sacrifice (yajna-ghnena yajusha dakshinagnau juhavaha). A troop of Ribhus in consequence spring up, who put Shiva's followers to flight. Shiva is filled with wrath when he hears of the death of Sati (sect. 5). From a lock of his hair, which he tore out, a gigantic demon arose, whom he commended to destroy Daksha and his sacrifice. This demon proceeds with a troop of Shiva's followers, and they all execute the mandate. How they executed the mandate is described in the Bhagvat Purana[f71] in the following terms:

"' Some broke the sacrificial vessels, others destroyed the fires, others made water in the ponds, others cut the boundary-cords of the sacrificial ground: others assaulted the Munis, others reviled their wives: others seized the gods who were near, and those who had fled. . . . 19. The divine Bhava (Siva) plucked out the beard of Bhrigu, who was offering oblations with a ladle in his hand. and who had laughed in the assembly, showing his beard. He also tore out the eyes of Bhaga, whom in his wrath he had felled to the ground, and who, when in the assembly, had made a sign to (Daksha when) cursing (Siva) He moreover knocked out the teeth of Pushan (as Bala did the king of Kalinga's). who (Pushan) had laughed, showing his teeth, when the great god was being cursed. Tryambaka (Siva, or Virabhadra, according to the commentator) then cuts off the head of Daksha, but not without some difficulty. The gods report all that had passed to Svayambhu (Brahma), who, with Vishnu, had not been present (sect. 6). Brahma advises the gods to propitiate Siva, whom they had wrongfully excluded from a share in the sacrifice. The deities, headed by Aja (Brahma), accordingly proceed to Kailasa. when they see Siva " bearing the linga desired by devotees, ashes a staff, a tuft of hair. an antelope's skin. and a digit of the moon, his body shining like an evening cloud ". Brahma addresses Mahadeva "as the eternal Brahma, the lord of Sakti and Siva, who are respectively the womb and the seed of the universe, who. in sport, like a spider, forms all things from Sakti and Siva, who are consubstantial with himself, and preserves and reabsorbs them" (A similar supremacy is ascribed to Vishnu in section 7). Brahma adds that it was this great being who had instituted sacrifice, and all the regulations which Brahmans devoutly observe and entreat him. who is beyond all illusion, to have mercy on those who, overcome by its influence, had wrongly attached importance to ceremonial works, and to restore the sacrifice of Daksha, at which a share had been refused to him by evil priests. Mahadeva partly relents (sect. 7)"

There can be no better evidence to prove that Shiva was an anti-vedic God than his destruction of Daksha's Yajna.

Now let us take Krishna.

There are four persons who go by the name Krishna. One Krishna is the son of Satyavati and father of Dhratarashtra, Pandu and Vidur. Second Krishna is the brother of Subhadra and friend of Arjuna. Third Krishna is the son of Vasudeva and Devaki and was resident of Mathura. Fourth Krishna is the one brought up by Nanda and Yeshoda at Gokul and it was he who killed Shishupal. If the Krishna of the Krishna cult is the same as the Krishna son of Devaki there can be no doubt that Krishna originally also was anti-Vedic. From the Chhandogya Upanishad it appears that he was a pupil of Ghora Angiras. What did Ghora Angiras teach him? This is what the Chhandogya Upanishad says on the subject:

"Ghora, the descendant of Angiras, having declared this (the preceding mystical lore) to Krishna the son of Devaki, said to him that (which, when he heard) he became free from thirst (i.e. desire), viz., ' let a man at the time of his death have recourse to these three texts, ' Thou art the undecaying, thou art the imperishable, thou art the subtle principle of breath '. The commentator on this text of the Upanishad explains:

"A person, Ghora by name, and an Angirasa by family, having declared this doctrine of sacrifice to Krishna the son of Devaki, his pupil, then said etc. The connexion of the last word 'said', is with the words which occur some way below, 'these three etc.. And having heard this doctrine he became free from desire for any "kinds of knowledge. In this manner he praises this knowledge of the Purusha-sacrifice by saying that it was so distinguished that it destroyed all thirst in Krishna, the son of Devaki, for any other knowledge. He now tells us that Ghora Angirasa said after declaring this knowledge to Krishna. It was this: 'Let him who knows the aforesaid sacrifice, at the time of his death have recourse to, mutter, these three texts, pranasamsitam means, 'thou art the very minute, and subtle principle of breath."

Obviously the doctrine taught by Ghora Angiras to Krishna was opposed to the Vedas and the Vedic sacrifices as a means of spiritual salvation. On the contrary Vishnu is a Vedic God. Yet his cult is established much later than that of Shiva. Why there has been so much neglect of Vishnu it is difficult to understand.

Similarly Rama though not anti-vedic is unknown to the Vedas. What was the necessity of starting his cult and that too at so late a stage in the history of the country?

We may now take up the third question—namely what is the relative position of these new Gods to the old Pauranic Gods.

The rise and fall of Bramha, Vishnu and Shiva has already been told in a previous chapter called Gods at War. Whatever happened, the struggle for place and power was confined to these three Gods. They were not dragged below any other. But a time came when they were placed below the Devi by name Shri. How this happened is told in the Devi Bhagwat[f72]. The Devi Bhagwat says that a Devi by name Shricreated the whole world and that it is this Goddess who created Bramha, Vishnu and Shiva! The Devi Bhagwat goes on to state that the Devi desired to rub her palms. The rubbing of palms produced a blister. Out of this blister was born Bramha. When Bramha was born the Devi asked him to marry her. Bramha refused saying she was his mother. The Devi got angry and burned Bramha alive by her wrath and Bramha was reduced to ashes then and there. Devi rubbed her palms a second time and had a second blister. Out of this second blister a second son was born. This was Vishnu. The Devi asked Vishnu to marry her. Vishnu declined saying that she was his mother. Devi got angry and burned down Vishnu to ashes. Devi rubbed her palms a third time and had a third blister. Out of this third blister was born a third son. He was Shiva. The Devi asked Shiva to marry her. Shiva replied: ' I will, provided you assume another body '. Devi agreed. Just then Shiva's eyes fell on the two piles of ashes. Devi replied ' they are the ashes of his two brothers and that she burnt them because they refused to marry her. ' On this Shiva said, ' How can I alone marry? You create two other women so that we all three can marry '. The devi did as she was told and the three Gods were married to the Devi and her female creations. There are two points in the story. One is that even in doing evil Shiva did not wish to appear more sinning than Bramha and Vishnu for fear that he may appear more degraded than his other two competitors. The more important point however is that Bramha, Vishnu and Shiva had fallen in rank and had become the creatures of the Devi.

Having dealt with the rise and fall of Bramha, Vishnu and Shiva, there remains the vicissitudes in the cults of the two new Gods, Krishna and Rama.

Obviously there is a certain amount of artificiality in the cult of Krishna as compared with the cult of Brahma, Vishnu and Shiva. Bramha, Vishnu and Mahesh were born gods. Krishna was a man who was raised to godhood. It is probably to confer godhood on him that the theory was invented that he was the incarnation of Vishnu. But even then his godhood remained imperfect because he was regarded to be only a partial[f73]avatar of Vishnu largely because of his debaucheries with the gopis which would have been inexcusable if he had been a full and perfect avatar of Vishnu.

Notwithstanding this humble beginning Krishna became elevated to the position of a supreme God above all others. How great a God he became can be seen by a reference to Chapter X and XIV of the Bhagvat Geeta. In these Chapters Krishna says:

"Well then, O best of the Kauravas I will state to you my own divine emanations; but (only) the chief (ones) for there is no end to the extent of my (emanations). I am the self. O Gudakesa seated in the hearts of all beings; I am the beginning and the middle and the end also of all beings. I am Vishnu among the Adityas, the beaming Sun among the shining (bodies); I am Marichi among the Maruts, and the Moon among the lunar mansions. Among the Vedas, I am the Sama-veda. I am Indra among the Gods. And I am mind among the senses. I am consciousness in (living) beings. And I am Shankara among the Rudras, the Lord of Wealth among Yakshas and Rakshasas. And I am fireamong the Vasus, and Meru among the high-topped (mountains). And know me, O Arjuna to be Brihaspati, the chief among domestic priests. I am Skanda among generals. I am the ocean among reservoirs of water. I am Bhrigu among the great sages. I am the Single syllable (Om) among words. Among sacrifices I am the Gapa sacrifice; the Himalaya among the firmly fixed (mountains); the Asvattha among all trees, and Narada among divine sages; Chitraratha among the heavenly choristers, the sage Kapila among the Siddhas. Among horses know me to be Uchhaissravas, brought forth by (the labour for) the nectar; and Airavata among the great elephants, and the ruler of men among men. I am the thunderbolt among weapons, the wish-giving (cow) among cows. And I am love which generates. Among serpents I am Vasuki. Among Naga snakes I am Ananta; I am Varuna among aquatic beings. And I am Aryaman among the manes, and Yama among rulers. Among demons, too, I am Pralhada. I am the king of death (kala, time) among those that count.

"Among beasts I am the lord of beasts, and the son of Vinata among birds. I am the wind among those that blow. I am Rama among those that wield weapons. Among fishes I am Makara, and among streams the Janhavi. Of created things I am the beginning and the end and the middle also. 0 Arjuna, among sciences, I am the science of the Adhyatma, and I am the argument of controversialists. Among letters I am the letter A, and among the group of compounds the copulative compound. I myself am time inexhaustible and I the creator whose faces are in all directions. I am death who seizes all, and the source of what is to be. And among females, fame, fortune, speech, memory, intellect, courage, forgiveness. Likewise among Saman hymns, I am the Brihat-saman, and I the Gayatri among metres. I am Margasirsha among the months, the spring among the seasons, of cheats, I am the game of dice; I am the glory of the glorious; I am victory. I am industry, I am the goodness of the good. I am Vasudeva among the descendants of Vrishni and Arjuna among the Pandvas. Among sages also, I am Vyasa; and among the discerning ones, I am the discerning Usanas. I am the rod of those that restrain, and the policy of those that desire victory. I am silence respecting secrets. I am the knowledge of those that have knowledge. And 0 Arjuna! I am also that which is the seed of all things. There is nothing movable or immovable which can exist without me."

" Know that glory (to be) mine which, dwelling in the Sun, lights up the whole world, or in the moon or fire. Entering the earth, I by my power support all things; and becoming the juicy moon, I nourish all herbs. I becoming the fire, and dwelling in the bodies of (all) creatures, and united with the upward and downward life-breaths cause digestion of the four-fold food. And I am placed in the heart of all."

" From me (come) memory, knowledge, and their removal; I alone am to be learnt from all the Vedas; I am the author of the Vedantas; and I alone know the Vedas. There are these two beings in the world, the destructible and the indestructible. The destructible (includes) all things. The unconcerned one is (what is) called the indestructible. But the being supreme is yet another, called the highest self, who as the inexhaustible lord, pervading the three worlds, supports (them). And since I transcend the destructible, and since I am higher also than the indestructible therefore am I celebrated in the world and in the Vedas as the best of things." It is therefore clear that so far as the Gita is concerned there is no God greater than Krishna. He is, Alla ho Akbar. He is greater than all other Gods.

Let us now turn to the Mahabharata. What do we find ? We find a change in the position of Krishna. There is a rise and fall in his position. In the first place we find Krishna elevated above Shiva. Not only that, Shiva is made to admit and acknowledge the greatness of Krishna. Along with this we also find Krishna degraded to a rank below that of Shiva and is made to acknowledge the greatness of Shiva.

As a piece of evidence in support of the elevation of Krishna above Shiva the following passage from the Anusasana-Parvan[f74] is very illuminating:

"Superior even to Pitamaha (Bramha) is Hari, the eternal Purusha, Krishna, brilliant as gold, like the sun risen in a cloudless sky, ten-armed, of mighty force, slayer of the foes of the gods, marked with the srivatsa, Hrishikesa, adored by all the gods. Bramha is sprung from his belly and I (Mahadeva) from his head, the luminaries from the hair of his head, the gods, and Asuras from the hairs of his body, and the rishis as well as everlasting worlds, have been produced from his body. He is the manifest abode of Pitamaha, and of all the deities. He is the creator of this entire earth, the lord of the three worlds, and the destroyer of creatures, of the stationary and the moveable. He is manifestly the most eminent of the gods, the lord of the deities, the vexer of his foes. He is omniscient, intimately united (with all things), omnipresent facing in every direction, the supreme spirit, Hrishikesa all-pervading, the mighty Lord. There is none superior to him in the three worlds. The slayer of Madhu is eternal, renowned as Govinda. He, the conferer of honour, born to fulfil the purposes of the gods, and assuming a human body, will slay all the kings in battle. For all the hosts of the gods, destitute of Trivikrama (the god who strode thrice), are unable to effect the purposes of the gods, devoid of a leader. He is the leader of all creatures, and worshipped by all creatures.

" Of this lord of the gods, devoted to the purposes of the gods, who is Brahma, and is the constant refuge of gods and rishis, Brahma dwells within the body, abiding in his face, and all the gods are easily sheltered in his body. This god is lotus-eyed, the producer of Sri, dwelling together with Sri . . . For the welfare of the gods, Govinda shall arise in the family of the great Manu, possessed of eminent intelligence and (walking) in the excellent path of the Prajapati Manu, characterized by righteousness (Govinda's ancestors are then detailed). In this family, esteemed by Brahmans, of men renowned for valour, distinguished by good conduct and excellent qualities, priests, most pure, this sura, the most eminent of Kshatriya heroic, renewed, conferring honour, shall beget a son Anakadundubhi, the prolonger of his race, known asVasudev to him shall be born a four-armed son, Vasudeva, liberal, a benefactor of Brahmans, one with' 'Brahma, a lover of Brahmans."

" You the gods, should, as is fit, worship this deity, like the eternal Brahma, approaching him with reverential and excellent garlands of praise. For the divine and glorious Vasudev should be beheld by him who desires to see me and Brahma and Parent. In regard to this, I have no hesitation, that when he is seen I am seen, or the Parent (Brahma), the lord of the gods: know this ye whose wealth is austerity."

We shall now see how Krishna after having been elevated to the position being highest among the Gods is being degraded.

The Mahabharata is so full of incidents and occasions which demonstrate Krishna's inferiority to Shiva that it is difficult to recite the whole of them. One must be content with a few.

The first incident relates to the view taken by Arjuna to slay Jayadratha on the following day. After the vow, Arjuna became very dejected thinking that Jayadratha's friends would do their utmost to save him and that unless he had sure weapons he would not be able to fulfil his vow. Arjuna goes to Krishna for advice. Krishna suggests to Arjuna that he should supplicate to Mahadeva for the Pasupata weapon with which Mahadev himself had formerly destroyed all the Daityas and which, if he obtained it, he would be

sure to kill Jayadrath. The Drone-Parvan which relates the story proceeds to say:

"The righteous Vasudeva (Krishna) then, together with the son of Pritha (Arjuna), reciting the eternal Veda, bowed his head to the ground, beholding him the source of the worlds, the maker of the universe, the unborn, the imperishable lord, the supreme source of mind, the sky, the wind, the abode of the luminaries, the creator of the oceans, the supreme substance of the earth, the framer of gods, Danavas, Yakshas and men, the supreme Brahma of meditative systems, the satisfied, the treasure of those who know Brahma, the creator of the world and also its destroyer, the great impersonated destructive Wrath, the original of the attributes of Indra and Surya. Krishna then reverenced him with voice, mind, understanding and act. Those two (heroes) had recourse to Bhava (Mahadeva) as their refuge,—to him whom the wise, desiring the subtle spiritual abode, attain,—-to him the unborn cause. Arjuna, too, again and again reverenced that deity, knowing him to be the beginning of all beings, the source of the past, the future, and the present. Beholding those two, Nara and Narayana, arrived Sarva (Mahadeva), then greatly gratified, said, as if smiling: 'Welcome, most eminent of men, rise up freed from fatigue, and tell me quickly, heroes, what your mind desires. Shall I accomplish for you the object for which you have come? Choose what is most for your welfare. I will give you all." Krishna and Arjuna then recite a hymn in honour of Mahadeva, in the course of which he is designated as the soul of all things, the         creator of all things, and the pervader of all things. Arjuna now, after reverencing both Krishna and Mahadeva, asks the latter for       the celestial weapon. They are thereupon sent by Mahadeva to a       lake where he says he had formerly deposited his bow and arrows. They there saw two serpents, one of which was vomiting flames, and approached them, bowing to Mahadeva and uttering Satarudriya. Through the power of Mahadeva, the serpents change their shape and become a bow and arrow, which Krishna and Arjuna bring to Mahadeva. Eventually Arjuna receives as a boon from Mahadeva the Pasupata weapon, with the power of fulfilling his engagement to slay Jayadratha after which they both return to their camp." The Anusasana-Parvan of the Mahabharata contains a dialogue between Yudhishthira and Bhishma. Yudhishthira asks Bhishma to tell him the attributes of Mahadeva. This is what Bhishma says in reply:

" I am unable to declare the attributes of the wise Mahadeva, who is an all-pervading god, yet is nowhere seen, who is the creator and the lord of Brahma, Vishnu and Indra, whom the gods, from Brahma to the Pisachas, worship, who transcends material natures as well as spirit(Purusha), who is meditated upon by rishis versed in contemplation (yoga), and possesing an insight into truth, who is the supreme, imperishable Brahma, that which is both non-existent, and at once existent and non-existent. Having agitated matter and spirit by his power, this god of gods and lord of creatures (Prajapati) thence created Bramha. What human being like me, who has been subject to gestation in the womb, and to birth, and is liable to decay and death, can declare the attributes of Bhava, the supreme lord— (who can do this) exceptNarayana, the bearer of the shell, the discus, and the cub? This Vishnu, wise, eminent, in qualities, very hard to overcome, with divine insight, of mighty power, beholds       (him) with the eye of contemplation. Through his devotion to       Rudra, the world is pervaded by the mighty Krishna. Having then propitiated that deity (Mahadeva) at Badari, he (Krishna) obtained from the golden-eyed Mahesvara the quality of being in all worlds more dear than wealth. This Madhava (Krishna) performed austerity for a full thousand years, propitiating Siva, the god who bestows boons, and the preceptor of the world. But in every mundane period (yuga) Mahesvara has been propitiated by Krishna and has been gratified by the eminent devotion Of that great personage. This unshaken Hari (Krishna) when seeking, for offspring, has beheld distinctly of what character is the glory of that great parent of the world. Than him I behold none higher. This large-armed (Krishna) is able to recount fully the names of the god of gods, to describe the qualities of the divine (being) and the real might of Mahesvara in all its extent".

This dialogue between Yudhishthira and Bhishma took place in the presence of Krishna. For immediately after his reply Bhishma calls upon Krishna to celebrate the greatness of Mahadeva. And this supreme Clod Krishna proceeds to do so without feeling any offence and says:

"The course of the deeds of. Isa (Mahadeva) cannot he really known.  He whose essence  neither the gods headed  by Hiranyagarhha. nor the great rishis with Indra, nor the Adityas. the perceivers ol the minutest objects, understand,—-how can he. the refuge of saints he known by any mere man? I shall declare to you exactly some of the attributes of that divine slayer of the Asuras of the lord ol religious ceremonies."

Here not only do we find that Krishna acknowledges his inferiority to Shiva but we also find Shiva conscious of the fact that Krishna has been beaten down and is no longer his superior, indeed is not even his equal. This is evident from Sauptika-parvan where Mahadeva says toAsvathaman *[f75]:

" I have been duly worshipped by Krishna, the energetic in action. with truth, purity, honesty, liberality, austerity, ceremonies. patience, wisdom,  self-control,  understanding  and  words: Wherefore no one is dearer to me than Krishna ". Krisnna from being above Shiva, above every God. indeed a Parmeshwar is reduced to the position of being a mere follower of Shiva begging for petty boons.

This does not complete the story of the degradation of Krishna. He is made to undergo further humiliation. Krishna not only accepted a position of inferiority vis-a-vis Shiva hut he is sunk so low that he became a disciple of Upamanyu who was a great devotee of Shiva and tookDiksha from him in Shaivism. Krishna himself says:

"On the 8th day I was Initiated by that Brahamana (lJpamanyu) according to the Shastras. Having shaved my entire head.anointing myselfwith ghee, and taking the staff and kusa grass in my arms I dressed myself in bark fastened with the mekhala (the waist string)." Krishna then performs penance and has a sight, of Mahadeo. Can there be a more glaring instance of so great a rise and so much of a fall in the status of a God? Krishna who was a Parmeshwar as compared to Shiva who was only an Ishwar does not even remain an Ishwar. He actually becomes a devotee of Shiva and seeks initiation in the Shaiva Shastras from a common Brahmin like Upamanyu.

The case of Rama as a God is much more artificial than that of Krishna. Rama himself was unware of the fact that he was a God. After recovering Sita on the defeat and death of Ravana, Sita was suspected of unchastity, Rama felt very dejected on hearing the words of those who thus spoke about Sita. The Ramayana says:

"Then King Kuvera, and Yama with the Pitris and Indra. Lord of the gods, and Varuna, lord of the waters, and the glorious three-eyedMahadeva, whose ensign is a bull, and Bramha, the creator of the whole world, the most eminent of the knowers of the Veda: (and that KingDasaratha, moving in the air on a celestial car, arrived in         that region, equal in lustre to the king of the gods); these all having come on cars brilliant as the Sun, and arrived in the city of Lanka, came near to Raghava (Rama). Then these most eminent gods, holding the large arms of Rama, adorned with armlets, addressed him as he stood with joined hands: How dost thou, the maker of the whole Universe, the most eminent of the wise, the pervading, disregard Sita's throwing herself into the fire? How dost thou not perceive thyself to be the chief of the host of the gods ? (Thou wast) formerly the Vasu Ritadhaman, and the Prajapati of the Vasus. Thou art the primal maker of the three worlds, the self dependent lord, the eighth Rudra of the Rudras, and the fifth of the Sadhyas. The Asvins are thine ears, the Moon and Sun thine eyes."

"Thou, vexer of thy foes, art seen in the end and at the beginning of created beings. And yet thou disregardest Sita like a common man ".

On being thus addressed by these Gods, Rama became surprized and replied:

"I regard myself as a man, Rama, son of Dasharath; do you, divine being tell me who and whence I am ". On this, Brahma replying to Rama said:

"Hear my true word, 0 being of genuine power. Thou art the god, the glorious lord, Narayana, armed with the discus. Thou art the one-horned boar, the conqueror of thy foes, past and future, the true, imperishable Brahma, both in the middle and end. Thou art the supreme righteousness of the worlds, Vishvaksena, the four-armed ; the bearer of the bow, Saranga, Hrishikesa (lord of the senses). Purusha (the male), the highest of Purushas, the unconquered, sword-wielding, Vishnu, and Krishna of mighty force, the general, the leader the true. Thou art intelligence, thou art patience, and self-restraint. Thou art the source of being and cause of destruction, Upendra (the younger Indra), theMadhusudana. Thou art Mahendra (the elder Indra) fulfilling the function of Indra, he from whose navel springs a lotus, the ender of battles. The great divine rishis call thee the refuge, the resort of suppliants. Thou art the hundred-horned, composed of the Veda, the thousand-headed the mighty. Thou art the primal maker of the three worlds, the self-dependent lord, and the refuge of the Siddhas and Sahyas, 0 thou primevallyborn. Thou art sacrifice, thou art the vashatkara, and the omkara, higher than the highest. Men know not who thou art, the source of being, or the destroyer. Thou art seen in all creatures, in Brahmans and in cows, in all the regions, in the mountains and rivers, thousand-footed, glorious, hundred-headed, thousand-eyed. Thou sustainest creatures, and the earth with its mountains; thou art seen Rama. at the extremity of the earth, in the waters, a mighty serpent supporting  the three worlds, gods, Gandharvas, and Danavas. I am thy heart, Rama, the goddessSarasvati is thy tongue. The gods have been made by Brahma the hairs on thy limbs. The night is called the closing, and the day the opening, of thine eyes. The Vedas are thy thoughts. This (universe) exists not without thee. The whole world is thy body; the earth is thy stability. Agni is thine anger, Soma is thy pleasure, O thou whose mark is the Srivatsa. By thee the three worlds were traversed of yore with thy three paces. and Mahendra was made king after thou hadst bound the terrible Bali. That which is known as the chiefest light, that which is known as the chiefest darkness, that which is the higher than the highest-thou art called the highest Soul. It is thou who art hymned as that which is called the highest, and is the highest. Men call thee the highest source of continuance, production and destruction." Obviously, there is the same degree of artificiality in the cult of Rama. Like Krishna he was a man who was made God. Unlike Brahma, Vishnu and Mahesh, he was not one who was born God. It is probably to make his Godhood perfect that the theory was invented that he was the incarnation of Vishnu and thatSita his wife was the incarnation of Lakshmi the wife of Vishnu.

In another respect, Rama was fortunate. He did not have to suffer degradation to other Gods as did Brahma, Vishnu and Krishna. There was however an attempt to degrade him below Parasurama the hero of the Brahmins. The story is told in the Ramayana which says:

"When King Dasaratha was returning to his capital, after taking leave of Janaka. the King of Mithila, whose daughter Sita had just been married to Rama he was alarmed by the ill-omened sounds by certain birds, which however were counteracted, as the sage Vasishtaassured the king by the auspicious sign of his being perambulated by the wild animals of the forest. The alarming event indicated was the arrival of Parasurama, preceded by hurricane which shook the earth and prostrated the trees, and bythick darkness which veiled the Sun. He was fearful to behold, "brilliant as fire, and bore his axe and a bow on his shoulder. Being received with honour, which he accepted, he proceeded to say to Rama, the son of Dasaratha that he has heard of his prowess in breaking the bow produced by Janak and had brought another which he asked Rama to bend, and to fit an arrow on the string; and if he succeeded in doing so, he (Parasurama) would offer toengage with him in single combat."

" Rama replied that though his warlike qualities are condemned by his rival, he will give him a proof of his powers. He. then snatches, in anger, the bow from the hand of Parasurama, bends it, fits an arrow on the string; and tells his challenger that he will not shoot at him because he is a Brahman, and for the sake of his kinsman Visvamitra; but will either destory his superhuman capacity of movement, or deprive him of the blessed abodes he has acquired by austerity. The gods now arrive to be witnesses of the scene. Parasurama becomes disheartened and powerless and humbly entreats that he may not be deprived of his faculty of movement lest he should be incapacitated from fulfilling his promise to Kasyappa ' to leave the earth every night but consents that his blissful abodes may be destroyed."

With this exception Rama had no rivalry with any of the other Gods. He managed to be where he was. With regards to other Gods there is a different story to tell. Poor creatures they became nothing more than mere toys in the hands of the Brahmins. Why did the Brahmins treat the Gods with so scant a respect?

 

RIDDLE NO. 12

WHY DID THE BRAHMINS DETHRONE THE GODS AND ENTHRONE THE GODDESSES?

 

The worship of Gods is a thing common to all. But the worship of Goddesses is quite uncommon. The reason is that Gods are generally unmarried and have no wives who can be elevated to the position of Goddesses. How repugnant is the idea of a God being married is well illustrated by the difficulties which early Christians had in persuading the Jews to accept Jesus as the son of God. The Jews retorted saying God is not married and how can Jesus be the son of God.

With the Hindus the position is quite otherwise. They not only worship Gods they also worship Goddesses. This is so from the very beginning.

In the Rig-Veda several Goddesses are mentioned such as Prithvi, Adili, Diti, Nishtigri, Indrani, Prisni, Usha, Surya, Agnayi, Varunani, Rodasi, Raka, Sinivali, Sradha, Aramati, Apsaras and Sarasvati.

Prithvi is a very ancient Aryan Goddess. She is represented either as wife of Dyaus heaven or of Parjanya. Prithvi is an important Goddess because she is said to be the mother of many Gods.

Aditi is chronologically one of the older Vedic Goddesses. She is described as the mighty mother of the Gods. The Gods, Mitra, Aryamanand Varuna are her sons. To whom Aditi was married does not appear from the Rig-Veda. We do not know much about Diti except that she is mentioned as a goddess along with and in contrast to Aditi and that the Daityas who were regarded in later Indian mythology as the enemies of the Devas were her sons.

The original title of the Chapter was ' Vedic and non- Vedic Goddesses '. From the subject dealt with in this chapter and from the concluding para, we have placed this at Riddle No. 12 in accordance with the subject mentioned in the Table of Contents. This is a 21-page typed copy having some modifications and also concluding para in the handwriting of the author.—Ed.

 

   The goddess Nishtigri is the mother of Indra and the goddess Indrani is the wife of Indra. Prisni is the mother of Maruts. Usha is described as the daughter of the sky, the sister of Bhaga and the kinswoman of Varuna and the wife of Surya. The goddess Surya is the daughter of Surya and the wife of the Gods Asvins or Soma.

The goddesses Agnayi, Varunani and Rodasi are the wives of Agni, Varuna and Rudra respectively. Of the rest of the goddesses are mere personifications of rivers or are mentioned without any details.

From this survey two things are clear. One is that a Hindu God can enter a married state and neither the God nor his worshipper need feel any embarrassment on account of the God acting as though he was no better than a common man. The second is that the God's wife automatically becomes a goddess worthy of worship by the followers of the God.

Leaving the Vedic times and coming to the Pauranic times we come across the names of various Goddesses such as Devi, Uma, Sati, Ambika, Parvati, Haimavati, Gauri, Kali, Nirriti, Chandi and Katyayini, Durga, Dassbhuja. Singhavahini, Mahishasuramardini, Jagaddhatri, Muktakesi, Tara,   Chinnamustaka,   Jagadgauri, Pratyangira, Annapurna, Ganeshjanani, Krishnakrora and Lakshmi. It is very difficult to construct a  who is who of these Goddesses. In the first place it is difficult to say whether each name stands for a distinct and separate Goddess or they are the names of one Goddess. It is equally difficult to be sure of their parentage. Nor can any one say with certainty as to who their husbands are.

According to one account Vma, Devi, Sati, Parvati, Gauri and Ambika are different names of the same Goddess. On the other hand Deviis said by some to be the daughter of Daksha, Ambika to be the sister of Rudra. Regarding Parvati the Varaha Purana in describing her. origin says[f76]:

"Brahma when on a visit to Siva on Mount Kailasa is thus addressed by him: " Say, quickly, 0, Brahma, what has induced you to come to me?' Brahma replies, 'There is a mighty Asura named Andhaka (Darkness), by whom all the gods, having been distressed, came for protection, and I have hastened to inform you of their complaints'. Brahma then looked intently at Siva, who bythought summoned Vishnu into their presence. As the three deities looked at each other, 'from their three refulgent glances sprang into being a virgin of celestial loveliness, of hue cerulean, like the petals of a blue lotus, and adorned with gems, who hashfully bowed before Brahma, Vishnu and Siva. On their asking her who she was, and why she was distinguished by the three colours black, white and red, she said, ' From your glances was I produced: do you not know your own omnipotent energies?' Brahma then praising her said, 'Thou shalt be named the goddess of three times (past, present and future), the preserver of the universe, and under various appellations shalt thou be worshipped, as thou shalt be the cause of accomplishing the desires of thy votaries. But, 0 goddess, divide thyself into three forms, according to the colours by which thou art distinguished. She then, as Brahma had requested, divided herself into three parts: one white, one red, and one black. The white was ' Saraswati of a lovely, felicitious form, and the co-operator with Brahma increation: the red was Lakshmi, the beloved of Vishnu, who with him preserves the universe; the black was Parvati endowed with many qualities and energy of Siva. "

Here is an attempt to suggest that Saraswati, Lakshmi and Parvati are different forms of one and the same divinity. When one remembers that Sarasvati is the wife of Brahma, Lakshmi is the wife of Vishnu and Parvati is the wife of Shiva, and also that Brahma. Vishnu and Shiva were at war, this explanation given by the Varah Puran seems very odd.

Who is Gauri? The Purana says that Gauri is another name for Parvati. The reason how Parvati was called Gauri[f77] is that when Shiva and Parvati lived on mount Kailasa, occasionally there were quarrels between them, and on one occasion Shiva reproached her for the blackness of her skin. This taunt so grieved her that she left him for a time. and, repairing to a deep forest, performed a most severe course of austerities, until Brahma granted her as a boon that her complexion should be golden and for this circumstance she is known as Gauri.

Taking the other Goddesses it is not quite certain whether they are different names for one and the same Goddess or whether they are different Goddesses. In the Mahabharata there is a hymn sung by Arjuna to Durga in which he says[f78]:

"Reverence be to thee, Siddha-Senani (generalaless of the Siddhas), the noble, the dweller on Mandara, Kumari (Princess), Kali,  Kapali, Kapila,  Krishna-pingala.  Reverence to thee, Bhadrakali; reverence to thee, Maha Kali, Chandi, Chanda, Tarini (deliveress), Varavarini (beautiful-coloured). O fortunate Kalyani, O Karali, O Vijaya, O Jaya (victory)  younger sister of the chief of cowherds (Krishna), delighting always in Mahisha's blood'. O Uma, Sakambhari, thou white one, thou black one, 0 destroyer of Kaithabha! Of science, thou art the science of Brahma (or of the Vedas), the great sleep of embodied beings. 0 mother of Skanda (Kartikeya), divine Durga, dweller in wildernesses'. Thou, great goddess, art praised with a pure heart. By thy favour let me ever be victorious in battle."

From this hymn it does appear that some of the Goddesses listed above are simply different names of Durga. Similarly, Dasabhuja, Singhavahini,   Mahishamardini, Jagaddhatri, Chinnamustaka, Jagadgauri, Pratyangiri, Annapurna are the same as Durga or different forms of Durga.

There are thus two principal Goddesses. One is Parvati and the other is Durga. The rest are mere names. Parvati is the daughter of Daksha Prajapati and the wife of Shiva and Durga is the sister of Krishna and the wife of Shiva. The relationship of Durga and Kali is not quite clear. According to the hymn sung by Arjuna, Durga and Kali would appear to be one and the same. But the Linga Purana seems to suggest a different view. According to it[f79]. Kali is distinct from Durga.

A comparison between the Vedic Goddesses and the Puranic Goddesses cannot be avoided by a student whose business it is not merely to write history but to interpret history. On one point there is a striking contrast, between the two. The worship of the Vedic Goddesses was worship by courtesy. They were worshipped only because they were the wives of Gods. The worship of the Puranic Goddesses stand on a different footing. They claim worship in their own right and not because they are wives of Gods. This difference arises because the Vedic Goddesses never went to the battle-field and never performed any heroic deed. The Puranic Goddesses on the other hand went to the battlefield and performed great heroic deeds. Their worship was not by courtesy. It was based upon their heroic and thundering deeds.

There was agreat battle, it is said, between Durga and the two asuras which brought renown to Durga. The story is told in the Markandeya Purana in full details. It says*[f80]:

At the close of the Treta Age, two giants, named Sumbha and Nishumbha performed religious austerities for 10,000 years, the merit of which brought Shiva from heaven, who discovered that by this extraordinary devotion, they sought to obtain the blessing of immortality. He reasoned long with them, and vainly endeavoured to persuade them to ask for any other gift. Being denied what they specially wanted, they entered upon still more severe austerities for another thousand years, when Shiva again appeared, but still refused to grant what they asked. They now suspended themselves with their heads downwards over a slow fire, till the blood streamed from their necks; they continued thus for 800 years. The Gods began to tremble, lest, by performing such rigid act of holiness, these demons should supplant them on their thrones. The king of the Gods thereupon called a council, and imparted to them his fears. They admitted that there was ground for anxiety, but asked what was the remedy.

Acting upon the advice of  Indra, Kandarpa (the God of love), with Rambha and Tilotama, the most beautiful of the celestial nymphs, were sent to fill the minds of the giants with sensual desires. Kandarpa with his arrow wounded both; upon which, awaking from their absorption, and seeing two beautiful women, they were taken in the snare, and abandoned their devotions. With these women they lived for 5000 years; after which they saw the folly of renouncing their hopes of immortality for the sake of sensual gratifications. They suspected this snare must have been a contrivance of Indra; so, driving back the nymphs to heaven, they renewed their devotions, cutting the flesh off their bones, and making burnt offerings of it to Shiva. They continued in this way for 1000 years till at last they became mere skeletons; Shiva again appeared and bestowed upon them his blessing—that in riches and strength they should excel the Gods.

Being exalted above the Gods, they began to make war upon them. Aftervarious successes on both sides, the giants became everywhere victorious; when Indra and the Gods, reduced to a most deplorable state of wretchedness, solicited the interference of Brahma and Vishnu. They referred them to Shiva, who declared that he could do nothing for them. When, however, they reminded him that it was through his blessing they had been ruined, he advised them to perform religious austerities to Durga. They did so: and after some time the goddess; appeared, and gave them her blessing; then disguising herself as a common female carrying a pitcher of water, she passed through the assembly of the gods. She, then assumed her proper form, and said, 'They are celebrating my praise '.

'This new goddess now ascended Mount Himalaya where Chanda and Manda, two of Sumbha and Nisumbha's messangers resided. As these demons wandered over the mountain, they saw the goddess;    and being exceedingly struck with her charms, which they described to their masters, advised them to engage her affections, even if they gave her all the glorious things which they had obtained in plundering the heavens of the gods.

Sumbha sent Sugriva as messenger to the goddess, to inform her that the riches of the three worlds were in his palace; that all the offerings which used to be presented to the gods were now offered to him; and that all these offerings, riches, etc., would be hers, if she would come to him. The goddess replied that the offer was very liberal, but that she had resolved that the person she married must first conquer her in war, and destroy her pride. Sugriva, unwilling, to return unsuccessful, pressed for a favourable answer, promising that he would conquer her in war, and subdue her pride; and asked in an authoritative strain; ' Did she know his master, before whom none of the inhabitants of the worlds had been able to stand, whether gods, demons, or men? How then could she, a female think of resisting his offers ? If his master had ordered him, he would have compelled her to go into his presence immediately. She agreed that this was very correct, but that she had taken her resolution, and exhorted him, therefore to persuade his master to come and try his strength with her.

The messenger went and related what he had heard. On hearing his account, Sumbha was filled with rage, and, without making any reply, called for Dhumlochana his commander-in-chief and gave him orders to go to Himalaya and seize the goddess and bring her to him. and, if any attempted a rescue, utterly to destroy them.

The commander went to Himalaya, and acquainted the goddess with his master's orders. She, smiling, invited him to execute them. On the approach of this hero, she set up a dreadful roar, by which he was reduced to ashes. After which she destroyed the army of the giant leaving only a few fugitives to communicate the tidings. Sumbha and Nisumbha, infuriated, sent Chanda and Manda, who on ascending the mountain, perceived afemale sitting on an ass, laughing. On seeing them she became enraged, and drew to her ten, twenty, or thirty of their army at a time, devouring them like fruit. She next seized Manda by the hair, cut off his head and holding it over her mouth, drank the blood. Chanda, on seeing the other commander slain in this manner, himself came to close quarters with the goddess. But she, mounted on a lion, sprang on him, and, despatching him as she had done Manda, devoured part of his army, and drank the blood of the slain.

The giants no sooner heard this alarming news than they resolved to go themselves, and collecting their forces, an infinite number of giants, marched to Himalaya. The gods looked down with astonishment on this vast army, and the goddesses descended to help Maharnaya (Durga), who, however, soon destroyed her foes, Raktavija,  the  principal commander under Sumbha and Nishumbha, seeing all his men destroyed encountered the goddess in person. But though she covered him with wounds, from every drop of blood which fell to the ground a thousand giants, arose equal in strength to Raktavija himself. Hence innumerable enemies surrounded Durga, and the gods were filled with alarm at the amazing sight. At length Chandi, a goddess, who had assisted Kali (Durga) in the engagement, promised that if she would drink the giant's blood before it fell to the ground, she (Chandi) would engage him and destroy the whole of his strangely formed offspring. Kali consented, and the commander and his army were soon despatched.

Sumbha and Nishumbha, in a state of desperation, next engaged the goddess in single combat, Sumbha making the first onset. The battle was inconceivably dreadful on both sides, till at last both the giants were slain, and Kali sat down to feed on the carnage she had made. The gods and the goddesses chanted the praises of the celestial heroine, who in return bestowed a blessing on each." The Markandeya Purana also gives a short account of the valorous deeds of Durga done in the various forms it took. It says:

" As Durga she received the message of the giants; As Dasabhuja (the ten-armed) she slew part of their army; As Singhavahini (seated on a lion) she fought with Raktavija; As Mahishamardini (destroyer of a buffalo) she slew Sumbha in the form of a buffalo; As Jagaddhatri (the mother of the world) she overcame the army of the giants; As Kali (the black woman) she slew Raktavija; As   Muktakesi (with flowing hair) she overcame another of the armies of the giants; As Tara (the saviour) she slew Sumbha in his own proper shape; As Chinnamastaka (the headless) she killed Nisumbha; As Jagadgauri (the golden-coloured lady renowned through the world) she received the praises and thanks of the gods." A comparison between the Vedic and Puranic Goddesses raises some interesting questions. One of them is quite obvious. Vedic literature is full of references to wars against the Asuras. The literature known as Brahmanas replete with them. But all these wars against the Asuras are fought by the Vedic Gods. The Vedic Goddesses never took part in them. With the Puranic Goddesses the situation has undergone a complete change. In the Puranic times there are wars with the Asuras as there were in the Vedic times. The difference is that while in the Vedic times the wars with the Asuras are left to be fought by the Gods in the Puranic times they are left to be fought by the Goddess. Why is

that Puranic Goddesses had to do what the Gods in Vedic times did? It cannot be that there were no Gods in Puranic times. There were Brahma, Vishnu and Shiva gods who ruled in the Puranic times. When they were there to fight the Asuras why were the Goddesses enrolled for this purpose. This is a riddle which requires explanation.

The second question is what is the source of this power which the Puranic Goddesses possessed and which the Vedic Goddesses never had? The answer given by the Puranic writers is that this power was the power of the Gods which dwelt in the Goddesses. The general theory was that every God had energy or power which was technically called Sakti and that the Sakti of every God resided in his wife the Goddess. This had become such an accepted doctrine that every goddess is called a Sakti and those who worship the Goddess only are calledSaktas.

With regard to this doctrine there are one or. two questions that call for a reply.

First is this. We may now take it that notwithstanding the many names of the Goddesses as we find in the Puranas we have really five Puranic Goddesses before us—namely, Sarasvati, Lakshmi, Parvati, Durga and Kali. Sarasvati and Lakshmi are the wives of Brahma and Vishnu who along with Shiva are recognized as the Puranic Gods. Parvati, Durga and Kali are the wives of Shiva. Now Sarasvati andLakshmi have killed no Asura and have in fact done no deed of valour. Question is why? Brahma and Vishnu had Sakti which in conformity with the theory must have dwelt in their wives. Why then did Sarasvati and Lakshmi not take part in the battle with the Asuras? This part is only reserved for the wives of Shiva. Even here Parvati's role is quite different from that of Durga. Parvati is represented as a simple woman. She has no heroic deeds to her credit like the ones claimed for Durga. Like Durga, Parvati is also the Sakti of Shiva. Why was Shiva's Sakti dwelling in Parvati so dull, so dormant, and so inactive as to be non-existent ?

The second point is that though this doctrine may be a good justification for starting the worship of Goddesses independently of Gods, it is difficult to accept either the logical or historical basis of the doctrine. Looking at it purely from the point of view of logic if every God has Saktithen even the Vedic Gods must have had it. Why then was this doctrine not applied to the wives of the Vedic Gods? Looking at it from the point of view of history, there is no justification for saying that the Puranic Gods had Sakti in them.

Further the Brahmins do not seem to have realized that by making Durga the heroine who alone was capable of destroying the Asuras,

they were making their own Gods a set of miserable cowards. It seems that the Gods could not defend themselves against the Asuras and had to beg of their wives to come to their rescue. One illustration from the Markandeya Purana is enough to prove how imbecile the Puranic Gods were shown by the Brahmins against the Asuras. Says the Markandeya Purana.:

"Mahisha, king of the giants  at one time overcame the gods in war. and reduced them to such a state of want that they wandered through the earth as beggars. Indra first conducted them to Brahma, and then to Siva; but as these gods could render no assistance, they turned to Vishnu, who was so grieved at the sight of their wretchedness, that streams of glory issued from his face. whence came a female figure named Mahamaya (another name of Durga). Streams of glory issued from the faces of the other gods also. which in like manner entered Mahamaya: in consequence of which she became a body of glory, like a mountain of fire. The gods then handed their weapons to this dreadful being, who with a frightful scream ascended into the air, slew the giant and gave redress to the gods."

How can such cowardly Gods have any prowess? If they had none, how can they give it to their wives. To say that Goddesses must be worshipped because they have Sakti is not merely a riddle but an absurdity. It requires explanation why this doctrine of Sakti was invented. Was it to put it a new commodity on the market that the Brahmins started the worship of the Goddesses and degraded the Gods?.

 

RIDDLE NO. 13

 

THE RIDDLE OF THE AHIMSA

 

    Any one who compares the habits and social practices of the latter-day Hindus with those of the Ancient Aryans he will find a tremendous change almost amounting to a social revolution.

 

The Aryans were a race of gamblers. Gambling was developed to science in very early days of the Aryan Civilization so much so that they had even devised certain technical terms. The Hindus used the words Krita, Treta, Dwapara and Kali as the names of the four Yugas or periods into which historical times are divided. As a matter of fact originally these are the names of the dices used by the Aryans at gambling . The luckiest dice was called Krita and the unluckiest was called Kali. Treta and Dwapara were intermediate between them. Not only was gambling well developed among the ancient Aryans but the stakes were very high. Gambling with high money stakes have been known elsewhere. But they are nothing as compared with those which are known to have been offered by the Aryans. Kingdoms and even their wives were offered by them as stakes at gambling. King Nala staked his kingdom and lost it. The Pandavas went much beyond. They not only staked their kingdom they also staked their wife Draupadi and lost both. Among the Aryans gambling was not the game of the rich. It was a vice of the many. So widespread was gambling among the Ancient Aryans that the burden of all the writers of the Dharma Sutras (Shastras?) was to impress upon the King the urgency of controlling it by State Authorities under stringent laws.

The original Table of Contents shows Riddle No. 13 as ' How  the Brahmins who were once cow-killers became the worshippers of the Cow?' This chapter is not found in the papers. However, few  pages entitled 'Riddle of Ahimsa' have been found. The Riddle has been placed here as it seems to deal with the same topic. This chapter consisting of 10 typed pages is obviously incomplele as the remaining text is missing.  Ed.

The relation of the sexes among the Aryans were of a loose sort. There was a time when they did not know marriage as a permanent tie between a man and a woman. This is evident from the Mahabharata where Kunti the wife of Pandu refers to this in her reply to Pandu's exhortation to go to produce children from some one else. There was a time when the Aryans did not observe the rule of prohibited degrees in their sex relations. There are cases among them of brother cohabiting with sister, son with mother, father with daughter and grand-father with grand-daughter. There was a communism in women. It was a simple communism where many men shared a woman and no one had a private property in or exclusive right over a woman. In such a communism the woman was called Ganika, belonging to many. There was also a regulated form of communism in women among the Aryans. In this the woman was shared among a group of men but the day of each was fixed and the woman was called Warangana one whose days are fixed. Prostitution flourished and has taken the worst form. Nowhere else have prostitutes consented to submit to sexual intercourse in public. But the practice existed among the Ancient Aryans. Bestiality also prevailed among the Ancient Aryans and among those who were guilty of it are to be reckoned some of the most reverend Rishis.

The Ancient Aryans were also a race of drunkards. Wine formed a most essential part of their religion. The Vedic Gods drank wine. The divine wine was called Soma. Since the Gods of the Aryans drank wine the Aryans had no scruples in the matter of drinking. Indeed to drink it was a part of an Aryan's religious duty. There were so many Soma sacrifices among the Ancient Aryans that there were hardly any days when Soma was not drunk. Soma was restricted to only the three upper classes, namely the Brahmins, the Kshatriyas and the Vaishas. That does not mean the Shudras were abstainers. Who were denied Soma drank Sura which was ordinary, unconsecrated wine sold in the market. Not only the male Aryans were addicted to drinking but the females also indulged in drinking. The Kaushitaki Grihya Sutra I. 11-12 advises that four or eight women who are not widowed after having been regaled with wine and food should be called to dance for four times on the night previous to the wedding ceremony. This habit of drinking intoxicating liquor was not confined to the Non-Brahmin women. Even Brahmin women were addicted to it. That drinking was not regarded as a sin; it was not even a vice, it was quite a respectable practice. The Rig-Veda says: "Worshipping the sun before drinking madira (wine)".

The Yajur-Veda says:

"Oh, Deva Soma! being strengthened and invigorated by Sura (wine), by thy pure spirit, please the Devas; give juicy food to the sacrificer and vigour to Brahmanas and Kshatriyas." The Mantra Brahmana says:

"By which women have been made enjoyable by men, and by which water has been transformed into wine (for the enjoyment of men), " etc.                               That Rama and Sita both drank wine is admitted by the Ramayana. Uttar Khand says:

"Like Indra in the case (of his wife) Shachi, Ramachandra saw that Sita drank purified honey called wine. Servants brought for Ramahandra meat and sweet fruit

So did Krishna and Arjuna. The Udyoga Parva of the Mahabharata says:

"Arjuna and Shrikrishna drinking wine made from honey and being sweet-scented and garlanded, wearing splendid clothes and ornaments, sat on a golden throne studded with various jewels. I saw Shrikrishna's feet on Arjuna's lap, and Arjuna's feet on Draupadi and Satyabhama's lap."

The greatest change that has taken place is in the diet. The present day Hindus are very particular about their diet. There are twofold limitations on commensality. A Hindu will not eat food cooked by a Non-Hindu. A Hindu will not eat food cooked even by a Hindu unless he is a Brahmin or a man of his caste. The Hindu is not only particular on the question of whose food he should eat, he is also particular to what he should eat. From the point of view of diet Hindus may be divided into two main classes.

(1) Those who are vegetarians.

(2) Those who are non-vegetarians. The non-vegetarians again fall into several sub-divisions: Those who will eat all kinds of flesh and fish. Those who will eat only fish.

Those who will eat flesh are sub-divided into following categories:

(i)  Those who will eat the flesh of any animal except the cow.

(ii) Those who will eat the flesh of any animal including that of the cow.

(iii) Those who will eat flesh but not of a cow (whether dead or slaughtered) nor of chicken.

Classifying the Hindu Population from the point of view of its diet the Brahmins are divided into two classes (1) Pancha Gauda and (2) Panch Dravida.

Of these Panch Dravida are completely vegetarian. The Panch Gauda's with the exception of one section namely Gauda Saraswatas are also completely vegetarian. The Untouchables who are at the other end of the Hindu Society are non-vegetarian. They eat meat, not merely of goats and fowls but also of the cow irrespective whether it is dead or slaughtered. The Non-Brahmins who are midway between the Brahmins and the Untouchables have different ways. Some like the Brahmins are Vegetarians. The rest unlike the Brahmins are non-vegetarians. All of them are alike in one thing namely that all of them are opposed to eating the cow's flesh.

There is one other aspect of the question which needs to be mentioned. It is the question of killing an animal for purposes of food. On this the Hindu mind is more or less united. No Hindu will kill an animal not even for food. Except for a small caste known as Khatiks there are no butchers among the Hindus. Even the Untouchables will not kill. He eats the flesh of a dead cow. But he will not kill a cow. In India today the butcher is a Musalman and any Hindu who wants to kill an animal for his food has to seek the services of a Musalman. Every Hindu believes in Ahimsa.

Since when did vegetarianism come into India? When did Ahimsa become an established belief? There are Hindus who do not understand the propriety of this question. They hold that vegetarianism and Ahimsa are not new things in India.

The evidence in support of the contention that the ancient Aryans the ancestors of present-day Hindus were not only meat-eaters but beef-eaters is really overwhelming. As evidences in support of this view it is enough to draw attention to the following facts: They are quite indisputable. Take the case of Madhuparka.

Among the ancient Aryans there was well established procedure of reception to be given to a guest which is known as Madhuparka the detailed descriptions regarding which will be found in the various Grihya Sutras. According to most of the Grihya Sutras there are six persons who deserve Madhuparka. Namely (1) Ritvij or the Brahmin called to perform a sacrifice, (2) Acharya, the teacher, (3) the Bridegroom, (4) The King, (5) The Snatak, the student who has just finished his studies at the Gurukul and (6) Any person who is dear to the host. Some add Atithi to this list. Except in the case of the Ritvij, King and Acharya, Madhuparka is to be offered to the rest once in a year. To the Ritvij, King and Acharya it is to be offered each time they come. The procedure consisted first in washing by the host the feet of his guest, then the offer of the Madhuparka and the drinking of it by the quest accompanied by certain Mantras.

What were the components of the Madhuparka ? Madhuparka literally means a ceremony in which honey is shed or poured on the hand of a person. This is what Madhuparka was in its beginning. But in course its ingredients grew and included much more than honey. At one time it included three ingredients—curds, honey, and butter. There was a time when it was made of five things, curds, honey, ghee, yava and barley. Then it came to be a mixture of nine items. The Kausika Sutra speaks of nine kinds of mixtures, viz. Brahma (honey and curds), Aindra (ofpayasa), Saumya (curds and ghee), Mausala (saine and ghee, this being used only in Sautramani and Rajasuya sacrifices), Varuna (water and ghee), Sravana (sesame oil and ghee), Parivrajaka (sesame oil and oil cake). Then we come to the time of the Manava Grahya Sutra which says that the Veda declares that the Madhuparka must not be without flesh and so it recommends that if the cow is let loose, goat's meat or payasa (rice cooked in milk) may be offered ; The Hir gr. i. 13.14 says that other meat should be offered : Baud. gr. says (1.2.51-54) that when the cow is let off, the flesh of a goat or ram may be offered or some forest flesh (of a deer & c.,) may be offered,as there can be. no Madhuparka without flesh or if one is unable to offer flesh one may cook ground grains. But in the final stage flesh became the most essential part of Madhuparka. In fact some of the Grihya Sutras go to the length of saying that there can be no Madhuparka without flesh. This they base upon an express injunction contained in the Rig-Veda (VIII. 101.5) which says" Let the Madhuparka not be without flesh ".

Flesh eating was thus quite common. From the Brahmins to the Shudras everybody ate meat. In the Dharmasutras numerous rules are given about the flesh of beasts and birds and about fishes. Gaut. 17.27-31, Ap.Dh.S. 1.5.17.35Vas.Dh.S. 14.39-40. Yaj. 1. 177, Vishnu Dh.S. 51.6, Sankha (quoted by Apararka p. 1167), Ramayana (Kiskindha 17.39), Markendey Purana (35.2-4) prescribe that one should avoid the flesh of all live-nailed animals except ofporcupine,hare,svavidh(a boar of hedgehog), iguana, rhinoceros and tortoise (some of these works omit the rhinoceros). Gautama adds that one should also avoid the flesh of all animals with two rows of teeth in the two jaws, of hairy animals, of hairless animals (like snakes), of village cocks and hogs and of cows and bulls. Ap. Dh. S. 1.5.17. 29-31 first forbids the flesh of animals with one hoof only, of camels, of gavaya (Gayal), of the village hog, of the sarabha and of cows, but adds the exception that the flesh of milch cows and of bulls may be eaten as the Vajasaneyaka declares the flesh of these to be pure. Ap. Dh. S. (11.2.5.15) forbids the use of flesh to a teacher of the Veda in the (INCOMPLETE. FURTHER TEXT MISSING)

 

 

RIDDLE NO. 14

 

FROM AHIMSA BACK TO HIMSA

 

"From Himsa to Ahimsa" is only a part of the story of Ahimsa. There is another part of the story which can only be described, under the heading " From Ahimsa back to Hirnsa ". The second part of the story will be clear if only one were to note the religious practices of the Tantras and Tantraism to which a reference has already been made.

The essentials of Tantrik worship are the five Makars. These five Makars consists of:

1. The drinking of wine and liquors of various kinds . . . (Madya):

2. The eating of meat ........................... (Mansa);

3. The eating of fish ............................. (Matsya);

4. The eating of parched or fried grain ........... (Mudra);

5. The sexual union ........................... (Maithuna). It is unnecessary to say at this stage anything about Maithuna or Sexual intercourse having been made an element of religious worship. It is sufficient to take note of Madya and Mansa.

With regard to the first four of these acts the Tantras prescribe twelve sorts of liquors, three sorts of wine, and three sorts of meat. Pulastya, one of the ancient sages who is the supposed author of certain law-books, also enumerates twelve kinds of liquors, as follows: "

1. Liquor extracted from the bread fruit (panasa), called Jack-liquor;

2. From grapes (draksha);

3. From date-palm (kharjuri);

4. From common palm (tali), or toddy;

5. From coconut (narikela);

6. From sugarcane (ikshu);

7. From Madhavika plant;

The chapter seems to be a continuation of the previous chapter on ' Ahimsa '. There are six typed pages with few corrections and having the title written by the author himself.—Ed.

8. Long-pepper liquor (saira);

9. Soap-berry liquor (arishta);

10. Honey-liquor (madhuka);

11. A kind of rum or liquor prepared from molasess, etc. (called Gaudi, or sometimes Maireya);

12. Arrack, or liquor prepared from rice and other grain (sura or Varuni, or paishti).

Besides the above twelve kinds of spirituous drink others are frequently mentioned, for example, Tanka, made from wood-apple, Koli, made from the jujbe; and Kadambari; the last being the favourite beverage of Bala-Rama.

The meat may be that of birds, beasts, or fish. The parched grain is eaten, like dry biscuit, as a relish with the wine and spirituous liquors. The drinking of each kind of drink is supposed to be attended with its own peculiar merit and advantage. Thus one liquor gives salvation, another learning, another power, another wealth, another destroys enemies, another cures diseases, another removes sin, another purifies the soul."

The Tantrik worship had gone deep into Bengal. Referring to his own experience Rajendra Lal Mitra says[f81]:

" I knew a highly respectable widow lady, connected with one of the most distinguished families in Calcutta, who belonged to the Kaula sect, and had survived the 75th birthday, who never said her prayers (and she did so regularly every morning and evening) without touching the point of her tongue with a tooth-pick dipped in a phial of arrack, and sprinkling a few drops of the liquor on the flowers which she offered to her god. I doubt very much if she had ever drunk a wine-glassful of arrack at once in all her life, and certain it is that she never had any idea of the pleasures of drinking: but, as a faithful Kaula, she felt herself in duty-bound to observe the mandates of her religion with the greatest scrupulousness. That thousands of others do so, I have every reason to believe. In some parts of Bengal, where arrack is not easily accessible, such female votaries prepare a substitute by dropping the milk of a coconut in a bell-metal pot, or milk in a copper vessel, and drink a few drops of the same. Men are, however, not so abstemious, and the Tantras ordain a daily allowance of five cupsful, the cup being so made as to contain five tolas, or two ounces, i.e. they are permitted to take ten ounces or about a pint of arrack daily". This Tantrik worship was not confined to the small corner of Bengal. As is pointed out by Mahamahopadhyaya Jadaveshwara Tarkaratna[f82]:

"Just as the Bengalis of the higher castes are divided into Shaktas, Vaishnavas, and Shaivas. so it is with the peoples of Kamarupa, Mithila, Utkala, and Kalinga, and the Kashmirian pandits. The Shakti Mantra, Shiva Mantra. and Vishnu Mantra. are each  Tantrik.  Amongst Dakshinatyas,  Mahamahopadhyaya Subramanya Shastri, and many others, are Shaktas. The late Mahamahopadhyaya Rama Mishra Shastri. Bhagavatacharya. and many others, were and are Vaishnavas. Mahamahopadhyaya Shivakumara Shastri, and a number of others are Shaivas. In Vrindavana there are many Shaktas as well as Vaishnava Brahmanas. though amongst the higher castes in Maharashtra and other Southern Indian countries. Shaivas and Vaishnavas are more numerous than Shaktas. Followers of the Pashupata and Jangama cults are Shaivas whereas those of Madhavacharya and Ramanujacharya are Vaishnavas. Many in the North-West are initiated in the Rama-Mantra. which is to be found only in the Tantra. It is still more remarkable that. according to this author, the pandas of Shri Purushottama are all Shaktas, and the priests of Kamakhya Devi are all Vaishnavas."

Although it is not possible to give the exact date when the Tantras and Tantra worship came into existence there is no doubt that their date is after Manu. This fact makes the rise of the Tantra worship a matter of great surprize. The Tantras not only lifted the prohibition enacted by Manu against wine and flesh but they made drinking and flesh eating articles of faith.

The surprising thing is the part that the Brahmins have played in furthering the Tantra and Tantra worship. The Tantras had no respect for the Vedas. The Tantrikas said that the Vedas were like a common woman open to all but that the Tantra was like a high-born woman kept secluded. The Tantra was never repudiated by the Brahmins. On the other hand they recognized it as a fifth Veda. So orthodox a Brahmin as Kulluka-Bhatt the celebrated Commentator on Manu Smriti says that Shruti is of two kinds, Vaidik and Tantrik. Not only did the Brahmins not repudiate the Tantras but actually promoted the Tantrik worship. The Matrika Bheda Tantra makes Shiva address his wife Parvati as follows*[f83]:

"O sweet speaking goddess, the salvation of Brahmanas depends on drinking wine. I impart to you a great truth, O mountain born, when I say that the Brahman who devotes himself to drinking and its accompaniments, forthwith becomes a Siva. Even as water mixes with water, and metal blends with metal ; even as the confined space in a pitcher merges into the great body of the confining vessel, and air mingles with air, so does a Brahman melt into Brahma, the universal soul ".

"There is not the least doubt about this. Likeness to the divinity and other forms of beatitude are designed for Kshatriyas and others; but true knowledge can never be acquired without drinking spirituous liquor; therefore should Brahmans always drink. No one becomes a Brahman by repeating the Gayatri, the mother of the Vedas: he is called a Brahman only when he has knowledge of Brahma. The ambrosia of the gods is their Brahma, and on earth it is arrack (or liquor distilled from rice); and because one attains through it the condition of a god (suratva), therefore is that liquor called sura."

Why did the Brahmins repudiate father Manu and start again   drinking liquor and flesh eating which Manu had stopped? This is a riddle.

 

 

RIDDLE NO. 15

 

HOW DID THE BRAHMINS WED AN AHIMSAK GOD TO A BLOODTHIRSTY GODDESS?

 

Having started drinking and flesh eating the Brahmins did not hesitate to write puranas advocating animal sacrifices. One such Purana requires a special mention. It is called the Kali Purana. This Purana is written with the express purpose of propagating the worship of the goddess Kali. In this Purana there is an adhhyaya called Rudhir Adhhyaya which means the bloody chapter.

I give below a summary of the Rudhir Adhhyaya. In this chapter*[f84] the God Shiva addresses his three sons Betal, Bhairawar, and Bhairava in the following terms:

"I will relate you, my sons, the ceremonies and rules to be observed in sacrifices which being duly attended to are productive of the divine favour.

"The forms laid down in the Vaishnaivi Tantra, are to be followed on all occasions and may be observed by sacrifices to all Deities."

" Birds, tortoise, allegators, fish, nine species of wild animals, buffaloes, bulls, he-goats, inchneumons, wild boars, rhinoceroses, antelopes, guanas, reindeer, lions, tigers, men and blood drawn from the offerer's own body, are looked upon as proper oblations to the Goddess Chandica, the Bhairavas &c."

" It is through sacrifices that princes obtain bliss, heaven, and victory over their enemies."

"The pleasure which the Goddess receives from an oblation of the fish and tortoises is of one month's duration, and three from that of a crocodile. By the blood of the nine specifies of wild animals the Goddess is satisfied nine months, and for that space of time

This is a 16-page typed MS having modifications by the author himself. All the pages are numbered serially and the treatment of the subject seems complete.—Ed.

 

continues propitious to the offerer's welfare. The blood of the wild bull and Guana give pleasure for one year, and that of the antelope and wild boar for twelve years. The Sarabhas blood satisfies the Goddess for twenty-five years, and buffalo's and rhinoceros's blood for a hundred, and that of the tiger an equal number.That of the lion, reindeer, and the human species produces pleasure, which lasts a thousand years. The flesh of these, severally, gives the pleasure for the same duration of time as their blood. Now attend to the different fruits attending an offering of the flesh of a rhinoceros or antelope, as also of the fish called Rohita."

"The flesh of the antelope and rhinoceros pleases the Goddess five hundred years and the Rohita fish and Bardhrinasa give my beloved (i.e. the Goddess Cali) delight for three hundred years."

"A spotless goat, who drinks only twice in twenty-four hours, whose limbs are slender, and who is the prime among a herd, is calledBardhrinasa, and is reckoned as the best of Havyas (i.e. offerings to the Deities) and Cavyas, (i.e. offerings to the deceased progenitors)."

" The bird whose throat is blue and head red and legs black with white feathers, is called also Barshrinasa, and is king of the birds, and the favourite of me and Vishnu."

"By a human sacrifice attended by the forms laid down, Devi is pleased one thousand years and by sacrifice of three men, one hundred thousand years. By human flesh, Camachya, Chandica, and Bhairava who assumes my shape, are pleased one thousand years. An oblation of blood which has been rendered pure by holy texts, is equal to ambrosia; the head also afford much delight to the Goddess Chandica. Let therefore the learned when paying adoration to the Goddess, offer blood and the head, and when performing the sacrifices to fire, make oblations of flesh."

" Let the performer of the sacrifice be cautious never to offer bad flesh, as the head and blood are looked upon by themselves equal to ambrosia."

"The gourd, sugar cane, spirituous liquors, and fermented liquors are looked upon as equivalent to other offerings, and please the Goddess for the same duration of time as the sacrifice of a goat." "The performance of the sacrifice, with a Chandrahasa, or Gatri, (two weapons of the king) is reckoned the best mode, and with a hetcher or knife, or a sangeul, the second best, and the beheadings with a hoe a Bhallac (an instrument of the spade kind) the inferior mode."

"Exclusive of these weapons no others of the spear of arrow kind ought ever to be used in performing a sacrifice, as the offering is not accepted by the Goddess, and the giver of it dies. He who, with his hands, tears off the head of the consecrated animal. or  bird, shall be considered equally guilty with him who has slain a Brahman, and shall undergo great sufferings.

" Let not the learned use the axe, before they have invoked it by holy texts, which have been mentioned heretofore, and framed by the learned for the occasion; let those I now tell you, be joined to them and the axe invoked, and particuarly so, where the sacrifice is to be made to the Goddesses Durga and Camachya."

" Let the sacrificer repeat the word Kali twice, then the words ' Devi Bajreswari, the Lawha Dandayai, Namah ! " which words may be rendered ' Hail! Cali, Cali! Hail! Devi! goddess of thunder, Hail Iron sceptered Goddess !' Let him then take the axe in his hand, and again invoke the flame by the Calratriya text as follows:

" Let the sacrificer say: ' Hrang Hring. Cali, Cali. ' 0 horrid toothed Goddess: eat, cut, destroy all the malignant, cut with this axe, bind; seize, seize: drink blood; spheng secure, secure. Salutations to Cali." Thus ends the Calratriya Mantra."

"The Charge (the axe) being invoked by this text called the Calratriya Mantra, Calratri (the Goddess of darkness) herself presides over the axe uplifted for the destruction of the sacrificer's enemies."

"The sacrificers must make use of all the texts directed previous to the sacrifice, and also of the following, addressing himself to the victim."

" Beasts were created by the self existing, himself to be immolated at sacrifices. I therefore immolate thee, without incurring any sin in depriving thee of life."

" Let the sacrificer then name the Deity to whom the sacrifice is made, and the purpose for which it is performed; and by the above text immolate the victim, whose face is to be towards the north, or else let the sacrificer turn his own face to the north, and the victim's to the east: Having immolated the victim, let him without fail mix salt &c., as before mentioned with the blood."

"The vessel in which the blood is to be presented, is to be according to the circumstances of the offerer, of gold, silver, copper, brass, or leaves sewed together, or of earth, or of tutenague, or of any of the species of wood used in sacrifices."

" Let it not be presented in an iron vessel, nor in one made of the hide of an animal, or the bark of tree; nor in a pewter, tin, or leaden vessel. Let not the blood be represented in the holy vessel named Srub and Sruch, nor on the ground. Let it not be presented in the Ghata (i.e. an earthern-jar always used in other religious ceremonies). Let it not be presented by pouring it on the ground, or into any of the vessels used at other times for offering food to the Deity, Let not the good man who wishes for prosperity, offer the blood in any of these vessels. Human blood must always be presented in a metalic or earthern vessel; and never on any account in a vessel made of leaves, or similar substance.

"The offering of a horse, except at the Aswamedha sacrifice, is wrong, as also offering an elephant, except at the Gaja Medha; Let therefore the ruler of men observe never to offer them except on those occasions. And on no account whatsoever let him offer them to the Goddess Devi, using the wild bull called Chanrara as a substitute for the horse, when the occasion required one."

" Let not the Brahman ever offer a lion or a tiger, or his own blood, or spirituous liquors to the Goddess Devi. If a Brahmen sacrifices either a lion, a tiger, or a man, he goes to hell, and passes but a short time in this world attended with misery and misfortune."

" If a Brahman offers his own blood, his guilt is equal to that of the slayers of a Brahman; and if he offers spirituous liquors he is no longer a Brahman."

" Let not a Cshectree offer an entelope; if he does, he incurs the guilt of a Brahmin slayer where the sacrifice of lions, or tigers, or of the human species is required, let the three first classes act thus; having formed the image of the lion, tiger, or human shape with butter, paste, or barley meal, let them sacrifice the same as if a living victim, the axe being first invoked by the text Nomo, &c.

" Where the sacrifice of a number of animals is to take place it is sufficient to bring and present two or three to the Deity, which serves as a consecration of the whole. I have now related to you, 0 Bhairava, in general terms, the ceremonies and forms of sacrifices attend now to the different texts to be used on the several different occasions."

" When a buffalo is presented to Devi, Bhairavee, or Bhairava let the sacrificer use the following Mantra in invoking the victim." " In the manner that thou destroyest. Horses, in the manner that thou carriest Chandica, destroy my enemies, and bear prosperity to me, O Buffalo!"

"0 steed of death, of exquisite and unperishable form, produce me long life and fame. Salutation to thee, o buffalo! "

"Now attend to the particulars relative to the offering of human blood."

"Let a human victim be sacrificed at a place of holy worship, or at a cemetery where dead bodies are burried. Let the oblation be performed in the part of the cemetery called Heruca, which has been already described, or at a temple of Camachya, or on a mountain. Now attend to the mode."

"The cemetery represents me, and is called Bhairava, it has also a part called Tantarange; the cemetery must be divided into these two division, and a third called Heruca."

"The human victim is to be immolated in the east division which is sacred to Bhairava, the head is to be presented in the south division, which is looked upon as the place sculls sacred to Bhairavi, and the blood is to be presented in the west division, which is denominated Heruca."

" Having immolated a human victim, with all the requisite ceremonies at a cemetery or holy place, let the sacrificer be cautious not to cast eyes upon the victim."

" On other occasion also, let not the sacrificer, cast eyes upon the victim immolated, but present the head with eyes averted."

"The victim must be a person of good appearance, and be prepared by ablutions, and requisite ceremonies, such as eating consecrated food the day before, and by abstinance from flesh and venery: and must be adorned with chaplets of flowers and besmeared with sandal wood. "

"Then causing the victim to face the north, let the sacrificer worship the several deities presiding over the different parts of the victims body: let the worship be then paid to the victim himself by his name."

" Thus let the sacrificer worship the victim, adding whatever other texts are applicable to the occasion, and have been before mentioned.

"Let not the female, whether quadruped or bird, or a woman be ever sacrificed; the sacrificer of either will indubitably fall into hell, where the victim of either the beasts or birds creation, are very numerous, the immolation of a female is excusable; but this rule does not hold good, as to the human species."

" Let not a Brahman or a Chandala be sacrificed; nor a prince; nor that which has already been presented to a Brahmen, or a deity; nor the offspring of a prince, nor who has conquered in battle; nor the offspring of a Brahman, or of a Cshettree; nor a childless brother, nor a father, nor a learned person, nor one who is unwilling, nor the maternal uncle of the sacrificer. Those not here named, and animals, and birds of unknown species are unfit. If these named are not forth coming, let their place be supplied by a male ass or camel. If other animals are forth coming, the sacrifice of a tiger, camel, or ass must be avoided."

" Having first worshipped the victim, whether human, beast, or bird, as directed, let the sacrificer, immolate him uttering the Mantra directed for the occasion, and address the deity with the text laid down before."

" Let the head and blood of a human victim be presented on the right side of Devi, and the sacrificer address her standing in front. Let the head and blood of birds be presented on the left and the blood of a person's own body in front. Let the ambrosia proceeding from the heads of carnivorous animals and birds be presented on the left hand. as also the blood of all aquatic animals."

" Let the antelope's head and blood, and that of the tortoise, rhinoceros and hare and crocodile, and fish be presented in front." " Let a lion's head and blood, be presented on the right hand, and the rhinoceros's also: let not, on any account, the head or blood of a victim ever be presented behind the Deity, but on the right, left and in front."

" Let the consecrated lamp, be placed either on the right hand, or in front but on no account, on the left. Let incense be burnt on the left, and in front, but not on the right hand. Let perfumes, flowers and ornaments, be presented in front; with respect to the different parts of the circle, where to present the offerings, the mode already laid down may be observed. Let Madira (spirituous liquor) be presented behind other liquids on the left."

"Where it is absolutely necessary to offer spirits, let the three first classes of men supply their place, by coconut juice in a brass vessel, or honey in a copper one. Even in a time of calamity, let not a man of the three first classes, offer spirituous liquor, except that made from flowers, or stewed dishes. Let princes, ministers of state, counsellors, and vendors of spirituous liquors, make human sacrifices, for the purpose of attaining prosperity and wealth."

" If a human sacrifice is performed, without the consent of the  prince, the performer incurs sin. In cases of imminent danger or war, sacrifices may be performed at pleasure, by princes themselves and their ministers, but by none else."

" The day previous to a human sacrifice, let the victim be prepared by the text Manastac, and three Devi Gandha Sucthas, and the texts Wadrang; and by touching his head with the axe, and besmearing the axe with sandal &c., perfumes, and then taking some of the sandal, &c., from off the axe, and besmearing the victim's neck therewith."

"Then let the text Ambe Ambica, &c., and the Towdra and Bhairava texts be used, and Devi herself will guard the victim who, when thus purified, malady does not approach him, nor does his mind suffer any derangement from grief and similar causes, nor does the death or birth of a kinsman render him impure."

*      *   *   *   *

" Having secured the victim with cords, and also with (Mantras) let him strike off the head, and present it to Devi, with due care. Let him make these sacrifices in proportion to the increase or decrease of his enemies, chopping off the heads of victims for the purpose of bringing destruction on his foes, infusing, by holy texts, the soul of the enemy into the body of the victim, which will when immolated, deprive the foe of life also."

"The blood must be drawn for the express purpose of an oblation, and from a man pure in body and mind, and free from fear; it must be caught in the petal of lotus and presented. It may be presented in a gold, silver, brass or iron vessle, with the due from, the texts recited."

"The blood, if drawn by incision made with a knife, axe or sangeul, gives pleasure, in proportion to the size of the weapon."

"The sacrificer may present one fourth of the quantity which a lotus petal will contain, but he must not give more on any account; nor cut his body more than is necessary. He who willingly offers the blood of his body and his own flesh, the size of a grain of linseed, Masha, tila, or mudya, with zeal and fervency, obtains what he desires in the course of six months."

He who performs sacrifices according to these rules, obtains, his wishes to the utmost extent."

*           *           *           *           *

 

This is the Dharma which the Kali Purana preaches. After centuries of Ahimsa ordained by Manu here is Himsa in full blast sanctioned by the Tantras in its worst and all inclusive form— animal and human Himsa. These Himsa practices preached in the sanguinary chapter of Kali Purana had become quite widespread. As to the revival of animal sacrifice what happens at the Kali Temple in Calcutta furnishes unmistakable proof. That this temple should have become a perfect slaughter house where daily hundreds of goats are sacrificed to appease the Goddess Kali can only be explained by the teachings of the Kali Purana. Today human beings are not sacrificed to the Goddess Kali. But it does not mean that it never happened. On the contrary there is abundant evidence to show that human sacrifice like animal sacrifice was practised as taught by the Kali Purana. Dr. Rajendralal Mitra says[f85]:

" The fact is well known that for a long time the rite (of Human Sacrifice) was common all over Hindustan; and persons are not wanting who suspect that there are still nooks and corners in India, where human victims are occasionally slaughtered for the gratification of the Devi. In old families which belong to the sect of the Vamacharis, and whose ancestors formerly offered human victims at the Durga and the Kali Pujas, a practice still obtains of sacrificing an effigy, in lieu of a living man. The effigy, a foot long, is made of dried milk (khira), and sacrified according to the formula laid down in the Kalika Purana the only addition being a few mantras designed typically to vivify the image. A friend of mine, Babu Hemachandra Ker, Deputy Magistrate of twenty four Pergunnahs and author of an excellent work on the culture of Jute in Bengal informs me that in the eastern districts of Bengal this sacrifice is frequently performed; but the image instead of being slaughtered by a single individual, is cut up simultaneously by all the grown up members of the family, either with separate knives, or with a single knife held jointly by all. This is known by the name of Satruball or " sacrifice of any enemy ". The sacrifice, both in the case of Nara Bali and the Satru Bali is performed secretly, generally at midnight. The Satrubali, however, is a distinct rite, apart from the Narabali of the Kalika Purana, and authority for it occurs in the Vrihannila Tantra, in which it is said, after performing certain other rites therein described, "a king should sacrifice his enemy (in an effigy) made with dried milk (khira). He should slaughter it himself, looking at it with a fiery glance, striking deep, and dividing it into two with a single stroke. This should be done after infusing life into it by the rite of Prana Pratishtha, and repeating the name of the person to be destroyed. O consort of Mahesa, he doubtless destroys thereby his enemies."

   Now the important point to note in this connection is that Kali is the wife of Shiva. The question that arises is does Shiva accept animal sacrifice ? The answer to this question is that at one time Shiva did live on animal sacrifice. This statement may come as a surprise to the present day worshippers of Shiva. But it is a fact and those who need any evidence in support of it, have only to refer to the Ashvalayan Grihya-Sutra which gives a most elaborate description of a bull-sacrifice for the appeasement of Shiva. I give below the actual text from the Ashavalayan Grihya Sutra[f86]. This is what it says:

1. Now the spit-ox (sacrificed to Rudra).

2. In autumn or in spring, under the (Nakshatra) Ardra.

3. The vest of his herd.

4. (An ox) which is neither leprous nor speckled.

5. One with black spots, according to some.

6. If he likes, a black one, if its colour incline to copper-colour.

7. He sprinkles it with water, into which he has thrown rice and barley.

8. From head to tail.

9. With (the formula), "Grow up, agreeable to Rudra the great god'.

10. He should let it grow up. When it has cut its teeth, or when it has become a bull.

11. To a quarter (of the horizon) which is sacrificially pure.

12. At a place which cannot be seen from the village.

13. After midnight.

14. According to some, after sunrise.

15. Having caused a Brahman who is versed in learning and knows the practice (of this sacrifice), to sit down, having driven a fresh branch with leaves into the ground as a sacrificial post, (having taken) two creeping plants or two kusa ropes as two girdles, and having wound the one round the sacrificial post, and tied the other round the middle of the animal's head, he binds it to the sacrificial post or to the girdle (which he had tied to that post) with (the formula), ' Agreeable to him to whom adoration (is brought), I bind thee '.

16. The sprinkling with water and what follows is the same as at the animal sacrifice.

17. We shall state what is different.

18. Let him sacrifice the omentum with the Patri or with a leaf-thus it is understood (in the Sruti).

 

19. With (the formula), ' To Hara, Mrida, Sarva, Siva, Bhava, Mahadcva, Ugra, Bhima, Pasu-pati, Rudra, Sankara, Isanasvaha'!

20. Or with the last six (parts of that formula).

21. Or with (the formula). 'To Rudra svaha'!

22. Let him make Bali offerings towards the four quarters (of the horizon, to each on four rings of Kusa net-work, with the formulas), "The hosts, Rudra, which thou hast towards the estern direction, to them this (offering is brought). Adoration to thee! Do no harm to me ! ' In this way the assigning (of the offerings is performed) according to the different quarters (of the horizon).

23. With the following four hymns he should worship the four quarters, viz., 'what shall we do Rudra," 'These prayers to Rudra,' 'To thee, 0 father, "These songs to Rudra with the strong bow. '(Rig-Veda 1, 43, 1 14; II,;33; VII, 46).

24. (This) worship to the quarters (of the horizon (is performed) at all sacrifices to Rudra.

25. The husks and chaff (of the rice), the tail, the skin, the head, the feet (of the sacrificial animal) he should throw into the fire.

26. He should turn the skin to some use according to Samvatya.

27. To the north of the fire, on rows of Darbha grass, or on rings of Kusa network, he should pour out the blood (of the sacrificial animal) with (the formula) 'Hissing ones! Noisy ones! Searching ones ! Seizing ones ! Serpents ! What here belongs to you, take that.'

28. Then, turning to the north (he assigns it) to the serpents (in the words) 'Hissing ones! What here belongs to you take that'.

Then the serpents take whatever has flowed down there of blood or of the contents of Stomach and entrails.

29. All names, all hosts, all exaltations belong to him—to a sacrificer who knows that, he gives joy.

30. Even to a man who only with words sets forth (some part) of that (ceremony), he will do no harm: thus it is understood (in the Sruti).

31. He should not partake of that (sacrifice).

32. They should not take anything belonging to it into the village. For this God will do harm to (human) creatures.

33. He should keep away his people from the vicinity (of the place where he has sacrificed).

34. On an express injunction, however, he should partake (of that sacrificial food) for it will bring luck.

35. This split-ox sacrifice procures wealth, (open) space, purity, sons, cattle, long life, splendour. 36. After he has sacrificed, he should let loose another (animal).

37. He should not be without such an animal.

38. Then he will not be without cattle—thus it is understood (in the Sruti).

39. Muttering the Santatiya hymn, he should go to his house.

40. If disease befalls his cattle, he should sacrifice to that same God in the midst of his cow-stable.

41. A mess of cooked food, which he sacrificed in its entirety.

42. Having thrown the sacrificial grass and the Agya into the fire, he should lead his cows through the smoke.

43. Murmuring the Santatiya hymn, he should go in the midst of his cattle.

44. Adoration to Saunaka ; Adoration to Saunaka! " Today Shiva does not accept animal sacrifice. This change in the form of worship of Shiva is the result of the acceptance by the principle of Ahimsa. Having changed from hirnsa to Ahimsathe Brahmans changed Shiva from a Himsak God to an Ahimsak God. The cult of Kali has come into being long after Shiva had become an Ahimsak God. Never the less Kali his wife was made an himsak Goddess. The result is that we have a cruel contrast of a bloodless god having a blood-thirsty Goddess as his wife. Isn't it a riddle? Why did the Brahmins do such a thing?

 

                                                                                            APPENDIX

 [f1]1 Muir Sanskrit Texts Vol. III. p. 6.

 [f2]1 Atharva-Veda XIX 54. 3. Quoted in Muir S. 1. III. p. 4.

 [f3]2 Atharva-Veda X 7.14 quoted in Muir S. 1. III. p. .1.

 [f4]3 Muir S. T. III. p. 4.

 [f5]1 Muir Sanskrit Texts, III. p. 5.

 [f6]2 Ibid, p. 8

 [f7]1 Muir 1. pp. 9-10.

 [f8]2 Ibid. p. 8.

 [f9]3 Ibid. p. 10.

 [f10]4 lbid. p. 10.

 [f11]1 lbid. p. 5.

 [f12]2 Muir Vol. 1. p. 8.

 [f13]3 Ibid. p. 9.

 [f14]1 Ibid. p. 6.

 [f15]2 Ibid. p. 7.

 [f16]1 Muir Vol. 1. p. 11.

 [f17]2 Ibid. p. II.

 [f18]1 Ibid. p. 14

 [f19]1 According to Max Muller the period of the Dharma Sutras was sometime between 600 and 200 B.C.

 [f20]Muir. Sanskrit Texts. Vol. III (Page not entioned).

 [f21]2 Sarva Darshan Sangraha p. 10.

 [f22]Sarva Darshun Sangraha (Page not mentioned).

 [f23]1 Muir III, p. 113

 [f24]1 Muir III. p. 77.

 [f25]2 Muir III. p. 80.

 [f26]1 Some may dispute this on the ground that the word Veda includes " Brahamana " also. This of course is a fact. But it seems to me that Manu uses the term Shruti in a restricted sense so as to exclude the Brahmanas. This is supported by the fact that there is in the Manu Smriti no reference to the Brahamanas except in one place (iv. 100) where he says that only the Mantra portion need be studied

 [f27]2 On this subject see the illuminating article by Prof  Altekar on "The position of Smritis as a source of Dharma. in the Kane Memorial Volume. pp. 18-25.

 [f28]1 Muir Sanskrit Texts, Vol. III. p. 27

 [f29]2 Ibid.. p. 28.

 [f30]Quoted by Muir. Vol. III.

 [f31]Quoted by Muir. Vol. III.

 [f32]5 For  further discussion on Smarth Dharma and Tantrik Dharma, please see Appendices IV & V of this Pan.—Editors.

 [f33]The Upanishads (S.B.E.) Vol. I. Introduction, p. I.XXXVI

 [f34]1 Sacred Books of the East Vol. II p. 275.

 [f35]History of Dharma Sastra Vol. II. Part-1. p. 52. 

 [f36]See Badarayana Sutra 2 and Shankara's comment on it.

 [f37]2 See Badarayana Sutra 3 and Shankara's comment

 [f38]1 See Biidarayuna Sutra 4,

 [f39]See Biidarayuna Sutra 5,

 [f40]See Biidarayuna Sutra 6 and Shankara's commentory,

 [f41]See Biidarayuna Sutra 7,

 [f42]See Biidarayuna Sutra 8,

 [f43]See Biidarayuna Sutra 9,

 [f44]See Biidarayuna Sutra 12,

 [f45]1 See Badarayana Sutra 15

 [f46]2 See Badarayana Sutra 16.

 [f47]3 Sec Badarayana Sutra 17.

 [f48]Vishnu Purana. Muir.lbid. p. 392.

 [f49]1 Mahabharata quoted in Muir IV p. 192.

 [f50]2 Mahabharata quoted in Muir IV p. 199.

 [f51]1 See Vishnu Sahasranama.

 [f52]2 They are mentioned in the Padma Purana.

 [f53]lbid.

 [f54]Moore's. Hindu Pantheon pp. 40-41.

 [f55]This story is told in Vishnu Agama and is quoted in Moore's Hindu Pantheon pp. 19-20.

1 Rig-Veda iii. 99: X 52 : 6, Vaj, S. 33. 7. Muir V. p. 12.  [f56]

 [f57]2 Rig-Veda 1, 139. II. iii, 6. 9: VIII 28.1. VIII 30.2. VIII 35.

 [f58]3. Muir V. p. 10. 3 S. B. IV 5. 7, 2, Muir V, p. II.

 [f59]1 Shravaka means a disciple.

 [f60]2 Mendicants following special rules with regard to livelihood

 [f61]3 Mendicants who are free from all ties and hindrances

 [f62]Mendicants who twist their hair on the head.

 [f63]5 Mendicants who escape from society

 [f64]6 Vratikas means a devotee

 [f65]7 Elephant.

 [f66]Horse.

 [f67]Cow.

 [f68]Dog.

 [f69]Crow.

 [f70]Bhagwat Purana quoted in Chapter IV pp. 379-80.

 [f71]1 Quoted in Muir IV. p. .383-84.

 [f72]1 Summarised in Satyartha Prakash

 [f73]On this point see references in Muir IV pp. 49.

 [f74]Muir IV pp. 273-74.

 [f75]Quoted in Muir  p.

 [f76]1Quoted in Wilkins "Hindu Mythology" pp. 290-91.

 [f77]1 Wilkins pp. 289-90.

 [f78]Quoted in Wilkins pp 306-07.

 [f79]1Wilkins lbid.. pp. 313.

 [f80]Wilkins lbid.. pp. 302-306.

 [f81]1 Rajendralal Mitra Indo-Aryans Vol. pp. 405-6.

 [f82]Quoted by Avalon in his principles of Tantra Part-I. Introduction p. XXXVIII.

 [f83]Quoted by Rajendralal Mitra in Indo-Aryans Vol. p.

 [f84]1 The chapter is translated in English by Mr. W. C. Blaquiere and will be found in the Asiatic Researches vol.     pp.

 [f85]Indo-Aryans Vol. II. pp. 109-111

CID asked to probe Nandigram cases

TNN | Sep 30, 2011, 11.48AM IST
KOLKATA: Calcutta high court on Thursday directed CID to investigate the case on seven persons missing from Nandigram since 2007.
Following a habeus corpus petition filed by Anjali Singh and six others whose husbands were missing since November 11, 2007, the bench of Chief Justice J N Patel and Justice A K Ray ordered the CID to investigate the case and file a report in court on November 18.
The case came up for hearing on September 15. The petition stated that on November 11, 2007 , the people of Nandigram partook in a rally by theBhumi Ucched Protirod Committee. It was alleged that CPM-backed criminals fired at the rally after which 42 persons went missing. Later, most of them returned but seven did not. The petition sought any information about their whereabouts.
The court had asked the SP, East Midnapur to file a status report on the case on September 28, 2011
. Though the SP filed the report but no step was taken. On Thursday, the SP filed his report stating no positive steps had yet been taken to trace those missing.
The court thus expressed its dissatisfaction over the SP's report and
asked CID to investigate the matter and file a report in court
.
State public procecutor informed the court that the CPI(M) government not being interested in tracing them, the case was not taken up.
http://timesofindia.indiatimes.com/city/kolkata-/CID-asked-to-probe-Nandigram-cases/articleshow/10180984.cms

Origin of Durga - The Mythology
*

Durga, a beautiful warrior seated upon a tiger.

Devi is the great goddess of the Hindus,the consort of Shiva and she is worshiped in various forms corresponding to her two aspects: benevolence and fierceness. She is Uma, "light"; Gauri, "yellow or brilliant"; Parvati, "the mountaineer"; and Jagatmata, "the-mother-of-the-world" in her milder guise. The terrible emanations are Durga "the inaccessible"; Kali, "the black"; Chandi, "the fierce"; and Bhairavi, "the terrible."


Descent of the Goddess

Durga, a beautiful warrior seated upon a tiger, was the first appearance of the great goddess. The circumstance of her miraculous arrival was the tyranny of the monster-demon Mahishasur, who through terrific austerities had acquired invincible strength. The gods were afraid of this water-buffalo bull because neither Vishnu nor Shiva could prevail against him. It seemed that the joint energy of Shakti was only capable of vanquishing Mahisha, and so it was the eighteen-armed Durga who went out to do battle.


Battlefield

She went to battle on her ferocious mount lion, armed with the weapons given to her by the other Gods. Durga is one of the angry and aggressive aspects of the goddess Shakti, whose role in Hindu mythology was to fight and conquer demons and also personify the Sakti or female aspect of any male deity. In the battle, she fought and killed the evil Mahishasura and restored heaven to the Gods. Since then the goddess is invoked for protection from the powers of evil. Durga Puja is observed in her honor, to celebrate her victory over evil.


Revered Mother

She has been worshiped from about 400 AD, but probably earlier, to the present. Her literary references are chiefly the Ramayana and Mahabharata, epic and Puranic texts, and she is mentioned by name in Vedic literature. In general, Durga is regarded in northern India as the gentle bride epitomizing family unity while in southern India she is revered more in her warrior aspect.



http://www.durga-puja.org/origin-of-durga-the-mythology.html

NDTV.com

Naxals send open letter to Mamata Banerjee

NDTV.com - ‎3 hours ago‎


Kolkata: West Bengal Chief Minister Mamata Banerjeeand Maoists seem set on a collision course. In an open letter to the chief minister, Maoists have said talks and anti-Maoist operations by joint forces cannot continue simultaneously - a tit for tat ...

RelatedMamata Banerjee »West Bengal »

Mamata and movie hall magic - after 20 years!IBNLive.com

Maoist interlocutor Sujato Bhadra meets Mamata BanerjeeNewstrack India

In Depth:Column : Mamatawins, Bengal losesFinancial Express

See all 67 sources »




Speaking at the event, the CM praised Kolkata Police for the good work they had done despite odds. She asked police to be more humane so that common people could get maximum relief.

"People should also be sympathetic towards the police who work day in and day out to control crime, manage traffic and make our lives easier to live," Mamata said.

Mamata praised the single-window system of the police for puja committees and said that 263 pujas had been added to the map. In future, more big pujas will feature on the map. after releasing two volumes of Kolkata Police magazine Protector and the puja guide maps at Town Hall.

The programme was also attended by union minister of state for health Sudip Bandyopadhyay and Kolkata mayor Sovan Chatterjee. This year's guide map also features Mamata Banerjee's painting of Ma Durga. has the imprint of Mamata Banerjee as a painter. She painted goddess Durga on the guide map.

With the Kolkata police having cracked some crucial cases of national importance, Mamata Banerjee said that they police have the will to be the best police force in India. Kolkata Police has already cracked a few cases of national importance.

"If there is a strong will in your heart, it will definitely turn into reality," she said.
On the other hand,Communist Party of India-Marxist (CPI-M) leader and former West Bengal chief minister Buddhadeb Bhattacharjee Thursday chose not to comment on the Singur land verdict, but attacked the state government for alleged atrocities on farmers.
Addressing a rally here in North 24-Parganas district, the CPI-M politburo member alleged that Chief Minister Mamata Banerjee's government was evicting peasants who had been given land title deeds by the erstwhile Left Front rulers.

"First, our party offices are being attacked and our workers severely beaten up. Then they are committing atrocities on the peasants as our workers in such a situation won't be in a position to defend the poor farmers," Bhattacharjee said.

"We had such apprehensions. Now there are disturbances in all the districts. There is a new situation now after the change of government. We have to take the poor people with us," he said.
"In Haroa (in North 24-Parganas), we had given title deeds for 5,000 acres of land to the poor. Now farmers are being forcibly thrown out of their land. How can we accept such things?" he said.

He added that only the communists and Left parties are fighting for the poor, while the ruling Trinamool Congress and the Congress are silent.

Bhattacharjee said even Left unions among bus, mini-bus and taxi workers were being targeted.
The Calcutta High Court Wednesday ruled the the Singur Land Rehabilitation and Development Act passed by the Trinamool government was valid and constitutional, paving the way for land acquired from farmers for Tata Motors' Nano project by the previous Left Front government to be returned to them.
State clears plan to expand IT infrastructure
Press Trust Of India / Kolkata October 01, 2011, 0:06 IST

The West Bengal Government on Friday cleared a plan to construct buildings as part of creating new infrastructure for expansion of the IT sector and creating 40,000 new jobs for the youth.
Welcoming the plan initiated by the Nabadiganta Industrial Township Authority, Chief Minister Mamata Banerjee on Friday said the buildings, once completed, would create 38 lakh sq ft space for use in sectors like the IT and ITES.


According to NASSCOM calculations, the new infrastructure would generate employment for 40,000 youths.
Banerjee said that 99-point clearance required for setting up an industry in the state has been reduced to only seven-point, and which is now available through a single window for the convenience of investors.
Completion of modernisation of the NSC Bose International Airport by March 2012 and setting up of a number of small airports in the state would strengthen the infrastructure, she observed.
The NDITA Chairman and Municipal Affairs Secretary Alapan Bandyopadhyay said that in a job-starved and space-starved environment, the mission to create thousands of jobs in a short span of time has been possible because of efforts of a dedicated team.
With about 75,000 men and women working in the IT sector in the state, addition of 40,000 jobs would expand the sector further, he said.
http://www.business-standard.com/india/news/state-clears-plan-to-expand-it-infrastructure-/451052/
West Bengal Chief Minister Mamata Banerjee said on Monday that killing of innocent people by the Maoists and lobbying for holding talks with her government by the red ultras could not go side by side. "Who has given the Maoists the right to kill people," asked the chief minister, while holding a rally here on Monday. Mamata held her first meeting here after becoming the chief minister.

Coming down heavily on the red ultras, which had recently killed three of her leaders in Jangalmahal, the chief minister said, "I am not against the idea of holding talks with the Maoists, but it is impossible for me to accept the double standards of the red ultras. On the one hand, they are killing innocent people and, on the other, they are trying to negotiate with our government.

This is not possible." Interestingly, immediately after taking over as chief minister, Mamata had set up a committee to consider the cases of political prisoners whom her government will release on the basis of recommendations of this committee.

Stop joint ops: Maoist's open letter to WB CM

CNN-IBN

0

inShare

Share on Tumblr

New Delhi: A Maoist leader has sent an open letter to West Bengal Chief Minister Mamata Banerjee expressing doubts over peace talks if the joint forces operations weren't withdrawn.
The letter signed by one Akaash, who claims to be CPI (M) spokesperson, said that Mamata Banerjee is now singing the same tune as her predecessor Buddhadeb Bhattacharjee.
He accused Trinamool Congress of resorting to violence and extortion in the Junglemahal area. He said although the state government claims that the joint forces operations are on hold, the paramilitary is still carrying on the operation of hunting down Maoists in a clandestine manner.
(Follow IBNLive.com on Facebook, on Twitter, on YouTube, and on Google+ for updates that you can share with your friends.)
#maoists #west bengal #mamata banerjee #Buddhadeb Bhattacharjee
http://ibnlive.in.com/news/stop-joint-ops-maoists-open-letter-to-wb-cm/189030-3.html
Bollywood and Tollywood to come together this Durga Puja
Paramita Ghosh, Hindustan Times
New Delhi, September 30, 2011  Email to Author
First Published: 22:52 IST(30/9/2011)
Last Updated: 22:57 IST(30/9/2011)
share more...
0 Comments          email    print

During Durga puja, most cultural secretaries of Puja committees all over Delhi are under pressure to do a 'twist'. Different from the African-American plantation dance of the '60s, this twist is a pressure to present Bengaliana with a difference - in idol-making, mandap decoration, programme
presentation - but with one constant: the 'Kolkata team' (of artistes, that is).
This Durga Puja (October 2-5) Navapalli Puja Samiti, Chittaranjan Park, will place the stage where Goddess Durga stands, "inside an iron hangar, instead of bamboo and the idol will have a peacock theme," points out cultural secretary Supratim Ghosh. The programme line-up includes performances by a strong contingent of vocalists from TV and Tollywood - Debojit Saha, a Sa Re Ga Ma Pa winner (Oct 2), Anupam Roy, singer of the Tollywood hit, Autograph, and local band Rishi.Inc, which has worked with AR Rahman (Oct 3), famous singer Antara Chowdhury, daughter of the legendary Salil Chowdhury (Oct 4) and Srabani Sen, sister of famous Rabindrasangeet exponent Indrani Sen (Oct 5).
Tradition gets equal play in these events. The Bengali Club Kashmere Gate puja, the oldest Durga puja in Delhi will host Tagore's Chandalika performed by a Kolkata troupe on Navami. Drama, however, says Samarendra Bose, Samiti chairman, is on the decline. "Earlier, local clubs would have drama competitions, now no one is able to devote time," he says. 'Local talent' (hyperbole for local kids), when they stage plays, dust out the same compositions - even the same Tagore productions - year after year.
This year, a few puja societies have suffered other pressures. Of the 13 pujas usually celebrated in Chittaranjan Park, Milan Samiti's puja is one of the biggest.
A Samiti member says the 'scene' is uncertain because of local apathy by a section of the RWA. "Tight budget, simple idol," is all that he would say.
East Delhi, another Bengali kasbah, however, is celebrating the festival with traditional fanfare. Kali Bari Mayur Vihar, Phase 1, to cater to the modern tastes, has roped in the anchor of a lifestyle show, and will showcase her singing talent. The "upcoming" Shaan (not the Bollywood singer), champ of a Bengali reality musical show will also do a show. Another highlight seems to be a look-back-and-reflect programme by local children on 50 years of Bollywood and Tollywood. The wood carving finish on the Durga idol will also be a big draw, promises its cultural secretary.
The idol at Pankha Road Banga Sammliani at Janakpuri, D block Institutional area, will really stand out in a tant (Bengali handloom) sari. Tant weavers from
Bengal will also be invited to give demos to visitors.
Bhog (food offerings to goddess that is offered back to devotees), as always, in all pandals will be served free of cost. Happy Puja!
http://www.hindustantimes.com/Bollywood-and-Tollywood-to-come-together-this-Durga-Puja/Article1-752081.aspx

100 pandals, galaxy of stars - Mumbai ready for Durga Puja


Updated on Friday, September 30, 2011, 16:01

Tags: Mumbai,  galaxy of stars,  Durga Puja 377 Mumbai: Star-studded Durga Puja festivities are set to begin in Mumbai and its suburbs at 100 marquees this year, with themes ranging from Anna Hazare`s anti-corruption movement to Rabindranath Tagore and Swami Vivekananda. Some organisers are splurging as much as Rs.20 million.


Up from last year`s 85 venues, 98 pandals will celebrate Durga Puja with pomp, where commoners will get a chance to rub shoulders with Bollywood personalities, this city being home to India`s entertainment industry.

"The puja organised by Rani Mukherji and Kajol, with a 15-ft idol, is air-conditioned and the stars and common devotees join together for the afternoon `prasad` in its cool comforts," said a smiling Prashant Kundu, a social worker running medical camps at various venues.



Playback singer Abhijeet Bhattacharya will host a star-studded mega-budget event at his Durga pandal in Andheri with a 21-ft tall idol, Kundu said, while Rani`s and Kajol`s celebrations are at Santacruz West.

Ace director Basu Chatterjee continues to be the moving force behind the Bandra Durga Puja, started many decades ago by legendary filmmaker Shakti Samanta.

Besides, yesteryear superstars Joy Mukherjee and Biswajeet also have their own Durga Puja mandals, or organising committees, in the western suburbs.

Puja will begin for five days Sunday and will see 1.2 million Bengalis in Mumbai and adjoining Thane plunge into religious and cultural festivities.

Major venues in Mumbai include Charni Road, Kalbadevi, Shivaji Park, Bandra, Kandivali, Chembur and Powai.

Nearly a dozen of them are organised on extensive budgets, ranging from Rs.5 million to Rs.20 million, while the rest are modestly estimated, ranging from Rs.400,000 to Rs.2 million, Kundu added.

Durga Puja by the Indian Air Force staff in their housing colony at Sion is on a shoe-string budget, with a 5-feet tall idol of Goddess Durga and home-cooked `prasad`.

The Pragati Club, Vasai, will showcase the life, times and works of Tagore at its marquee while its souvenir would be dedicated to Hazare and his recent anti-graft movement, said its president Dipak Biswas.

"This year, the 150th birth anniversary of Tagore draws to an end while Hazare has fired the imagination of the nation`s youth. After paying homage to Mahatma Gandhi on Oct 2, we shall begin our celebrations," Biswas, a retired scientist, told reporters.

While this year, most pandals in south Mumbai will display themes on Swami Vivekananda whose 150th birth anniversary begins next year, those in the north shall feature tableaux on the Nobel laureate Tagore.

All Durga Puja mandals organise free community lunches - `prasad` - in which all are welcome, while a host of cultural and entertainment programmes mark the evenings, said Biswas.

Only the Bengal Club`s Durga celebration at Shivaji Park will have all functions during the day, adhering to the noise pollution restrictions recommended by the Bombay High Court.

A large group of serving and retired commercial pilots will hold a modest puja, near Amitabh Bachchan`s bungalow at Juhu while Bengalis serving in the Indian Navy will celebrate at Navy Nagar, Colaba, south Mumbai.

The Ramkrishna Mission at Khar is the only venue where a pre-puberty girl is worshipped as Goddess Durga in a "Kumari Puja" on Ashtami Day, according to Kundu.

Thane district has major Durga Puja venues in Thane city, Vasai, Nalasopara, Bhayander and Navi Mumbai.

A few Bengali goldsmiths initiated the Durga Puja tradition here 91 years ago in 1920 and now it has become a major calendar event here in the country`s commercial capital.

Tight security measures have been implemented at all the marquees.

IANS
http://zeenews.india.com/entertainment/art-and-theatre/100-pandals-galaxy-of-stars-mumbai-ready-for-durga-puja_97433.htm

Check out! Durga Puja 2011 special recipes

Last updated on: September 30, 2011 16:56 IST

Share

this

Ask

Users

Write a

Comment

Print this

article

    Next

Supriyo Hazra/India Blooms News Service
Supriyo Hazra tells us just what dishes you must try out during the nine days of Durga Puja revelry and shares with us some lip-smacking recipes
There is perhaps no better time than Durga Puja to try out the delicacies that the Bengali palate has to offer.
Lights, colours, decorations and the high spirits are all incomplete without good food, especially the lip-smacking delicacies prepared during these days.
So if one is planning for the exact menu s/he can choose this year to make the season really exciting one then here are few tips that on can follow.
Mahasasthi: The festival commences with Mahashashti as pandals get the last minute touches to welcome visitors. While the organisers decorate the pandals with the colours that they consider to be the most exclusive one, in your home you can cook something really special to herald the festive mood right from the lunchtime.
So to start the day one may prefer to prepare some fulko luchi (a special Bengali fluffy bread) and along with it you may choose alur dam (potato curry), begun bhaja (friend brinjal) or easy looking cholar dal with a topping of coconut to make it really irresistible.
You may prefer to have this menu either for your lunch or your morning heavy breakfast. Even you cannot negate the importance of a beautifully decorated plate of luchi-alur dam for dinner, as it is the true choice of any Bengali person.
Mahasaptami: Bengalis are known for their association with rice. And during Puja one cannot think the menu to be complete without a proper preparation of rice. A Bengali mother will always be seen cooking some delicious Bangali Polau with Dal Pancharatna (pulse), Pabda macher jhol (Butter Fish Curry) and a plate full of chingrir malai curry (prawns).
Mahaashtami: On the day of Ashtami, Bengalis visit the pandal to offer anjali (special prayer) to the goddess. Traditionally on this day every Bengali household prepares vegetarian dishes.
Khichuri, mixed vegetable curry and Koraisutir (peas) chop, and spicy cauliflour slowly and silently finds a place in the plate of a Bengali on Ashatami.
Mahanabami: Nabami or the ninth day of the festival arrives with a mood of melancholy, as it is the last day before Dashami or the final day of the festival.  Nabami is marked by delicious foods and some mouth-watering preparations to make the day really interesting.
If you are really tired of having Bengali dishes all these days, it will not be a big mistake if you choose to change your option and prefer to add some Moglai preparations on your menu.
Mutton Biriyani, Chingri (prawns), Khasir Kasha Mangsho (mutton curry) and Pineapple chutney may feature your dinner before you leave with your family for a whole night 'trip' in various corners and pandals of Kolkata and return back late on Dasami morning.
Mahadasami: Dasami or the tenth day of the festival arrives with a mood of gloom and sadness as it is time for the Mother Goddess to leave earth and return back to her house in Kailash mountains. So after you return from the bishorjon (immersion of Godess at Ganges) you may select Chicken Fried Rice, Narikel Mocha, Rui macher Ganga - Jomuna (fish curry) to finish the day.
Sweets play an important part in any Bengali festival and Durga Puja being the most important event. Rasogolla, Khirer Chop, Sandesh, Kheer kwamola (citrus kheer), payesh and Kheer are always there to make your festival days more sweet and spicy.

Photographs: Reuters/India Blooms News Service
http://www.rediff.com/getahead/slide-show/slide-show-1-specials-check-out-durga-puja-2011-special-recipes/20110930.htm

After a hard battle, Durga Puja comes early to Singur

Prithvijit Mitra, TNN Sep 29, 2011, 01.06pm IST
29 Sep, 2011 07:09 PM
Only Durga Puja celebration will not help feeding the hungry mouths of Bengal. They will have to rise above this politics of self destruction initiated by Jyoti Basu and advise Mamata Banerjee to take West Bengal in the direction of Industrialization to meet the challenges of the 21st century. No country in the world has improved their lot only through agriculture.Industry and agriculture have to exist side by side. With the exit of the Tatas Mamata can very well come out of her day dream that Industrialists will come forward to invest in her state. So, the best she can do now to gain confidence of the industrialists is to enforce strict work culture in the already existing industrial units in W.B and parallelly start opening all the industries that have been shut down by the Leftists. Give these closed industry owners compensations, help, encouragement,monetary benefits and above all create a favourable climate for a good work culture in all the industrial units , old and new in West Bengal. Only Durga Puja and Rabindra Sangeets will not help in the least,sorry but fact.
vkguptan@hotmail.com (Bangalore)
29 Sep, 2011 06:05 PM
From the tone of this news it looks that either the reporter is a 'Grass Root' or he had copy-pasted one he got on the net from the same roots. In all probability the case will go to Supreme Court and by the time the land can be occuppied will be another two years in the least. Till then it is only Bongo Bongo. If the 'Grass Roots' had not launched all those agitations and lankars where free food was served Nanos would have been coming out in thousands and most of those families whose land was taken would have got a job and they could have lived better. Now there are no jobs and no land to till. And no 'free kitchens' to feed the hungry. Why the free kitchens were wound up? Why it was not continued till the farmers could grow their crops and make a living. The fools have been taken for a ride and still they do not understand. If Tatas had established their plant the whole area would have improved. Apart from the oratory the great lady of grass roots will not deliver anything. Oh Singurians you will ger ample time to regret.
jaagte raho (india) replies to vkguptan@hotmail.com
29 Sep, 2011 07:21 PM
There is little understanding on part of the writer who have just known Slave mentality and having a JOB. while economic progress coupled with Industrialisation is good,it cannot be forgotten that Independence is a cherished emotion that cannot be sacrificed. If the land owners are happy to retain their land, why should it be denied to them?
vkguptan@hotmail.com replies to jaagte raho
30 Sep, 2011 08:00 AM
It is just a mirage to think that land will give consistent sustenance to a family for years and years. And that is true for small land holders. When the family members increases the land for each individual decreases and it becomes insufficient to give enough for all the members. The land goes on decreasing. If one is having acres and acres he can maintain it as an agricultural industry as in US. But not for one with "Do Bigha Zameen". As regards compensation, I agree. The farmers should be given proper price for the land. Didi is just a street smart politician with the only aim of toppling Communists. Just what CIA wants.
Sb (bbs)
29 Sep, 2011 05:52 PM
Odisha Govt should learn from this. The Govt should should not take the land of any body forcefully. It is not acceptable in a democratice country. Now people have started faith in our judiciary.. Jai Ho....
Sathya Narayana (Panagarh)
29 Sep, 2011 04:44 PM
West Bengal is worst Bengal, here Bengali people does want to work,lazy, they want taka (money) with out hard work, that's why in each street of this state we can find prostitution, poverty line, it very common to find people holding red flag protesting against good for nothing,if they find any out station people they will loot, beware of bengali dada, they knew that u r new to this station and they know u r weakness, i don't know what mamta didi is doing?, pl didi vist Panagarh see your roads, if any pregnant lady is travelling in that road, she will deliver on that road it self, thank god you r spinster, otherwise the same would have happen to you, i pity to west bengal bakwas state.
WhatrudoininPngrh (USA) replies to Sathya Narayana
29 Sep, 2011 08:12 PM
If West Bengal is bakwaas and you have to emigrate there, your own place must be super-bakwaas filled with prostitutes,poor and BIG TIME losers like you.
Sathya Narayana replies to WhatrudoininPngrh
30 Sep, 2011 09:33 AM
R U BENGALI DADA, EMIGRATE TO USA, I CAN MAKE OUT YOU BY NOT GIVING ANY IDENTITY, DADA PLEASE VISIT TO THIS PLACE AFTER THAT U CAN COMMENT ON THIS,PLEASE DON'T MAKE USA OR YOUR COLONY SUPER HI FI BAKWAS, SO THAT, AMERICAN START THROWING YOU OUT.
WhatrudoininPngrh replies to Sathya Narayana
30 Sep, 2011 06:31 PM
Awwwww..that hurt you...tsk,tsk. and you took it out on your caps lock button...nice!...brave man!! Listen, there are bakwaas and nice places everywhere, every state. Try to think less in generalized and regional terms and the world will treat you better.
Sunirmal (kolkata) replies to Sathya Narayana
29 Sep, 2011 06:00 PM
It is only in soft land of Bengal, where you have been earning your bread can dare to rebuke Bengali. You ask your statehood brothers who have occupied high way road by spreading their junks of motor parts taken in auction from CVD creating big traffic jam to vacate their unauthorised occupation of High way land, You people are obstructing NH authorities to make two ways and rebuking bengali. Shame to you.
Sathya Narayana replies to Sunirmal
30 Sep, 2011 09:45 AM
My dear i am not from your state i had been roaming all over India, i find this place is one of the worst place in India, what u r saying absolutely right, the same you should educate,convince your brotherhood, i hope u had faced the traffic jam botherthing
Samir Ghosh (Nagpur)
29 Sep, 2011 03:37 PM
If Tata & the ancillary units owners loses money in Singur, then it is curtain off for West Bengal industrialization. No one from outside the state will venture to invest, thus leaving Bengal on the mercy of marwari businessmen & industrialist who have looted Bengal all these years. In 34 years of CPM rule, people who made wealth are many CPM leaders and their supporters, and the marwari business community.
http://articles.timesofindia.indiatimes.com/2011-09-29/kolkata/30217622_1_singur-durga-puja-tata-motors-factory

Fully booked: Puja high for Bengal tourism

IANS Sep 28, 2011, 01.53pm IST

Tags:


(Fully booked: Puja high for Bengal tourism (Thinkstock photos/Getty Images))

Private operators and hoteliers are ecstatic over full bookings for the coming festive season, heralded in West Bengal by Durga Puja, an occasion that draws hundreds of expatriates back home.

"This puja we hope to do better business than in the last three years. All the hotels and tourist destinations are fully booked. It is a chock-a-block situation this year," said an elated Raj Basu, chairman, Eastern Himalayas Travel and Tour Operators' Association (Ehttoa).

The usual tourist destinations in north Bengal are the hill towns of Darjeeling, often referred to as the Queen of the Hills, Kalimpong and Kurseong, apart from forests in Jaldapara, Dooars and Gorumara.
Sunderbans, the world's largest mangrove forest, with its wild beauty, Royal Bengal Tigers and winding boat rides also attracts a large number of visitors.
"As per recent reports, all hotel rooms are fully booked in the northern part of the state. Tour operators are having a tough time in adjusting the flow of tourists. The numbers have gone up substantially," said Deepak Parekh, member, Travel Agents Federation of India, eastern zone.
The tour operators are expecting a 75 per cent jump in tourist inflow to north Bengal compared to the last three years.
The signs are positive. North Bengal has escaped major damage in the quake, peace is back in Darjeeling and the government is formulating special packages for drawing tourists to the Sunderbans.
West Bengal becomes a popular tourist destination during October and November when around 100,000 foreigners and visitors from other parts of the country turn up in the state to drench themselves in the spirit of autumnal festivities that include the five-day Durga Puja festival followed by Diwali and Kali Puja.
This year, Durga Puja begins Oct 2.
Darjeeling with its varied landscape and spectacular beauty has been a favourite and affordable destination not only for Bengalis but also for people across the globe.
Tourism in Darjeeling, which accounts for substantial revenues for the state tourism industry, has been badly hit since 2008 when the Gorkha Janmukti Morcha (GJM) revived a violent stir in support of forming a separate state of Gorkhaland.
Now the internationally famous hill resort is hoping to return to its good old days after the inking of a peace accord in July.
Parekh confessed that tour operators have been receiving hundreds of anxious calls about the conditions in Darjeeling from tourists who have done advance booking for the Durga Puja season after a 6.8-magnitude earthquake rocked large parts of northern and eastern India Sep
"We are monitoring the whole situation but as of now there have been no major cancellations," Parekh said. Basu said the rush of tourists for Durga Puja is scheduled to start Thursday.
Parekh's concerns were echoed by Jeet Pradhan of Janmukti Hotel Owners Association, the largest hotel association in North Bengal.
"Though there have been no major cancellations, we are concerned," said Pradhan.
During the month-long festive season, north Bengal hoteliers expect 15 days of full occupancy and 15 days of partial occupancy.
State Tourism Minister Rachpal Singh said nothing much should be read into the calls being made by tourists.
"Actually this is due to the temporary problem. Most of the roads have opened there and we are working tirelessly to repair the damage," said Singh.
With all schools and most of the offices closed during the four days of Puja, people prefer short tours to various destinations.
The Sunderbans affairs ministry is also rolling out the red carpet.
"We have ensured that more motor boats and launches are run during this season as a lot of tourists come just after Puja. This tourist season extends till the end of November. We have taken all steps for the security of the tourists," Sunderbans Development Minister Shyamal Mondol said.
"We are getting a good number of bookings for the post-Durga Puja season. Most of the house boat-type launches which house tourists during this season are fully booked," said Debjit, a tour operator.
Going by the slogan of Chief Minister Mamata Banerjee of turning Kolkata into London, the state tourism industry is introducing roofless double-decker buses, a hot air balloon service and helicopter services to attract more tourists.
"We are planning to bring 10 Volvo buses, two roofless double-decker buses during this Puja as special attraction. We are also planning hot air balloon services and helicopter services for the tourists," said Singh.

http://articles.timesofindia.indiatimes.com/2011-09-28/travel/30212431_1_durga-puja-tourist-destinations-bengal-tourism

DURGA PUJA

Trade thru Benapole halts for 6 days

 * *
Fri, Sep 30th, 2011 11:03 pm BdST

Dial 2000 from your GP mobile for latest news  


Benapole, Sep 30 (bdnews24.com) — Export and import of all kinds of goods but Hilsha through Benapole land port has come to a halt for six days, beginning Oct 2, on account of holidays in India and weekend closure back home.


Clearing agent association of the port's Indian side, Petrapole, informed its counterpart in Bangladesh about their five-day closure for Durga Puja and birth anniversary of Mahatma Gandhi in a letter.


The letter said activities at Petrapole port will remain suspended on Oct 2 on the account of the birth anniversary of Mahatma Gandhi and on Oct 3-5 for Durga Puja, the biggest festival of the Hindu community.


Benapole Clearing and Forwarding Agents' Association joint general secretary Jamal Hossain told bdnews24.com that the letter from the Petrapole Clearing Agent Association said activities for importing only Hilsha fish will continue during the holidays.


Benapole customs authorities have already been informed about the letter, he said.


Following the Indian vacation, export and import through the port will remain closed also on the sixth-day, on Oct 7, the weekend holiday in Bangladesh.


However, loading and unloading of goods inside Benapole port and travellers' crossing the border thorough the port will stay normal during the period.


"The crossing of travellers and loading-unloading will continue," said joint commissioner Azizur Rahman of Benapole customs.


Businessmen using the port fear that they would be affected by the six-day halt of export-import.


They also apprehend that the halt would create new crisis at the port as it is already facing a regular gridlock of goods-laden vehicles.


At least 90 percent of goods imported from India come through Benapole.


bdnews24.com/corr/qh/mi/trb/ssr/2240h


Air India to serve Bengali cuisine during Puja days

OUR BUREAU
SHARE  ·   PRINT   ·   T+  
Bengali cuisine is on display (file photo)
KOLKATA, SEPT. 30:
Frequent fliers who miss the sumptuous Bengali cuisine during the Duga Pujas will now have their dreams fulfilled. A Bengali feast in the sky is now a reality for them.
State-owned Air India is all set to offer a quintessential spread of cuisines from Bengal in all domestic flights and in some international ones during the Puja days. The cuisine will be introduced for three days starting Saptami (October 3).
Traditional Bengali delicacies such as Mangsher Kofta Curry (minced meatballs), macher korma (fish curry), deserts including the all favourite Misti Doi (sweetened yogurt) and Rajbhog (flavoured rasgullas ) will feature on both the lunch and dinner.
Mouth-watering Bengali snacks such as Mangsher Singara (samosas stuffed with minced meat) and jalebis will also find their way to the connoisseurs' plates.
"The basic idea is to recreate an atmosphere to attract passengers," a company spokesperson said.
To top it all, travellers will also experience a part of Bengal's famed hospitality. Food will be served in trays decked in traditional decor that include banana leaf mats. Specially designed menu-cards too will adorn these domestic and international flights.
In order to create an ambience of the Pujas, Air India ill also deck up its various booking counters as well as offer customised holiday packages for both domestic and international frequent fliers.
Keywords: Air India, Bengali cuisine,

LATEST IN THIS SECTION

Lloyd's Register scouting for partners in IndiaNYK, Evergreen, Hanjin Shipping to launch WIN weekly service between India and north AsiaPonnani port development to be taken up thru public-pvt routeHowrah-Dhanbad double-decker trainSpeedy clearance for chartered flight bringing customers for firms on card
http://www.thehindubusinessline.com/industry-and-economy/logistics/article2500768.ece

  2. Ahmedabad's Bengali association gears up to welcome Goddess Durga

  3. ‎
  4. Daily News & Analysis - 5 hours ago
  5. Widely celebrated in West Bengal, Durga Pooja marks the arrival of Goddess Durga at her father's place. The city will see several decorated mandals bearing ...
  6. How India Celebrates Dusshera?‎ Siliconindia.com
  7. all 13 news articles »

  9. Bollywood and Tollywood to come together this Durga Puja

  10. ‎
  11. Hindustan Times - 1 hour ago
  12. The Bengali Club Kashmere Gate puja, the oldest Durga puja in Delhi will host Tagore's Chandalika performed by a Kolkata troupe on Navami. ...

  14. Check out! Durga Puja 2011 special recipes

  15. ‎
  16. Rediff - 6 hours ago
  17. There is perhaps no better time than Durga Puja to try out the delicacies that theBengali palate has to offer. Lights, colours, decorations and the high ...
  18. Sugary 'sandesh' for a 'mishti' Puja‎ Times of India
  19. all 4 news articles »
    		20.  *

  20. Rediff

  22. Durga idol vies for record

  23. ‎
  24. Hindustan Times - 8 hours ago
  25. Durga Puja is slow but surely gaining more significance in the city. Although artists hailing from Bengal generally make Durga idols in Mumbai, ...
  26. 100 pandals, galaxy of stars - Mumbai ready for Durga Puja‎ Zee News
  27. Abhijeet Bhattacharya spreads the goodness of Durga Puja with ...‎ India PRwire (press release)
  28. all 5 news articles »
    		29.  *

  29. Zee News

  31. Fully booked: Durga Puja high for Bengal tourism

  32. ‎
  33. Times of India - 1 day ago
  34. KOLKATA: Private operators and hoteliers are ecstatic over full bookings for the coming festive season, heralded in West Bengal by Durga Puja, ...
  35. Now, catch Durga Puja online‎ IBNLive.com
  36. Pune's Bengalis gear up for Durga Puja‎ Daily News & Analysis
  37. Durga Puja - Mahalaya marks the beginning of festive mood (photo ...‎ Washington Bangla Radio
  38. Indian Express - Hindustan Times
  39. all 26 news articles »
    		40.  *

  40. Easy Destination Blog (blog)

  42. Fully booked: Puja high for Bengal tourism

  43. ‎
  44. Times of India - 2 days ago
  45. Private operators and hoteliers are ecstatic over full bookings for the coming festive season, heralded in West Bengal by Durga Puja, an occasion that draws ...
    		46.  *

  46. Zee News

  48. Youngsters' Navratri plans: 'We get home at 2 am!'

  49. ‎
  50. Rediff - Avni Mehrotra - 5 hours ago
  51. As Durga Puja is the main festival of Bengal and the North East, there is no need to explain how excited people are for the festival. ...
    		52.  *

  52. Rediff

  54. Bangalore gears up for Durga Pooja celebrations

  55. ‎
  56. Daily News & Analysis - Soumita Majumdar - 2 days ago
  57. Take Jayamahal Durga Puja, one of the oldest in the city, for example. Himadri Nandi, secretary of Jayamahal Bengali Association, informed that the Ashtami ...

  59. Bangaloreans prepares home-cooked food for Durga Pooja

  60. ‎
  61. Daily News & Analysis - 1 day ago
  62. ... bonhomie, and dream food—not necessarily in that order—are what Durga puja brings to the mind of almost every Bengali. Great food, home-style, ...
  63. Of luchi, rolls & roshogolla in Durga puja‎ Daily Bhaskar
  64. all 2 news articles »

  66. Puja questions

  67. ‎
  68. Economic Times (blog) - Bibek Debroy - 3 days ago
  69. This is the time when Durga Puja is celebrated, not just in Bengal, but throughout East India. There is a story about Durga killing the demon Mahishasura, ...
  70. City eagerly waits for Puja festivity‎ Times of India
  71. Firms vie for a slice of Bengal industry pie at Puja pandal‎ Livemint
  72. First Online Durga Puja Ever: Launched by MTS Kolkata‎ Calcutta Tube
  73. India Infoline.com - India Today
  74. all 51 news articles »
    		75.  *

  75. India Today


Keep up to date with these results:
Durga Puja, the most happening festival of the Bengalis can be sensed with its spurt of fanfare on all the four days of the Durga Puja festival. This autumnal festival popularly known as Sharodotsav, recalls the power of female Shakti symbolized by the Goddess Durga who slays asura to reestablish peace and sanctity on earth again. Bengalis all over the world during these days of Durga Puja rejoice to their heart's content reconnecting with friends and relatives. Durga Puja is an occasion when the familiar sound of Dhak, Dhunuchi nachh,the mild fragrance of Shiuli, gives a familiar tug to every Bengali heart.

Durga Puja Countdown

Durga Puja Mahalaya

Durga Puja Date & Time 2011

*

*

*

The eagerly awaited "Puja" is at doorstep, Durga Puja 2011 countdown has begun!.......more

The traditional six day countdown to Mahasaptami starts from Mahalaya...more

The Durga Puja nirghonto gives you the exact date and time to perform durga puja.......... more

Durga Wallpaper

Mahalaya Bengali E-card

Kolkata Durga Puja 2010 Photo (Flash Back)

*

*

*

Wallpaper of the Goddess Durga to add value to your desktop... more

Send Mahalaya E-cards in Bengali text to your friends, relatives, and others ...more

You can enjoy looking at the most beautiful idol and the mostcreative pandals of Kolkata Durga Puja 2010 ......... more

Durga Puja Days

The Myth of Durga Puja

Durga Puja Preparations

*

*

*

Goddess Durga visits the earth for only four days .........more

The myths that tell you more about Goddess Durga where Durga symbolizes the divine power..... more

Months before the Durga Puja artisans start to breathe in life in the images of Durga......more

Durga Puja to a Bengali

Behind the Durga Puja

Durga Ashtottara Satnam

*

*

*

In Bengal Durga Puja is a nine day long celebration....

.....more

Important people who are behind the glory of the festival........ more

Durga Ashtottara Satnam is the auspicious recitation of 108 names of Devi Durga by her devotees during Durga Puja or any other day...

..... more

108 names of Devi Durga

Meaning of Durga Puja

Durga Puja Rituals & Accessories

*

*

*

The sloka of 108 popular names of Goddess Durga are daily recited by Her devotees ........more

Durga symbolises unity even in the psychic being of Man.....more

Rituals, part of all religious festivities are vital for Durga Puja celebrations......more

Durga Puja Mantras and Sound of Dhak

Durga Chalchitra

Maa Durga Kawach

*

*

*

Durga Puja Mantras, the integral part of every puja are accompanied by the rhythmic beatings of the dhak...more

"Chalchitra" is the painted background of Durga Idol,...

......more

A collection of 700 special shlokas assembled from the Markandey Purana......mor


http://www.bangalinet.com/durgapuja.htm
The Essentials of Durga Puja
*

The decorated puja platform with all the required essentials.

Specific items are needed for each day of Durga Puja. There is a detailed method to worshiping Goddess Durga that are mentioned in the scriptures. Items which are needed for the ritual worship of the goddess should be collected beforehand so that the ritual is performed smoothly. The list of essentials of Durga Puja are:


Items needed for Kalparambho, the ritual performed before the commencement of the puja and Mahasna:

Food Offerings : Panchashasha (grains of five types - rice, mung or whole green gram, til or sesame, mashkalai or any variety of whole black leguminous seed, job or millet), panchagobbo (five items obtained from the cow - milk, ghee or clarified butter, curd, cow dung and gomutra ), curd, honey, sugar, three big noibiddos , one small noibiddo, three bowls of madhupakka (a mixture of honey, curd, ghee and sugar for oblation), bhoger drobbadi (items for the feast), aaratir drobbadi mahasnan oil, dantokashtho, sugar cane juice, an earthen bowl of atop (a type of rice), til toilo (sesame oil).


Water Offerings: Ushnodok (lukewarm water), coconut water, sarbooushodhi , mahaoushodhi, water from oceans, rain water, spring water, water containing lotus pollen.


Puja Items: Sindur (vermillion), panchabarner guri (powders of five different colours - turmeric, rice, kusum flowers or red aabir, rice chaff or coconut fibre burnt for the dark colour, bel patra or powdered wood apple leaves), panchapallab (leaves of five trees - mango, pakur or a species of fig, banyan, betal and Joggodumur or fig), pancha ratna (five types of gems - gold, diamond, sapphire, ruby and pearl), panchakoshay (bark of five trees - jaam, shimul, berela, kool, bokul powdered in equal portions and mixed with water), green coconut with stalk, three aashonanguriuk (finger ring made of kusha).


Cloth Offerings: Gamcha or a piece of cloth to cover the pot, a dhoti for Vishnu, a sari each for bodhon and Chandi.


Decorative Items : Ghat or a pot, kundohari , a mirror, four arrows, tekatha or a triangular frame of wood, horitoki flowers (myrobalan), chandmala (garland with circular decorations), aashon (a mattress of jute or hay).


Other Items : Water camphor and perfumed sandal wood paste. soil - extracted from elephant tusks, from the teeth of the pig, from the horns of the ox, from the bank of rivers Ganga and Saraswati, from both the banks of a river, from a place where four roads intersect, from palaces, from the ant hill, from the mountains, Vishnu toilo.


Items needed for the Shashthi puja of Goddess Durga:

Food Offerings: A stem of wood apple with fruits, green coconut with stalk, an earthen bowl full of atop, three bowls of madhupakka, sesame seeds, curd, honey, clarified butter, sugar, three big noibiddos, one small noibiddo, bhoger drobbadi, aaratir drobbadi, grain, fruits, one dozen bananas with a single stem, white mustard seeds.


Puja Items : A pot, four arrows two ashonanguriuk, panchapallab, pancha ratna, panchashasha, panchagobbo, tekatha, dubba grass, sindur, swastik pituli, conch shell, kajol (corrilium), gorachana, yellow thread, chamor, a fly-whisk made of yak's tail used for fanning, earthen lamps, panch pradip for arati.


Cloth Offerings: Gamcha to cover the pot, a dhoti for the wood apple tree, a sari for bodhon, one sari for amontron.


Decorative Items: Myrobalan, flowers, chandmala, adibas oil, turmeric, soil from the bank of river Ganga, perfume, stone, gold, silver, copper, iron, mirror and alta.


Items Needed For Saptami Puja of Goddess Durga:

Food Offerings: Sesame seeds, myrobalan, flowers, two earthen bowls full of atop, green coconut with stalk, wood apple leaves, white mustard, madhupakka (40 or 22 bowls), honey, sugar, noibiddos (40 or 22), one main noibiddo, fruits, items for bhog.


Puja Items: Jute ropes, red thread, alta, four finger rings, four yadnyopaveet, a pot, a mirror, a tekatha, sandalwood, mashkolai, hibiscus flower, small noibiddo, one big earthen lamp, panchapallab, pancha ratna, panchashasha, panchaguri, vermillion, items for arati, items for the yadnya - sand, wood, dry khorke grass, cowdung, kusha grass, ghee, 108 bel leaves and a bowl.


Cloth Offerings: Clothes for the Pundit, a piece of cloth, gamcha for arati, 40 or 22 finger rings made of kusha, sari for nabapatrika, one sari for the main puja, saris for Durga, Lakshmi, Saraswati, Chandi, dhoti for Kartik, Ganesh, Shiva, Vishnu, clothes for nine planets, clothes for peacock, mouse, lion, demon, buffalo, ox, snake, chandmala, a nosering, iron, conch shell.


Plants and flowers offerings: Flower garland, belpatra garland, Banana plant, turmeric plant, colacassia plant, wood apple stem, pomegranate stem, a stem of Jayanti plant, arum plant, rice plant, ashoka stem, twigs of white aparajita plant, two banana stems.


Items needed for Ashtami Puja of Goddess Durga:

Food Offerings : Fruits, items for bhog, items for arati, 40 or 22 bowls of madhupakka, honey, sugar, curd, ghee, 40 or 22 noibiddos, four small noibiddos.

Cloth Offerings : One sari for Durga, new clothes for Lakshmi, Saraswati, Chandi, Kartik, Ganesh, Shiva, Vishnu, nine planets, the peacock, mouse, lion, demon, buffalo, ox, snake, Jaya, Bijoya and Ram.

Puja Items : One dantakashto, 40 or 22 finger rings made of kusha, one nosering, iron, two conch shells, a box of vermillion, flowers, a garland, belpatra garland, one chandmala, one ghoti.

For Sandhi Puja - Flowers, gold ring, a bronze bowl for madhupakka, a small sari, main noibiddo, one small noibiddo, one plate, one pitcher, iron, one nosering, one pillow, a mat, a chandmala, 108 earthen lamps, items for bhog, and items for the arati .


Items needed for Nabami and Dashami Pujas:

Food Offerings : Betel leaves, pan masala, 40 or 22 bowls of madhupakka, honey, sugar, curd, ghee, 40 or 22 noibiddos, four small noibiddos.


Cloth Offerings : Clothes for Lakshmi, Saraswati, Chandi, Kartik, Ganesh, Shiva, Vishnu, the nine planets, the peacock, mouse, lion, demon, buffalo, ox, snake, Jaya, Bijoya and Ram, one dantakashto , one sari for the main puja.


Puja Items: Flowers, 40 or 22 finger rings made of kusha, one ghoti , one nosering, iron, two conch shells, a box of vermillion, flower garland, belpatra garland, a chandmala, one plate, items needed for the yadnya (fire sacrifice), bel leaves, gift for the Purohit.


For the Dashami puja - Perfume, flowers, durba grass, basil leaves, bel leaves, incense sticks, an earthen lamp, noibiddo, curd, murki, sweets and items needed for arati.


http://www.durga-puja.org/the-essentials-of-durga-puja.html
The Bengalee Belief
*

The beautiful Bengali decoration surrounding the majestic warrior.

Sati, the consort of Shiva was the daughter of Daksha Prajaapati a descendant of Bhrama. Sati had married Shiva against the wishes of her father. Daksha was sponsoring a sacrifice and attendees came from various parts of the universe. He invited all of the gods and goddesses except his son in law Shiva. Against Shiva's wishes, Sati attended this sacrifice and was insulted by her father. Unable to bear this insult, Sati immolated herself.


Enraged at the insult and the injury, Shiva destroyed Daksha's sacrifice, cut off Daksha's head and when pleaded by other gods, replaced it with that of a goat and restored him to life. Still berserk with grief, he picked up the remains of Sati's body, and danced the dance of destruction throughout the Universe. The other gods intervened to stop this dance, and the disk of Vishnu cut through the corpse of Sati, whose various parts of the body fell at several spots all through the Indian subcontinent and formed the sites of what are known as Shakti Peethas today.


Shiva was finally pacified when the last piece fell off from his shoulder. Narayana revived sati as Uma for a new life. Ever since peace was restored, Uma, with her children, Ganesh and Kartick, and with her two 'sakhis' - Jaya and Bijaya, comes to visit her parent's home each year during the season of 'Sharat' or autumn when Durga Puja is celebrated.

http://www.durga-puja.org/the-bengalee-belief.html

DURGA PUJA


Conventional Bengali Durga image with all five Gods and Goddesses and Mahisasura under one structure. This is known as "ek-chala" (ek=one, chala=cover).


Durga Puja is the biggest festival in Bengal. This is also known as Dussehra and Navaratriin other parts of India. Durga is the Goddess of divine power against all evils.  The story goes that Mahisasur, the Buffalo Demon, through years of praying, received blessing fromLord Brahma, that no power can kill him which means he is invincible. But once gaining this power he started ravaging the whole world and killing people. And finally he wanted to uproot the Gods too. The Gods, in dismay, combined their powers to create a beautiful maiden, and each placed his or her most potent weapon in one of her ten hands riding a lion. Her return in each year in the Bengali month of Aswin (September-October) commemorates Rama's invocation of the goddess Durga before he went into battle with Ravana. The traditional image of the Bengali Durga follows the iconographic injunctions of the Shastras. It is similar to the Durga of Aihole and of Mahabalipuram (seventh century). The tableau of Durga with her four children - Kartik, Ganesh, Saraswati and Lakshmi, representing respectively  the Protector, the Initiator of the puja, Knowledge and the Provider - signifies the complete manifestation of the goddess.

In some cases, the images are made as separate pieces.

Another legend has it that Lord Rama went to rescue his abducted wife Sita from the grip of Ravana, the king of the demons in Lanka. Before starting for his battle with Ravana, Rama wanted the blessings of Devi Durga. Pleased with Rama's devotion, Durga appeared before him and blessed him. The battle started on the saptami and Ravana was finally killed on thesandhikshan i.e. the crossover period between ashtami and navami and was cremated ondashami. Since the period of this worship was different from the conventional festival time of spring or basant, this puja is also known as akal-bodhan or worship (bodhan) in an unconventional time (a-kaal).

Interior decoration of a pandal. It is tough to believe that these intricate designs are built to stay only for a week.

Every pandal is unique in patterns which makes it worth walking miles after miles to watch these innovative designs.

       Festival preparations begin a month or two in advance. Employees of different Govt. and private organizations get extra money as Puja bonus to enjoy the festival. If not, then processions and posters press the demand for Puja bonus, as the bread-winner has to meet many demands for new clothes and furbishing for the home. Businesses have special advertisement campaigns before Puja and stock themselves with special products. Pre-Puja bargain sales and exhibitions introduce the sartorial style for the coming year. Bengali newspapers and magazines publish special issues "Sharad Sankhya" - the platform  for many budding author, besides the works by well-known writers. Music companies have a number of new discs and cassettes published in every Puja and the music lovers await eagerly for the new releases.

                            The festival starts with Mahalaya, the first phase of the waxing moon in Aswin. Thousands offer prayers to their ancestors at the city's river banks (ghats), a ritual called Tarpan.  A special pre-dawn program of readings from the Chandi and Aagamanisongs welcoming the goddess are relayed by All-India Radio. This traditional program, conceived by Birendrakrishna Bhadra, has become an institution: a chorus of protests led to its restoration after a change was attempted one year.

http://www.calcuttaweb.com/puja/

One pandal in North Calcutta from outside.

Another one in South Calcutta.

The festive mood builds up as Dhakis (drummers) from the countryside starts gathering near the city. They beat feathered drums to attract the attention of local Puja organizers. The first recorded Durga Puja seems to have taken place in Nadia district in or around 1606. In those days it was more of a family festival for the rich or landlords. The oldest Puja in Calcutta, as some believes, was used to be the family Puja of Sabarna Chaudhury of Barisha which dates back to 1610. The first publicly organized puja happened in Guptipara of Hoogli district when twelve men were stopped from taking part in a household puja. They formed a twelve man committee and held a puja. Since then these kind of puja arrangement is known as barowari ( baro - twelve, yar- friend). Later the term 'barowari' was replaced by 'sarbojonin' ( for all men and women). The first community puja in Calcutta was held at Balaram Bose Ghat Road in 1910.

The construction of images start months back. Kumartuli, a place in north Calcutta, is famous as a place for expert artisans who uses clay modeling to build the images of Durga, Mahisasur, Kartick, Ganesh, Saraswati and Lakshmi. This is a wonderful form of art and part of a deep rooted culture. In the recent years, eminent personalities from the painting and sculpture world also did lots of creative work on Durga images. Another group of people starts building a pandal ( a covered huge stage ) with paper, wood, bamboos, clothes and other materials. They come up with beautiful structures , most of the times they are so beautiful and real that, it tough to believe that these are made for only couple of days or a week. Some constructions are built as replica of world famous structures.

The inauguration starts on Mahashasthi. The main puja is for three days - Mahasaptami, Mahaastami, Mahanavami. The puja rituals are long and very detailed and complicated. Three days of Mantras and Shlokas and Arati and offerings - needs an expert priest to do this kind of Puja. Because of these facts, the number of Pujas held in the family has reduced and Durga Puja has mostly emerged as a community festival. The city of Calcutta takes a different look during these three days, specially at night. Millions of people come to the city and line up before the pandals. The streets are lighted and the electricians display all different kind of light shows. The restaurants are packed and numerous temporary food stalls are opened though out the city. Special trains, buses are available; underground metro rail runs beyond regular schedule. People from suburban areas come into the city and roam around  through out the nights.

Schools, colleges, offices remain closed during these four days. Some people use the holidays to go out for sight seeing and travel. Trains to tourists spots get reserved months before puja. Bengalis in other cities in India visit their relatives in West Bengal.  

Farewell to the Durga divine family. A procession before immersion.

Photo: Indrajit Das

After the three days of Puja, in Dashami , in the last day, a tearful farewell is offered to the Goddess. Most of the community pujas postpone the farewell as long as possible and arrange a grand send-off. The images are carried in processions around the locality and finally is immersed in a nearby river or lake. Vijaya Dashami is an event celebrated all over the country.

Bengalis all over the world tries to celebrate this great event of their culture. Images made out of 'shola' (light material) are flown to countries abroad and the NRI Bengalis and Indians arrange puja in foreign lands. In most of the overseas pujas, the event becomes a meeting place for local Bengalis and Indians. Usually people perform in some cultural activities.

To put in simple, the Durga Puja, the greatest show of Calcutta has been preserved honourably.

Acknowledgements:
  • An article on Durga Puja titled "Durga Puja in Calcutta" by Jaya Chaliha and Bunny Gupta from the book "Calcutta The Living City - Volume II - The Present and Future" ( edited by Sukanta Chaudhuri ) from Oxford University Press.
  • News paper articles : The Statesman, The Telegraph
  • Timir Ganguly's web site

Photo:
  • Calcuttaweb.com and Indrajit Das


Durga Puja

From Wikipedia, the free encyclopedia
*

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.(September 2011)


Durga Puja
*

Durga and her family at Bagbazar Sarbojonin, North Kolkata

Official name

Durga Puja

Also called

Akalbodhan

Observed by

Hindus

Type

Hindu

2010 date

8–17 October

2011 date

27September-6th October

Related to

Navratri, Dussehra



Durga puja (pronounced [ˈd̪ʊrɡaː ˈpuːdʒaː]; Bengali: দুর্গা পূজা,Oriya: ଦୁର୍ଗା ପୂଜା,'Worship of Durga'), also referred to as Durgotsava (Bengali: দুর্গোৎসব, 'Festival of Durga'), is an annual Hindu festival in South Asia that celebrates worship of the Hindugoddess Durga. It refers to all the six days observed as Mahalaya, Shashthi, Maha Saptami,Maha Ashtami, Maha Navami and Bijoya Dashami. The dates of Durga Puja celebrations are set according to the traditional Hindu calendar and the fortnight corresponding to the festival is calledDevi Paksha (Bengali:দেবী পক্ষ, 'Fortnight of the Goddess'). Devi Paksha is preceded byMahalaya (Bengali: মহালয়া), the last day of the previous fortnight Pitri Pokkho (Bengali:পিতৃ পক্ষ, 'Fortnight of the Forefathers'), and is ended on Kojagori Lokkhi Puja (Bengali:কোজাগরী লক্ষ্মী পূজা, 'Worship of Goddess Lakshmi on Kojagori Full Moon Night').
Durga Puja is widely celebrated in the Indian states of West Bengal,Bihar,Assam, Jharkhand,Orissa and Tripura where it is a five-day annual holiday. In West Bengal and Tripura which has majority of Bengali Hindus it is the biggest festival of the year. Not only is it the biggest Hindu festival celebrated throughout the State, but it is also the most significant socio-cultural event in Bengali society. Apart from eastern India, Durga Puja is also celebrated in Delhi, Uttar Pradesh,Bihar, Maharashtra, Gujarat, Punjab, Kashmir, Karnataka and Kerala. Durga Puja is also celebrated as a major festival in Nepal and in Bangladesh where 10% population are Hindu. Nowadays, many diaspora Bengali cultural organizations arrange for Durgotsab in countries such as the United States, Canada, United Kingdom, Australia, Germany, France, The Netherlands, Singapore and Kuwait, among others. In 2006, a grand Durga Puja ceremony was held in the Great Court of the British Museum.[1]
The prominence of Durga Puja increased gradually during the British Raj in Bengal.[citation needed] After the Hindu reformists identified Durga with India, she became an icon for the Indian independence movement.[citation needed] In the first quarter of the 20th century, the tradition of Baroyari or Community Puja was popularised due to this. After independence, Durga Puja became one of the largest celebrated festivals in the whole world.
Durga Puja also includes the worship of Shiva, who is Durga's consort, and worship of mother naturethrough nine types of plant ( called "kala bou") representing nine divine forms of Goddess Durga [2] is also done in addition to Lakshmi, Saraswati with Ganesha and Kartikeya, who are considered to be Durga's children.[3] Modern traditions have come to include the display of decorated pandals and artistically depicted idols (murti) of Durga, exchange of Bijoya greetings and publication of Puja Annuals.

[edit]Names

A Durga Puja celebration.

In Bengal, Durga Puja is also called Akalbodhan (Bengali: অকালবোধন, 'untimely awakening of Durga'), Sharadiya Pujo (Bengali: শারদীয়া পুজো , 'autumnal worship'), Sharodotsab(Bengali: শারদৎসব, 'festival of autumn'), Maha Pujo (Bengali: মহা পুজো, 'grand puja'),Maayer Pujo (Bengali: মায়ের পুজো, 'worship of the Mother) or merely as Puja or Pujo. InEast Bengal (Bangladesh), Durga Puja used to be celebrated as Bhagabati Puja. It is also calledDurga Puja in Bihar, Assam, Orissa, Delhi and Madhya Pradesh.[4]
Puja is called Navaratri Puja in Gujarat, Uttar Pradesh, Punjab, Kerala and Maharashtra,[5] Kullu Dussehra in Kullu Valley, Himachal Pradesh,[6] Mysore Dussehra in Mysore, Karnataka[7] and Bommai Golu in Tamil Nadu and Bommala koluvu in Andhra Pradesh.[8]

[edit]Origin of the autumnal ceremony 'Sharadiya'

Old painting of Durga Puja in Kolkata at ShobhabazarRajbari

The actual worship of the Goddess Durga as stipulated by the Hindu scriptures falls in the month of Chaitra, which roughly overlaps with March or April. This ceremony is however not observed by many and is restricted to a handful in the state of West Bengal.
The more popular form, which is also known as Sharadiya (Autumnal) Durga Puja, is celebrated later in the year with the dates falling either in September or October. Since the Goddess is invoked at the wrong time, it is called "Akaal Bodhon" in Bengali.
While the most recent revival of the Autumnal worship of Goddess Durga can be traced to revivalist tendencies in the early freedom movement in Bengal, the first such Puja was organised by Raja Nabakrishna Deb of the Shobhabazar Rajbari of Calcutta in honour of Lord Clive in the year 1757. The puja was organised because Clive wished to pay thanks for his victory in the Battle of Plassey. He was unable to do so in a Church because the only church in Calcutta at that time was destroyed by Siraj-ud-Daulah. Indeed many wealthy mercantile and Zamindar families in Bengal made British Officers of the East India Company guests of honour in the Pujas. The hosts vied with one another in arranging the most sumptuous fares, decorations and entertainment for their guests. This was deemed necessary since the Company was in charge of a large part of India including Bengal after the battles of Plassey and Buxar.

[edit]History

Durga Puja, 1809 watercolour painting in Patna Style.

Goddess Durga, in one of the Pandals of Calcutta, now Kolkata.

A considerable literature exists around Durga in the Bengali language and its early forms, including avnirnaya (11th century), Durgabhaktitarangini by Vidyapati (14th century), etc. Durga Puja was popular in Bengal in the medieval period, and records show that it was being held in the courts of Rajshahi (16th century) and Nadia district (18th century). It was during the 18th century, however, that the worship of Durga became popular among the landed aristrocacy of Bengal, the Zamindars. Prominent Pujas were conducted by the landed zamindars and jagirdars, being enriched by emerging British rule, including Raja Nabakrishna Deb, of Shobhabajar, who initiated an elaborate Puja at his residence. Many of these old puja exist to this day. Interestingly the oldest such Puja to be conducted at the same venue is located in Rameswarpur, Orissa, where it has been continuing for the last four centuries since the Ghosh Mahashays from Kotarang near Howrah migrated there as a part of Todarmal's contingent during Akbar's rule. Today, the culture of Durga Puja has shifted from the princely houses to Sarbojanin (literally, "involving all") forms. The first such puja was held at Guptipara - it was called barowari (baro meaning twelve and yar meaning friends)
Durga puja mood starts off with the Mahishasuramardini – a two-hour radio programme that has been popular with the community since the 1950s. While earlier it used to be conducted live, later a recorded version began to be broadcast. Bengalis traditionally wake up at 4 in the morning on Mahalaya day to listen to the enchanting voice of the late Birendra Krishna Bhadra and the late Pankaj Kumar Mullick on All India Radio as they recite hymns from the scriptures from the Devi Mahatmyam (Chandi Path).[9] , During the week of Durga Puja, in the entire state of West Bengal as well as in large enclaves of Bengalis everywhere, life comes to a complete standstill. In playgrounds, traffic circles, ponds—wherever space may be available—elaborate structures calledpandals 'are set up, many with nearly a year's worth of planning behind them. The word pandal means a temporary structure, made of bamboo and cloth, which is used as a temporary temple for the purpose of the puja. While some of the pandals are simple structures, others are often elaborate works of art with themes that rely heavily on history, current affairs and sometimes pure imagination.
Somewhere inside these complex edifices is a stage on which Durga reigns, standing on her lion mount, wielding ten weapons in her ten hands. This is the religious center of the festivities, and the crowds gather to offer flower worship or pushpanjali on the mornings, of the sixth to ninth days of the waxing moon fortnight known as Devi Pakshya (lit. Devi = goddess; Pakshya = period; Devi Pakshya meaning the period of the goddess). Ritual drummers – dhakis, carrying large leather-strung dhak –– show off their skills during ritual dance worships calledaarati. On the tenth day, Durga the mother returns to her husband, Shiva, ritualised through her immersion into the waters[10]–– Bishorjonalso known as Bhaashan and Niranjan

Image of Durga in an early 19th century lithogragh.

Today's Puja, however, goes far beyond religion. In fact, visiting the pandals recent years, one can only say that Durgapuja is the largest outdoor art festival on earth. In the 1990s, a preponderance of architectural models came up on the pandal exteriors, but today the art motif extends to elaborate interiors, executed by trained artists, with consistent stylistic elements, carefully executed and bearing the name of the artist.
The sculpture of the idol itself has evolved. The worship always depicts Durga with her four children, and occasionally two attendant deities and some banana-tree figures. In the olden days, all five idols would be depicted in a single frame, traditionally calledpata. Since the 1980s however, the trend is to depict each idol separately.
At the end of six days, the idol is taken for immersion in a procession amid loud chants of 'Bolo Durga mai-ki jai' (glory be to Mother Durga') and 'aashchhe bochhor abar hobe' ('it will happen again next year') and drumbeats to the river or other water body. It is cast in the waters symbolic of the departure of the deity to her home with her husband in the Himalayas. After this, in a tradition called Vijaya Dashami, families visit each other and sweetmeats are offered to visitors (Dashami is literally "tenth day" and Vijay is "victory").
Durga Puja commemorates the annual visit of the Goddess with Her children to Her parents' home, leaving finally on the Dashami to be re-united with Shiva. This leaving ceremony is symbolised by the immersion of the idols on Dashami.[4]
Durga Puja is also a festivity of Good (Ma Durga) winning over the evil (Mahishasur the demon). It is a worship of power of Good which always wins over the bad.

[edit]Evolution of the Community or Sarbajanin puja

Celebrations inside a house, during Durga puja, Calcutta, 1840.

Initially the Puja was organised by affluent families since they had the money to organize the festival. During the late 19th and early 20th century, a burgeoning middle class, primarily in Calcutta, wished to observe the Puja. They created the community or Sarbojanin Pujas.
These Pujas are organized by a committee which represents a locality or neighbourhood. They collect funds called "chaanda" through door-to-door subscriptions, lotteries, concerts etc. These funds are pooled and used for the expenses of pandal construction, idol construction, ceremonies etc. The balance of the fund is generally donated to a charitable cause, as decided by the committee. Corporate sponsorships of the Pujas have gained momentum since the late 1990s. Major Pujas in Calcutta and in major metro areas such as Delhi and Chennai now derive almost all of their funds from corporate sponsorships. Community fund drives have become a formality.
Despite the resources used to organise a Puja, entry of visitors into the Pandal is generally free. Pujas in Calcutta and elsewhere experiment with innovative concepts every year. Communities have created prizes for Best Pandal, Best Puja, and other categories.

[edit]Creation of the idols

Durga Puja Idol in the making at Kumortuli, Kolkata

The entire process of creation of the idols (murti) from the collection of clay to the ornamentation is a holy process, supervised by rites and other rituals. On the Hindu date of Akshaya Tritiya when the Ratha Yatra is held, clay for the idols is collected from the banks of a river, preferably the Ganges. After the required rites, the clay is transported from which the idols are fashioned. An important event is 'Chakkhu Daan', literally donation of the eyes. Starting with Devi Durga, the eyes of the idols are painted on Mahalaya or the first day of the Pujas. Before painting on the eyes, the artisans fast for a day and eat only vegetarian food.
Many Pujas in and around Kolkata buy their idols from Kumartuli (also Kumortuli), an artisans' town in north Calcutta.
In 1610, the first Durga puja in Kolkata was supposedly celebrated by the Roychowdhuri family of Barisha. Though this was a private affair, community or 'Baroyari' Durga puja was started in Guptipara, in Hooghly by 12 young men when they were barred from participating in a family Durga puja in 1761. They formed a committee which accepted subscriptions for organising the puja. Since then, community pujas in Bengal came to be known as 'Baroyari – 'baro' meaning 12 and 'yar' meaning friends.In Kolkata, the first 'Baroyari' Durga Puja was organized in 1910 by the 'SanatanDharmotsahini Sabha' at Balaram Bosu Ghat Road, Bhawanipur. At the same time, similar Baroyari Pujas were held at Ramdhan Mitra Lane and Sikdar Bagan. The Indian freedom struggle also had an influence on Durga puja in Kolkata. In 1926, Atindranath Bose initiated the first 'Sarbojanin' Durga puja in which anybody, irrespective of caste, creed and religion, could participate in the festivities. This was consciously done to instill a feeling of unity.

[edit]Environmental impact

Image of Durga being immersed in water. The Murti of Durga is eco-friendly.

Theme based Durga puja

Environmental hazards from the materials used to make and color the idols pollute local water sources, as the idols are brought directly into the river at the end of festivities. Efforts are underway to introduce eco-friendly materials to the artisans who make the idols. West Bengal has been credited by its own environmental agency as being possibly the first Indian State to successfully curb the use of hazardous paints. However, by their own account, only two-thirds of the idols made are currently colored with eco-friendly paints.[11]
Commercialization of Hindu festivals like Durga Puja in the last quarter of 20th century have become a major environmental concern as devout Hindus want bigger and brighter idols . Environmentalists say the idols are often made from hazardous materials like cement, plastic, plaster of Paris, and toxic paints.[12]

[edit]Theme-based Pujas and pandals

Pandals and idols inspired by a particular theme have been the hallmark of many community or Sarbajanin Pujas in Kolkata since the 1990s. Puja committees decide on a particular theme, whose elements are incorporated into the pandal and the idols. Popular themes include ancient civilizations like the Egyptians or Incas. Contemporary subjects like the RMS Titanic and Harry Potter have also been the subject in some pandals.
The design and decoration is usually done by art and architecture students based in the city. The budget required for such theme-based pujas is often higher than traditional pujas. They attract crowds and are well-received. Inspired by Kolkata, theme-based pandals are becoming popular in cities in neighbouring states, particularly Orissa (see above). Experimentation with the idols does not happen much outside Calcutta.
Rapid growth of competitiveness in theme pandals, and also rapid growth of massive billboards that come up at strategic junctions, prior to Puja and allied commercial activities, has also created a cultural backlash from city's traditional Puja pandals, which now claim, "We do not do theme puja, we do Durga puja,", according to one hoarding put up in Salt Lake, Kolkata.[13]

[edit]Popular culture specific to the puja

Durga Puja is one of the most important events in the Bengali society's calendar. Many Bengali films, albums and books are released to coincide with the Puja. The West Bengal government gives a fortnight of holidays for the Pujas. This time is used in various ways. Many people travel in India or abroad. Gatherings of friends called "Aadda" in Bengali is common in many homes and restaurants. A lot of shopping is done, and retailers cash in on this opportunity with special offers.
Visiting pandals with friends and family, talking and sampling the food sold near them is known as pandal hopping. Young people embrace this activity. Pujor Gaan (Songs of Puja) are the Adhunik Bengali songs that come out every year during this time.

[edit]Media Attention

TV and radio channels telecast Puja celebrations. Many Bengali channels devote whole days to the Pujas. Bengali and Oriya weekly magazines bring out special issues for the Puja known as "Pujabarshiki" or "Sharadiya Sankhya". These contain the works of many writers both established and upcoming and are thus much bigger than the regular issues. Some notable examples are Anandamela and Shuktara.

[edit]Movies


[edit]Bengal

Characteristic neon light images glow as late night revelers throng the streets of Kolkata during Durga Puja.

The worship of Durga in the autumn ( Shôrot) is the year's largest Hindu festival of Bengal. Durga Puja is also celebrated in Nepal and Bhutan according to local traditions and variations. Puja means "worship," and Durga's Puja is celebrated from the sixth to tenth day of the waning moon in the month of Ashvin (Bengali: আশ্বিন Ashshin), which is the sixth month in the Bengali calendar. Occasionally however, due to shifts in the lunar cycle relative to the solar months, it may also be held in the following month,Kartika (Bengali: কার্তিক). In the Gregorian calendar, these dates correspond to the months of September and October.

Durga idol from a pandal at West Bengal

In the Krittibas Ramayana, Rama invokes the goddess Durga in his battle against Ravana. Although she was traditionally worshipped in the spring, due to contingencies of battle, Rama had to invoke her in the autumn akaal bodhan.[14] Today it is this Rama's date for the puja that has gained ascendancy, although the spring puja, known as Basanti Puja [One of the oldest 'sabeki' Basanti Puja is held every year at spring in Barddhaman Pal Bari at Raniganga Bazar, M.K.Chatterjee Rd near Karjon Gate], is also present in the Hindu almanac. Since the season of the puja is autumn, it is also known as (Bengali: শারদীয়া 'Sharodia').
The pujas are held over a ten-day period, which is traditionally viewed as the coming of the married daughter, Durga, to her father, Himalaya's home. It is the most important festival in Bengal, and Bengalis celebrate with new clothes and other gifts, which are worn on the evenings when the family goes out to see the 'pandals' (temporary structures set up to venerate the goddess). Although it is a Hindu festival, religion takes a back seat on these five days: Durga Puja in Bengal is a carnival, where people from all backgrounds, regardless of their religious beliefs, participate and enjoy themselves to the hilt.

[edit]Kolkata (Calcutta)

In Kolkata alone more than two thousand pandals are set up, all clamoring for the admiration and praise of the populace. The city is adorned with lights. People from all over the country visit the city at this time, and every night is one mad carnival where thousands of people go 'pandal-hopping' with their friends and family. Traffic comes to a standstill, and indeed, most people abandon their vehicles to travel by foot after a point. A special task force is deployed to control law and order. Durga Puja in Kolkata is often referred to as the Rio Carnival of the Eastern Hemisphere.
The oldest puja are in North Kolkata, like Baghbazar Sarbojonin, Kumartuli, Ahiritola, Md. Ali Park, College Square.Abasik Kalyan Samity,Beliaghat New c,i,t Buildings.

Durga Puja Kolkata WB India

[edit]Siliguri

Hundreds of puja pandals are set up every year in the Siliguri Mahakuma area. The city is adorned with many colourful pandal, glorious "Protima", colourful lighting and sounds. The puja inSaktigarh, Hakimpara, Rabindra Sangha, Rathkhola, Champashari, Central Colony (N.R.I), Silpanchal(Burdwan Road) and Saktigarh Utjal Sangha are famous and the oldest durga puja in this area.
Silpanchal Durga Puja committee is recognized as one of the oldest puja is town which was established in 1955 and is famous for the "Protima" and many other social activities they undertake during Pujas.
One of the oldest puja in Siliguri is of Swastika Yubak Sangha. It's one of the most crowd gathering puja of the region. The Puja Committee completed its 50th year of celebrations in 2009.

[edit]Chanduli, Katwa

One of oldest Durga Puja is held at a village named CHANDULI, 12 km from Katwa city, which is more than 350 years old. The Puja is held under the auspices of Mitra bari Debottor estate and here Goddess Durga has two hands visible in place of ten hands. Here, Devi Durga is glorious and famous in this locality. 'Guptipara'Bold text
In 1790 First Barwary puja' 'Bold text'held in this village of West Bengal in the district of Hooghly. Great Goswami family of Dhaka is now at Guptipara led by Satyendra Nath Goswami'Italic text, Roypara.

[edit]Lataguri

Sindur being applied on the forehead of Goddess Durga during Bijaya Dashami.

Lataguri is a small village in Jalpaiguri district. It has an old tradition of Durga Puja with lots of joy and cultural values in the heart of the people. Prantik Sangha, Netaji Sangha, Friends Club, Pal Chowdhury Bari (Family Puja) are some of the oldest pujas to name a few. In the day of Shashthi, Maha Saptami, Maha Ashtami, Maha Nabami and Bijoya Dashami people here celebrate it in a grand way with lots of joy. Specially in Prantik Sangha (Post Office Para) they have an old tradition of celebrating "Raksha Raksha" (Prayers offered to Durga to save whole body and mind and to give happiness and prosperity) by exchanging warmth of happiness and respect among the people with touching elder person's feet and hugging each other. After that small sweet balls laddu are distributed among the people. "Raksha Raksha" is celebrated in the day of Bijoya Dashami after idols (murtis) of Goddess Durga with her family are immersed in the most convenient body of water. The members of Pal Chowdhury Bari march to the pond near about half a kilometer for immersion of the goddess by taking it on their shoulder. This tradition has been following for 61 years.

[edit]Berhampore

Hundreds of puja pandals are set up every year in the Berhampore, Cossimbazar, Khagra jagdamba mandir (kajal saha & ganesh bhakat MULTIFRESH, Madhupur, Gorabazaar area. All pandal are decorated with lights and sounds. Swarnamoyee, Baganpara, Bishtupur, Madhupur Balark Sangha, Ranibagan, Kadai, Swargadham, Ajana Sangha, Cossimbazar Choto Rajbari are famous and the oldest durga puja from this area. Cossimbazars Puja is the oldest puja which is about 300 years old. All visitors are mostly from Berhampore city and coming through different part of Murshidabad [1]district and adjacent districts. Specially the Astami and Nabami nights are filled with crowd from different part of the district. Visitors come out on the roads with their family and friends. They enjoy the festival through the night. Also the Bisorjon (immersion of idol) to Bhagarathi River is a beautiful scene. A huge number of visitors gather on the river side ( Gorabajar Ghat, Khagra Ghat) to visit the last journey of Durga Pratima. Generally the pandals and idols of Madhupur area win the prizes and famous artists perform during these days . Lighting from Chandan Nagar is done in this area to a great extent to increase the beauty of the Puja nights.

[edit]In other parts of India

[edit]Assam

After West Bengal, Assam is the second state where Durga Puja is celebrated popularly and widely. In Silchar more than 300 exhibits, known as pandals, decorated with lights, sculptures and other art forms are created. After Bihu, Durga Puja is the most popular festival of Assam. According to historian Late Benudhar Sarma, the present form of worship of Durga with earthen idol in Assam was started during the reign of Ahom King Susenghphaa or Pratap Singha. The King heard about the festivity, the pomp and grandeur with which the King Naranarayan of Koch Bihar celebrated Durga Puja from one Sondar Gohain, who was under captivity of the Koch raja. King Pratap Singhasent artisans to Koch Bihar to learn the art of idol making. The King organised the first such Durga Puja celebration in Bhatiapara nearSibsagar. This was the first time Durga Puja with earthen idols in Assam was held for the masses, in addition to the worship in Durga temples like Kamakhya, Digheswari Temple, Maha Bhairabi Temple, Ugrotara, Tamreswari Mandir, etc. Subsequently, similar Pujas were celebrated by other Kings and nobles. Nowadays the Durga Puja is mostly a community festival celebrated in all the cities, towns, villages ofAssam with great festivity and religious fervour for five days.

[edit]Bihar

Durga Puja is one of the major festivals in Patna. Hundreds of pandals are set up with carnivals. The city witnesses a huge surge in visitors in the four days from Maha Saptami. More than 100exhibits, known as pandals, decorated with lights, sculptures and other art forms are created. Ancient Places of Patna Durga Puja includes Bari and Chhoti PatanDevi Maa Shitla Mandir Agamkuan etc.

[edit]Gujarat

Navaratri is devoted to Amba mataji. In some homes, images of mataji are worshiped in accordance with accepted practice. This is also true of the temples, which usually have a constant stream of visitors from morning to night. The most common form of public celebration is the performance of garba and dandia-ras/ras-garba (a form of garba with sticks), Gujarat's popular folk-dance, late throughout the nights of these nine days in public squares, open grounds and streets.

[edit]Jharkhand

Durga Puja is celebrated with many carnivals. The festival mood starts from Mahalaya, a huge surge in visitors is witnessed during the last four days of the festival, arriving from cities like Jamshedpur(TATA), Ranchi, Dhanbaad, etc. There are so many pandals as like as at Kolkata and Cuttack which makes interesting and enjoyful in these days at there. Some of highlighted Pandals are:
  1. Adityapur (by Jai Ram Youth Sporting Club Jamshedpur, near Kharhkhai Bridge)
  2. Kashidih (by Thakur Pyara Singh Dhurandhar Singh club, Jamshedpur)
  3. Bhuyandih (by Dulal BHuyan Club)
  4. Rani Kudar (by Hind Club)
  5. Sakchi, Aam Bagan (by Bengal Club)
  6. Kadma and Farm Area, Jamshedpur
  7. Mango, Jamshedpur
  8. Sonari, Jamshedpur
  9. Birsanagar, Jamshedpur
  10. Bhalubasa, Jamshedpur
  11. 26no.road telco, Jamshedpur

[edit]Karnataka

Durga Puja is celebrated in a grand way in this state. In Mysore, Dussehra is easily the most popular festival. Elephants are decked up with robes and jewellery and taken in processions through the streets of the city. In fact, many people visit Mysore from all over the country to watch this colorful event. There is also a floating festival in the temple tank at the foot of Chamundi Hill and a procession of chariots around the temple at the top.
Mysore is named after Mahishasur, the very demon which was slain by the Goddess. The original Indian name was Mahishur. There are temples dedicated to the demon king and even a gigantic statue of the demon in the city.

[edit]Kashmir

Hindus in Jammu and Kashmir celebrate their festivals with pomp and show. These days, festivities are more subdued. The favorite deities of Kashmir are Lord Shiva and Serawali Ma Durga, the one who rides the tiger. Pundits\Dogris and Muslims alike vouch that Navratri is important. Here each Hindu household does the puja at home. All the adult members of the household fast on water. In the evenings, fruit may be taken. As elsewhere, Dogris grow barley in earthen pots. They believe that if the growth in this pot is good, there is prosperity all year. The most important ritual for Kashmiri Pandits is to visit the temple of guardian goddess Kheer Bhawani on all nine days. On the last day of Navratri, an aarti is held at the temple, after which people break their fast. On Dussehra day, Ravana's effigy is burnt.

[edit]Kerala

In Kerala, Durga Puja signifies the beginning of formal education for every child aged 3–5 years. While puja goes on in the temple for all ten days, it is the concluding three days which are most important. Ashtami is the day of Ayudya Puja, when all the tools at home are worshipped. Custom dictates that no tools be used on this day. On navami day, Goddess Saraswati is honored by worshipping the books and records at home.
Thousands throng the Saraswati temple at Kottayam during this period to take a dip in the mysterious holy pond, whose source is yet unknown. Large gatherings are also seen at the famous temples at Thekkegram (Palghat), in which there are no idols, only huge mirrors. A devotee finds himself bowing before his own reflection, which symbolizes that God is within us.
Thrikkavu Temple, a famous Durga Devi Temple at Ponnani, Malapuram District of Kerala, is also famous for Navaratri festival and vidyarambham (beginning of formal education). Thousands of children throng this temple on vijaya desami day for vidyarambham.Santhanantha Matom at Mangadu in Kollam observes Navaratri festival with all the religious purity and rituals. On the tenth day, The Vijaya desami, Children perform Vidyarambham here not only for education, but also for various arts and music.

[edit]Maharashtra and Goa

Maa Durga Idol at 57th Year of Nashik Sarbojanin Durga Puja, Gandhinagar - Nashik

In Maharashtra, Durga Puja is an enjoyable occasion. Puja is performed each day and devotees do not remove the flower garland that is put each day on the idol or image of the deity. After nine days, all nine garlands are removed together. Young girls who have not attained maturity are invited to eat, play games, dance and sing. An elephant is drawn with rangoli, and the girls play guessing games.It is called as 'bhodala' Then they are fed a meal of their choice.In maharastra there is also played 'Jogava' & 'Gondhal' for Goddess.
Nashik boasts of four major ones celebrated by "prabashi" Bengalis' – like the ones at the Government of India Press grounds, the Hindustan Aeronautics Limited (H.A.L)in Ojhar, then the one at Artillery Station,Deolali and one in the industrial area of Satpur-Ambad.
In Goa great festivities take place in all the temples,especially Devi temples like of shreeShantadurga, shree Mhalasa Narayani, shree Vijayadurga.Preople fast and observe festivities at home.

[edit]New Delhi

Durga Puja 2008 being celebrated by Paschim Vihar Bengali Association, New Delhi

In Delhi, there are more than 800 registered pujas,[citation needed] which are celebrated with great fanfare by Bengalis living in the city. Unlike most of the Durga Pujas in Kolkata, the celebrations in Delhi maintain a less commercial atmosphere. However Pujas in Chittaranjan Park resembles lots of Kolkata trends[citation needed] The oldest Durga Puja, started in 1910, is popularly known as the Kashmere Gate Puja or Heritage Durga Puja.[citation needed]

[edit]Orissa

Main article: Durga Puja in Orissa

The bejwelled devis in Cuttack durgapuja

Various accounts exist which ascribe the origin of Durga Puja in the state of Orissa. All historical accounts agree on the influence from other regions although some mythological accounts describe an independent origin.
Durga Puja is a festival, which is observed for 10 days. Orissa, the land of Lord Jagannath,the land of powerful Hindu Kingdom, the land of Raja & Maharaja's, the royals of Orissa patronage anuual Sharodiyo Utsav before the state abolition with Republic of India. The Durga Puja is celebrated in two different ways in Orissa. In Shakti peethas (temples of goddess) the Durga Puja is observed with proper rituals for 10 to 16 days known as Shodasa Upachara/Shohala dinatmaka,which starts from 7 days earlier to mahalaya called as mulastami and ends on Vijayadashami, dussehra. Goddess Durga is also worshiped by devotees in different pandals in form deities across the state. The pandals are decorated with beautiful decoratives.
According to Markandeya Purana the King of Chedi dynasty Suratha started rituals of Durga Puja during 300B.C.The Chedi dynasty belongs to Kalinga(modern Orissa). Durga Puia has different names in different Puranas and Sastras. In Devi Purana & Kalika Purana it is named as Vijaya Dashami. It is named as Mahaparbana in Devi Mahatmya and Duseehera in Markandeya Purana.
The present form of worship of Durga with earthen idol in Orissa was started during the reign of Ganga King Chodaganga Dev in the 11th century at Puri. The earthen idol of Mahishamardini Durga is known as Gosani and the Dussehra fesival is known as Gosani Yatra. It is noteworthy that the co-worship of Mahisamardini Durga with Madhava (Lord Jagannath) is prevalent from 11th century, Eastern Ganga dynasty period, in Puri.
Before the concept of Sarvajanin Durga Puja started, it was being conducted by princely houses and the first such Puja being conducted anywhere in the world at the same venue and continuing till date is in Orissa. It is at Rameswarpur in Bhadrak district of the state, where it was started about four centuries ago by the Mahashay family who migrated in from Kotarang near Howrah as a part of Todarmal's famous survey of India during Emperor Akbar's rule.

Close view of Cuttack durgapuja

It is said that in the year 1512 to 1517 Chaitanya Deva had come to Cuttack, the capital of Gajapati empire of Orissa and the then emperor of Orissa Gajapati Pratap Rudra Dev received him at Gadagadia Ghata situated near the river bank of Mahanadi very close to the kings Palace popularly known as Barabati fort. In that year Sri Chatanya Deva started Durga puja at Binod Bihari temple presently known as Balu Bazar. Further it is also believed that Netaji Subhas Chandra Bose, whose birth placed is Cuttack had organized Durga puja with great pomp and show to organize youngsters in British India exactly like Lokamanya Balagangadar Tilak had done it at Maharastra(the Ganesh Utsav).
The first recorded Sarvajanin Durga Puja in the state is said to have been in the year 1832 in the Kazibajaar area of Cuttack
A pandal in Orissa is called "Medho". For many years, the most expensive installation was the ChaandiMerrha (Chaandi means Silver) of Choudhuri Bajaar area of Cuttack. The ornamentation was done entirely in silver. A substantial increase in funding has led to the gold plating of the ornamentation. Now it is known as "Suna Medho" (Suna means Gold). A few other Pujas in Cuttack now have silver ornaments, too.
The Durga Puja festivities are also prominent in Maa Katak Chandi Temple. Maa Cuttack Chandi is the presiding deity of Cuttack. The goddess popularly called as Maa Katak Chandi, sits and rules on the heart of the ancient city. She is worshiped as Bhuvaneswari. Maa Chandi is worshipped in various incarnations of Durga during the puja. In Cuttack, people strongly believe Maa Katak Chandi as 'The Living Goddess'.
The largest Pujas are held in Bhubaneswar, Cuttack and Rourkela. Shaheed Nagar, Nayapalli and Rasulgarh spend the most on the idols, decorations, lighting, and other elements.
One reason for the wide acceptance of Durga Puja is the importance of Maa Tarini, who is considered one of the embodiments of Shakti in Oriya culture. In addition, the state is close to Bengal and the peoples share a common socio-cultural history spanning millennia. Orissa is home to many important shrines dedicated to the Goddess; great festivities are organised there on Durga and Kali Puja.
It is thus one of the prime festivals of Orissa as well. People in Orissa celebrate it on a large scale. The Goddess Durga is among the sacred goddesses of Orissa. The celebrations are quite similar to the neighbouring state of West Bengal.

[edit]Punjab

People of Punjab strictly observe Navaratri. Some Punjabis have only milk for seven days before breaking the fast on ashtami or navami. They worship Durga Ma and do the aarti at home. Some of them have fruit or a complete meal only once a day. Intoxicating drinks or meat, and other forms of entertainment are completely avoided. At the end of the fast, devotees feed beggars or worship little girls who spell the Shakti of the Mother Goddess.

[edit]Tripura

Durga Puja is Celebrated in the state of Tripura with all its pride and glory. Particularly, in the Capital city of Agartala. Population living in Here are ethnically 70% Bengali and religiously 86% Hindu, Therefore making it suitable for the Puja to be the single most important festival in the state. Mainly the pujas are held in various 'paras' which have their own local clubs organizing the yearly pujas. The best puja is in Agartala- Like Shanti kami, Shantipara, Usha Bazar, Badharghat, Pole Star, Milan Sangha etc. usually the clubs organize various cultural Shows to attract highest number of visitors to their pandals and also indulge in a friendly competition amongst themselves. the main centre for 'Visharjan' is the Dashamighat area of the city. Other cities where the puja takes place include Amarpur,Udaipur, Belonia, Kumarghat, Santir bazar, Sabrum, Dharmanagar.

[edit]Andhra Pradesh

Durga Puja is celebrated in the state of Andhra Pradesh at Hyderabad and Vijayawada with all its pride and glory. The temple in Vijayawada is located adjacent to Krishna River and near to Prakasham Barrage. The distance from Vijayawada to Hyderabad is 280 km and also from Vijayawada to Tirupati (Loard Venkateswara or Balaji) temple is about 320 km. This temple is one of the biggest devotees place in South India. In Hyderabad, Durga Puja is being celebrated for more than 60 years now. There are 5 major organisation that celebrate the puja across the city.

[edit]Outside India

Durga Puja is celebrated by the Indian diaspora residing in different parts of the world. It is also celebrated in regions and by people culturally and historically distinct from India.

[edit]Nepal

Dussehra in Nepal is called Dashain.[15] As it is chiefly a Hindu nation, the pattern and dates of the festivals coincide with those of India. The King of Nepal plays a key role in the festivities, particularly during Saptami or the Seventh day of the pujas. Despite the overthrow of monarchy in Nepal, the Royal Family still has a significant cultural role in the nation.

[edit]Bangladesh

Bangladesh has the second largest Hindu population in the world. Being the greatest religious festival for Bengali Hindus, Durga Puja celebrations span across the country with over thousands of Puja Mandaps set in villages, towns and cities. Schools and colleges are closed for five days while the last day of the festival, Bijay Dashami, is a national holiday. The President of Bangladesh also hosts a National Reception for the Hindu community in Bangabhaban.[16] Mymensingh is one of the renowned district where huge number of Durga puja andKali Puja is celebrated every year.

[edit]United States, Europe and Australia

Durga Puja is organised by communities of Indians in the United States, Europe, and Australia. Although pandals are not constructed, the idols are flown in from Kumartuli in Bengal. The desire by the diaspora peoples to keep in touch with their cultural ties has led to a boom in religious tourism, as well as learning from priests or purohits versed in the rites. Also recently,[when?] the immersion of the Durga idol has been allowed in the Thames river for the festival which is held in London.
In the United States the pujas are often hosted during weekends with few exceptions. The puja weekends are time for Bengal friends and family to gather together to spend the weekend savoring Bengali culture. Cultural programs are held; there is food; stalls selling ethnic clothes, jewellery, books, music DVD's etc. There is a general atmosphere of festivity.
In Australia, the major Durga Puja festival were held in Sydney and Melbourne. They are also held very grandly in Perth, the capital of Western Australia. Bhog Distribution, Cultural Programmes, anjali and dhunuchi naach were the main events. BANSW and BPCSV were the main organizers in Sydney and Melbourne respectively.
London Sharad Utsav celebrates Durga Puja at Ealing Town Hall, London. This year (2011) London Sharad Utsav has tied up with College Square Durga Pujo as a Sister Pujo- a historical initiative to bring Kolkata Pujos to UK.
In Germany several Durga Pujas are celebrated along with Bhog distribution and Anjali in Bremen puja.palweb.de, BerlinDurgapujaberlin.de (over 40 years old), Frankfurt(Main), Köln (Cologne), Durgapuja.de Stuttgart Ganguly.de/durgapuja/durga.html and Munich (München) Infoforu.de.

[edit]South East Asia

In Singapore, Bengali Association of Singapore (BAS) celebrates Durga Puja with Bhog distribution and Anjali along with cultural programs.[17]

[edit]See also


[edit]References

  1. ^ Culture24.org.uk
  2. ^ http://www.bangalinet.com/kolabou.htm
  3. ^ Kinsley, David (1988). Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions. University of California Press.ISBN 0-520-06339-2. p. 95.
  4. ^ a b Durga-puja.org
  5. ^ Durga-puja.org
  6. ^ Durga-puja.org
  7. ^ Durga-puja.org
  8. ^ Durga-puja.org
  9. ^ Mahalaya ushers in the Puja spirit The Times of India, TNN 19 September 2009.
  10. ^ Gupta, K.; Gupta, Amita, eds. (2006), Concise Encyclopaedia of India, 3, New Delhi: Atlantic, p. 986, ISBN 81-269-0639-1.
  11. ^ Justmeans.com
  12. ^ Bhalla, Nita (September 25, 2007). "India's "toxic" Hindu idols choke rivers: activists". Reuters. reuters.com. Retrieved 2009-09-23.
  13. ^ Puja on the billboards The Telegraph (Kolkata), September 13 , 2009.
  14. ^ Durga-puja.org
  15. ^ Festivals of Nepal: Dashain
  16. ^ BDNews24.com: Durga Puja Oct 13-17 (2010)
  17. ^ Bengali Association of Singapore
  • Durga Puja Beginner, Swami Satyananda Saraswati, Devi Mandir, 2001. (ISBN 1-887472-89-4)

[edit]Further reading


[edit]External links

Durga Puja A-Z: NetGlimse.com

Find more about Durga Puja on Wikipedia'ssister projects:
*

Definitions from Wiktionary

*

Images and media from Commons

*

Learning resources from Wikiversity

*

News stories from Wikinews

*

Quotations from Wikiquote

*

Source texts from Wikisource

*

Textbooks from Wikibooks


Durga Puja Images
Durga Puja Awards 2011


View page ratings
Rate this page
What's this?
Trustworthy
Objective
Complete
Well-written
I am highly knowledgeable about this topic (optional)
Submit ratings
Categories: Durga Puja | Shaktism | Bengali Hindu festivals | Hindu festivals | Festivals in India | September observances | October observances | Bengali culture | Culture of West Bengal

Durga

From Wikipedia, the free encyclopedia

"Mahishasuramardini" redirects here. For the radio programme of All India Radio, see Mahisasuramardini (radio programme).

For the 1985 Hindi Film of Rajesh Khanna see Durgaa

For other uses, see Durga (raga) and Durga the Hutt.

Durga
*

Goddess of Victory of Good over Evil

Devanagari

दुर्गा

SanskritTransliteration

Durgā

Bengali

দুর্গা

Affiliation

Avatar of Devi

Abode

Kailash

Mantra

Om Dum Durgayei Namaha

Om Aing Hring Kling Chamundayei Vichche

Weapon

Trishula (trident), Chakram,

Scimitar, Snake,

Conch shell, Mace,

Bow, Talwar (longsword),

lotus, Thunderbolt

Mount

Dawon (tiger or lion)


In Hinduism, Durga (Sanskrit: दुर्गा) meaning "the inaccessible"[1] or "the invincible"; Bengali:দুর্গা, durga) or Maa Durga (Bengali: মা দুর্গা, mā durgā, meaning "Mother Durga") "one who can redeem in situations of utmost distress"[citation needed] is a form ofDevi, the supremely radiant goddess, depicted as having ten arms, riding a lion or a tiger, carrying weapons and a lotus flower, maintaining a meditative smile, and practicing mudras, or symbolic hand gestures.[citation needed] The name is made of Sanskrit dur- = "with difficulty" (compare Greek δυσ- (dys-)) and gā ("come", "go").

An embodiment of creative feminine force (Shakti), Durga exists in a state of svātantrya(independence from the universe and anything/anybody else, i.e., self-sufficiency) and fierce compassion. Kali is considered by Hindus to be an aspect of Durga. She is thus considered the fiercer, demon-fighting form of Shiva's wife, goddess Parvati. Durga manifests fearlessness and patience, and never loses her sense of humor, even during spiritual battles of epic proportion.[citation needed]

At the Durga Puja festival, Durga is shown as the mother of Ganesha, Kartikeya, Lakshmiand Saraswati.[2]


[edit]History

The word Shakti means divine feminine; energy/force/power, and Durga is the warrior aspect of the Divine Mother. Other incarnations include Annapurna and Karuɳamayi (karuɳa = kindness). Durga's darker aspect Kali is represented as the consort of the god Shiva, on whose body she is often seen standing.

Durga Slays Mahishasura, Mahabalipuram sculpture.

As a goddess, Durga's feminine power contains the energies of the gods. Each of her weapons was given to her by various gods: Rudra's trident, Vishnu's discus, Indra's thunderbolt, Brahma's kamandalu, Kuber's Ratnahar, etc.

According to a narrative in the Devi Mahatmya story of the Markandeya Purana text, Durga was created as a warrior goddess to fight an asura (an inhuman force/demon) namedMahishasura. He had unleashed a reign of terror on earth, heaven and the nether worlds, and he could not be defeated by any man or god, anywhere. The gods went to Brahma, who had given Mahishasura the power not to be defeated by a man. Brahma could do nothing. They made Brahma their leader and went to Vaikuntha—the place where Vishnu lay onAnanta Naag. They found both Vishnu and Shiva, and Brahma eloquently related the reign of terror Mahishasur had unleashed on the three worlds. Hearing this Vishnu, Shiva and all of the gods became very angry and beams of fierce light emerged from their bodies. The blinding sea of light met at the Ashram of a priest named Katyayan and Durga emerged from this pool of light. The goddess Durga took the name Katyaayani from the priest and emerged from the sea of light. She introduced herself in the language of the Rig-Veda, saying she was the form of the supreme Brahman who had created all the gods. Now she had come to fight the demon to save the gods. They did not create her; it was her lila that she emerged from their combined energy. The gods were blessed with her compassion.

It is said that upon initially encountering Durga, Mahishasura underestimated her, thinking: "How can a woman kill me, Mahishasur—the one who has defeated the trinity of gods?". However, Durga roared with laughter, which caused an earthquake which made Mahishasur aware of her powers.

And the terrible Mahishasura rampaged against her, changing forms many times. First he was a buffalo demon, and she defeated him with her sword. Then he changed forms and became an elephant that tied up the goddess's lion and began to pull it towards him. The goddess cut off his trunk with her sword. The demon Mahishasur continued his terrorizing, taking the form of a lion, and then the form of a man, but both of them were gracefully slain by Durga.

Then Mahishasur began attacking once more, starting to take the form of a buffalo again. The patient goddess became very angry, and proclaimed to Mahishasur in a colorful tone—"Roar with delight while you still can, O illiterate demon, because when I will kill you, the gods themselves will roar with delight".[cite this quote] When Mahishasur had half emerged into his buffalo form, he was paralyzed by the extreme light emitting from the goddess's body. The goddess then resounded with laughter before cutting Mahishasur's head down with her sword.

Thus Durga slew Mahishasur, thus is the power of the fierce compassion of Durga. Hence, Mata Durga is also known as Mahishasurmardhini—the slayer of Mahishasur. According to one legend, the goddess Durga created an army to fight against the forces of the demon-king Mahishasur, who was terrorizing Heaven and Earth. After ten days of fighting, Durga and her army defeated Mahishasur and killed him. As a reward for their service, Durga bestowed upon her army the knowledge of jewelry-making. Ever since, the Sonara community has been involved in the jewelry profession.[3]

The goddess, as Mahisasuramardhini, appears quite early in Indian art. The Archaeological Museum in Matura has several statues on display including a 6-armed Kushana period Mahisasuramardhini that depicts her pressing down the buffalo with her lower hands.[4] A Nagar plaque from the first century BC - first century AD depicts a 4-armed Mahisamardhini accompanied by a lion. But it is in the Gupta period that we see the finest representations of Mahisasuramardhini (2-, 4-, 6-, and at Udayagiri, 12-armed). The spear and trident are her most common weapons. A Mamallapuram relief shows the goddess with 8 arms riding her lion subduing a buffalo-faced demon (as contrasted with a buffalo demon); a variation also seen at Ellora. In later sculptures (post-seventh Century), sculptures show the goddess having decapitated the buffalo demon.

[edit]Worship

A priest worshipping a contemporary image of Durga during Durga Puja

Durga statues installed during Dasara, Gokarnanatheshwara Temple

The four day long (Saptami to Dashami) Durga Puja is the biggest annual festival in Bengal, Assam,Orissa, Bihar, Jharkhand and Nepal, where it is known as Dashain. It is celebrated likewise with much fervour in various parts of India, especially the Himalayan region, but is celebrated in various forms throughout the Hindu universe.

The day of Durga's victory is celebrated as Vijayadashami (Bengali), Dashain (Nepali) or Dussehra(Hindi) - these words literally mean "the Victory Tenth" (day).[5]

In Kashmir she is worshipped as shaarika (the main temple is in Hari Parbat in Srinagar).

The actual period of the worship however may be on the preceding nine days (Navaratri) followed by the last day called Vijayadashami in North India or five days in Bengal (from the sixth to tenth day of the waxing-moon fortnight). Nine aspects of Durga known as Navadurga are meditated upon, one by one during the nine-day festival by devout Shakti worshippers. In South India especially Andhra Pradesh Dussera Navaratri is also celebrated and the goddess is dressed each day as a different devi like Sraswati, Parvati, Laksmi etc. for the nine days.

In North India, the tenth day, signifying Rama's victory in his battle against the demon Ravana, is celebrated as Dussehra - gigantic straw effigies of Ravana are burnt in designated open spaces (e.g.Delhi's Ram Lila grounds), watched by thousands of families and little children.

In Mysore Karnataka, she is worshipped as Chamundeshwari, the patron goddess of the city during Dussehra

In Gujarat it is celebrated as the last day of Navaratri, during which the Garba dance is performed to celebrate the vigorous victory of Mahishasura-mardini Durga.

The Goddess Durga is worshipped in her peaceful form as Maha Gauri, The Fair Lady, ShreeShantadurga also known as santeri, is the patron Goddess of Goa. She is worshipped by all Goan Hindus.

In Maharashtra, Tulja Bhavani and Ambabai is worshipped as Mahishasur Mardini and is patron goddess of land. Bhavani is known as Tulaja, Amba, Renuka, Yamai, Saptshrungi, Jogai in different places of Maharashtra. She is inspirational goddess of Raja shivaji. As per legends, Bhavani revealed to Shivaji and blessed him to form a kingdom.

Durga Puja at West Bengal

[edit]Mahishasuramardini Stotra

Mahishasuramardini Stotra[6]

ayi girina.ndini na.nditamedini vishvavinodini na.ndanute

girivara vi.ndhya shirodhinivaasini vishhNuvilaasini jishhNunute

bhagavati he shitikaNThakuTuMbini bhuuri kuTuMbini bhuuri kRite

jaya jaya he mahishhaasuramardini ramyakapardini shailasute

O daughter of the mountain, who makes the whole earth happy, who makes the whole universe rejoice, praised by Nandin

dwelling on the peak of the great Vindhya mountain, glittering widely, praised by those desirous of victory

O Goddess, wife of the blue necked Siva, One who has many families, One who has done a lot,

be victorious, be victorious, O destroyer of the demon mahisa, with beautiful braids of hair, daughter of the mountain Himalaya

suravaravarshhiNi durdharadharshhiNi durmukhamarshhiNi harshharate

tribhuvanaposhhiNi sha.nkaratoshhiNi kilbishhamoshhiNi ghoshharate

danuja niroshhiNi ditisuta roshhiNi durmada shoshhiNi sindhusute

jaya jaya he mahishhaasuramardini ramyakapardini shailasute

O bestower of boons on Gods, One who assails those hard to control, who tolerates those with ugly faces (?), one engrossed in rejoicing

One who nourishes the three worlds, One who pleases sankara, One who removes sins, One who engrosses in sound of Om (?)

One who is angry with the progeny of Danu (demon), One who is angry with the sons of Diti (also demon), One who destroys those with evil intoxication of pride, daughter of the ocean

[edit]Notable temples in India and Indonesia

Durga sculpture, British Museum

Durga Hoysala sculpture


[edit]See also

A dancer portrays Durga with a Trident


[edit]References

  1. ^ "Durga". Encyclopædia Britannica Online. Retrieved October 7, 2009.
  2. ^ Kinsley, David (1988). Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions. University of California Press. ISBN 0-520-06339-2. p. 95.
  3. ^ G. S. Purswani "Incredible Origin and History of Khudabadi Sindhi Swarankar"-2005 Jaipur
  4. ^ R. C. Agrawala, "The Goddess Mahisasuramardini in Early Indian Art", Artibus Asiae, Vol. 21, No. 2 (1958), pp. 123-130
  5. ^ Esposito, John L.; Darrell J. Fasching, Todd Vernon Lewis (2007). Religion & globalization: world religions in historical perspective. Oxford University Press. p. 341. ISBN 0195176952.‎
  6. ^ "Mahishasuramardini Stotra (with meaning)". Retrieved Jan-2011.

[edit]Further reading


[edit]External links

*

Wikimedia Commons has media related to: Durga


--
Palash Biswas
Pl Read:
http://nandigramunited-banga.blogspot.com/
Posted by at No comments:
Subscribe to: Posts (Atom)